Difference between revisions of "Griselda Pollock"
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Latest revision as of 13:52, 20 December 2023
Griselda Pollock (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory.
Publications[edit]
- Millet, London: Oresko Books, 1977.
- Avant-Garde Gambits: Gender and the Colour of Art History, London: Thames and Hudson, 1993.
- editor, Julia Kristeva 1966–96: Aesthetics Politics Ethics, Parallax, 1998.
- Differencing the Canon: Feminism and the Writing of Art's Histories, Routledge, 1999.
- editor, Psychoanalysis and the Image: Transdisciplinary Perspectives, Boston and Oxford: Blackwell, 2006.
- editor, with Vanessa Corby, Encountering Eva Hesse, Munich: Prestel, 2006.
- editor, Museums After Modernism: Strategies of Engagement, Blackwell, 2007.
- editor, Victoria Turvey-Sauron, The Sacred and the Feminine: Imagination and Sexual Difference, London: I.B. Tauris, 2007.
- Vision and Difference: Feminism, Femininity and the Histories of Art, London and New York: Routledge, 2008.
- editor, Conceptual Odysseys: Passages to Cultural Analysis, London: I.B. Tauris, 2008.
- editor, with Victoria Anderson, Bluebeard's Legacy: Death and Secrets from Bartók to Hitchcock, London: I.B. Tauris, 2009.
- editor, with Anthony Bryant, Digital and Other Virtualities: Renegotiating the Image, London: I.B. Tauris, 2010.
- After-affects | After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum, Manchester University Press, 2013, 416 pp. [1]
- editor, Visual Politics of Psychoanalysis: Art and the Image in Post-Traumatic Cultures, London: I.B. Tauris, 2013.
- with Rozsika Parker, Old Mistresses: Women, Art and Ideology, London: I.B. Tauris, 2013.
- editor, with Max Silverman, Concentrationary Imaginaries: Tracing Totalitarian Violence in Popular Culture, London: I.B. Tauris, 2015.
- editor, with Max Silverman, Concentrationary Art: Jean Cayrol, the Lazarean and the Everyday in Post-War Film, Literature, Music and the Visual Arts, Berghahn Books, 2019.
- Feminism: A Bad Memory?, London: Verso, 2021, 192 pp. [2]
