Difference between revisions of "Griselda Pollock"
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| − | Griselda Pollock (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory. | + | '''Griselda Pollock''' (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory. |
| − | == | + | ==Publications== |
* ''Millet'', London: Oresko Books, 1977. | * ''Millet'', London: Oresko Books, 1977. | ||
* ''Avant-Garde Gambits: Gender and the Colour of Art History'', London: Thames and Hudson, 1993. | * ''Avant-Garde Gambits: Gender and the Colour of Art History'', London: Thames and Hudson, 1993. | ||
| − | * editor, ''Julia Kristeva 1966–96: Aesthetics politics ethics'', Parallax, 1998 | + | * editor, ''Julia Kristeva 1966–96: Aesthetics politics ethics'', Parallax, 1998. |
| − | * editor, ''Psychoanalysis and the Image'', Boston and Oxford: Blackwell, 2006, [https:// | + | * ''[http://library.memoryoftheworld.org/#/book/fdf5c305-6775-40f3-8a80-8f818badc3d4 Differencing the Canon: Feminism and the Writing of Art's Histories]'', Routledge, 1999. |
| − | * ''Vision and Difference: Feminism, Femininity and the Histories of Art'', London and New York: Routledge, 2008 | + | * editor, ''Psychoanalysis and the Image'', Boston and Oxford: Blackwell, 2006. |
| − | * ''Conceptual Odysseys: Passages to Cultural Analysis'', London: I.B. Tauris, 2008, [ | + | * editor, with Vanessa Corby, ''[https://aaaaarg.fail/thing/5dc6f0259ff37c4187612602 Encountering Eva Hesse]'', Munich: Prestel, 2006. |
| − | + | * editor, Victoria Turvey-Sauron, ''[http://library.memoryoftheworld.org/#/book/71943cba-0eb0-47c1-a70f-6f7acf0fa97a The Sacred and the Feminine: Imagination and Sexual Difference]'', London: I.B. Tauris, 2007. | |
| − | + | * ''[http://library.memoryoftheworld.org/#/book/4a4173c4-58ac-4dfb-8b53-9b429d4756da Vision and Difference: Feminism, Femininity and the Histories of Art]'', London and New York: Routledge, 2008. | |
| + | * ''Conceptual Odysseys: Passages to Cultural Analysis'', London: I.B. Tauris, 2008. | ||
| + | * editor, with Victoria Anderson, ''[http://library.memoryoftheworld.org/#/book/534ab2ee-0193-414e-b9c0-89d62062b8f6 Bluebeard's Legacy: Death and Secrets from Bartók to Hitchcock]'', London: I.B. Tauris, 2009. | ||
| + | * editor, with Anthony Bryant, ''[http://library.memoryoftheworld.org/#/book/2b5b722b-c282-435a-b4ae-acb11f1bcdd3 Digital and Other Virtualities: Renegotiating the Image]'', London: I.B. Tauris, 2010. | ||
* ''After-affects | After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum'', Manchester University Press, 2013, 416 pp. [http://www.manchesteruniversitypress.co.uk/9780719087981/] | * ''After-affects | After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum'', Manchester University Press, 2013, 416 pp. [http://www.manchesteruniversitypress.co.uk/9780719087981/] | ||
| + | * editor, ''[http://library.memoryoftheworld.org/#/book/64624790-479d-4885-a31b-738ddea8bc74 Visual Politics of Psychoanalysis: Art and the Image in Post-Traumatic Cultures]'', London: I.B. Tauris, 2013. | ||
| + | * with Rozsika Parker, ''[http://library.memoryoftheworld.org/#/book/8dba6182-b4e8-48a6-b0a3-4d561e36b6fd Old Mistresses: Women, Art and Ideology]'', London: I.B. Tauris, 2013. | ||
| + | * editor, with Max Silverman, ''[http://library.memoryoftheworld.org/#/book/61e5a0d3-9646-4ba2-b487-f8f5e27ef8b4 Concentrationary Imaginaries: Tracing Totalitarian Violence in Popular Culture]'', London: I.B. Tauris, 2015. | ||
| + | * editor, with Max Silverman, ''[http://library.memoryoftheworld.org/#/book/ce3a66d8-e6b4-4293-b891-42b8b683baf7 Concentrationary Art: Jean Cayrol, the Lazarean and the Everyday in Post-War Film, Literature, Music and the Visual Arts]'', Berghahn Books, 2019. | ||
==Links== | ==Links== | ||
| − | * http://en.wikipedia.org/wiki/Griselda_Pollock | + | * [http://en.wikipedia.org/wiki/Griselda_Pollock Wikipedia] |
* http://www.leeds.ac.uk/cath/people/gfsp.html | * http://www.leeds.ac.uk/cath/people/gfsp.html | ||
[[Category:Art history]] {{DEFAULTSORT:Pollock, Griselda}} | [[Category:Art history]] {{DEFAULTSORT:Pollock, Griselda}} | ||
Revision as of 20:57, 18 November 2019
Griselda Pollock (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory.
Publications
- Millet, London: Oresko Books, 1977.
- Avant-Garde Gambits: Gender and the Colour of Art History, London: Thames and Hudson, 1993.
- editor, Julia Kristeva 1966–96: Aesthetics politics ethics, Parallax, 1998.
- Differencing the Canon: Feminism and the Writing of Art's Histories, Routledge, 1999.
- editor, Psychoanalysis and the Image, Boston and Oxford: Blackwell, 2006.
- editor, with Vanessa Corby, Encountering Eva Hesse, Munich: Prestel, 2006.
- editor, Victoria Turvey-Sauron, The Sacred and the Feminine: Imagination and Sexual Difference, London: I.B. Tauris, 2007.
- Vision and Difference: Feminism, Femininity and the Histories of Art, London and New York: Routledge, 2008.
- Conceptual Odysseys: Passages to Cultural Analysis, London: I.B. Tauris, 2008.
- editor, with Victoria Anderson, Bluebeard's Legacy: Death and Secrets from Bartók to Hitchcock, London: I.B. Tauris, 2009.
- editor, with Anthony Bryant, Digital and Other Virtualities: Renegotiating the Image, London: I.B. Tauris, 2010.
- After-affects | After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum, Manchester University Press, 2013, 416 pp. [1]
- editor, Visual Politics of Psychoanalysis: Art and the Image in Post-Traumatic Cultures, London: I.B. Tauris, 2013.
- with Rozsika Parker, Old Mistresses: Women, Art and Ideology, London: I.B. Tauris, 2013.
- editor, with Max Silverman, Concentrationary Imaginaries: Tracing Totalitarian Violence in Popular Culture, London: I.B. Tauris, 2015.
- editor, with Max Silverman, Concentrationary Art: Jean Cayrol, the Lazarean and the Everyday in Post-War Film, Literature, Music and the Visual Arts, Berghahn Books, 2019.
