Difference between revisions of "Free software"

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==See also==
 
==See also==
  
[[Federated networks]], [[Hacker culture]], [[Shadow libraries]], [[Copyright activism]], [[Commons]], [[Data activism]], [[Art servers]], [[Pure Data]], [[SuperCollider]], [[Live coding]], [[Libre graphics]]
+
[[Federated networks]], [[Community servers]], [[Shadow libraries]], [[Hacker culture]], [[Copyright activism]], [[Commons]], [[Data activism]], [[Pure Data]], [[SuperCollider]], [[Live coding]], [[Libre graphics]]
  
  

Revision as of 18:53, 14 February 2023

For free, libre and open-source software, culture and the arts

Events

Conferences and summits
FLOSS arts festivals and events

Publications

  • Armin Medosch, "Roots Culture: Free Software Vibrations Inna Babylon", in How Open is the Future? Economic, Social & Cultural Scenarios Inspired by Free and Open Source Software, eds. Marleen Wynants and Jan Cornelis, Brussels: VUB Brussels University Press, 2005, pp 135-162; upd. in Engineering Culture: On 'The Author as (Digital) Producer' , eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 177-201; repr. in Sarai Reader 2005: Bare Acts, New Delhi: Sarai, 2005, pp 222-239. Draft.
  • Aymeric Mansoux, Marloes de Valk (eds.), FLOSS+Art, Poitiers: Goto10, and London: Mute, 2008, 320 pp.
  • Aymeric Mansoux, "How Deep is Your Source", in Digital Art Conservation, Preservation of Digital Art: Theory and Practice, ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.

Documentary films

  • Art Meets Radical Openness, 2009, 26 min. Documentary of the 2009 festival edition. Film conceived by Annalisa Cannito, Chui Yong Jian, Santiago Bence.

Resources

See also

Federated networks, Community servers, Shadow libraries, Hacker culture, Copyright activism, Commons, Data activism, Pure Data, SuperCollider, Live coding, Libre graphics