Difference between revisions of "Computer music"

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* Barry S. Brook (ed.), ''Musicology and the Computer'', New York, 1970.
 
* Barry S. Brook (ed.), ''Musicology and the Computer'', New York, 1970.
  
* Harry B. Lincoln (ed.), ''The Computer and Music'', Ithaca: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL].
+
* Harry B. Lincoln (ed.), ''[[Media:Lincoln_Harry_B_ed_The_Computer_and_Music_1970.pdf|The Computer and Music]]'', Ithaca, NY: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL].
  
 
* ''Computer Music Journal'', quarterly, MIT Press, 1977-2020. [https://direct.mit.edu/comj]
 
* ''Computer Music Journal'', quarterly, MIT Press, 1977-2020. [https://direct.mit.edu/comj]

Revision as of 17:55, 10 April 2021

Pages

Literature

  • Harald Heckmann (ed.), Elektronische Datenverarbeitung in der Musikwissenschaft, Regensburg, 1967. (German)
  • Gerald Lefkoff (ed.), Computer Applications in Music, Morgantown, WV, 1967.
  • Heinz von Foerster, James W. Beauchamp (eds.), Music by Computer, John Wiley & Sons, 1969, 139 pp.
  • Barry S. Brook (ed.), Musicology and the Computer, New York, 1970.
  • Computer Music Journal, quarterly, MIT Press, 1977-2020. [1]
  • Peter Manning, Electronic and Computer Music, New York: Oxford University Press, 1985, 291+[8] pp; 2nd ed., 1993, viii+399 pp; rev. & exp. ed., 2004, x+474 pp; 4th ed., 2013, xii+543 pp.
  • Curtis Roads, et al., The Computer Music Tutorial, Cambridge, MA: MIT Press, 1996, xx+1234 pp.
    • L'audionumérique, trans. Jean de Reydellet, Paris: Dunod, 1999, 679 pp; 2nd ed. as L'audionumérique: musique et informatique, Paris: Dunod, 2007, 658 pp; 3rd ed., Paris: Dunod, 2016, 674 pp. (French)
    • Konpyūta ongaku: rekishi tekunorojī āto. [コンピュータ音楽 : 歴史・テクノロジー・アート], Tokyo: Tōkyō Denki Daigaku Shuppankyoku, 2001, 1054 pp. (Japanese)
  • Curtis Roads, Microsound, Cambridge, MA: MIT Press, 2001, xii+409 pp. With an audio CD.

See also

Electroacoustic music, Sound art