Difference between revisions of "Benjamin H. D. Buchloh"

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'''Benjamin Heinz-Dieter Buchloh''' (1941) is a German art historian. He is currently the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.
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'''Benjamin Heinz-Dieter Buchloh''' (15 November 1941, Cologne) is an art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.  
  
 
==Works==
 
==Works==
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* with Judith F. Rodenbeck, ''Experiments in the Everyday: Allan Kaprow and Robert Watts. Events, Objects, Documents'', New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999, xv+155 pp, [https://archive.org/details/experimentsineve0000buch/ IA].
 
* with Judith F. Rodenbeck, ''Experiments in the Everyday: Allan Kaprow and Robert Watts. Events, Objects, Documents'', New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999, xv+155 pp, [https://archive.org/details/experimentsineve0000buch/ IA].
  
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* ''Neo-Avantgarde and Culture Industry'', 2000. Essays.
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* ''[http://library.memoryoftheworld.org/#/book/6991c6e2-4140-4288-b7d2-d134b2ae4921 Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975]'', MIT Press (October Books), 2000, 632 pp, [http://libgen.rs/book/index.php?md5=DF67F538DECEF2BD29DE4F683CA5897A PDF]. [https://mitpress.mit.edu/9780262523479/neo-avantgarde-and-culture-industry Publisher].
  
 
* with Karner Dietrich, ''Allan Sekula: Performance Under Working Conditions'', 2003. [https://vimeo.com/36995944]
 
* with Karner Dietrich, ''Allan Sekula: Performance Under Working Conditions'', 2003. [https://vimeo.com/36995944]
  
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* with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, ''[http://libgen.rs/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (2005), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel] (2005), [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (2005 PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB 2006), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006).
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* with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, ''[http://libgen.rs/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899 Publisher]. Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (Artforum), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (Guardian), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (NY Times), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (Frieze), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel], [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (Leonardo).
 
** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
 
** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
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** ''Arte dal 1900: modernismo, antimodernismo, postmodernismo'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}}
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** ''[http://libgen.rs/book/index.php?md5=D0D70C82103DF69D42B9BE7CD2506779 Arte dal 1900: modernismo, antimodernismo, postmodernismo]'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}}
 
** ''Umění po roce 1900: modernismus, antimodernismus, postmodernismus'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. {{cz}}
 
** ''Umění po roce 1900: modernismus, antimodernismus, postmodernismus'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. {{cz}}
 
** 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp. {{ko}}
 
** 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp. {{ko}}
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* ''Thomas Hirschhorn'', 2004.
 
* ''Thomas Hirschhorn'', 2004.
  
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* ''Formalism and Historicity: Models and Methods in Twentieth-Century Art'', MIT Press (October Books), 2015, 592 pp. [https://mitpress.mit.edu/books/formalism-and-historicity]
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* editor, ''Gerhard Richter'', MIT Press (October Books), 2009, 200 pp. [https://mitpress.mit.edu/9780262513128/gerhard-richter/ Publisher].
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* ''[https://aaaaarg.fail/thing/5f2bbc289ff37c461f2e81d5 Formalism and Historicity: Models and Methods in Twentieth-Century Art]'', MIT Press (October Books), 2015, 592 pp. [https://mitpress.mit.edu/9780262028523/formalism-and-historicity Publisher].
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** ''[https://aaaaarg.fail/thing/5b56a00f9ff37c0fef622bcb Formalismo e historicidad: Modelos y métodos en el arte del siglo XX]'',
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* ''Gerhard Richter: Painting After the Subject of History'', MIT Press (October Books), 2022, 696 pp. [https://mitpress.mit.edu/9780262543538/gerhard-richter/ Publisher]. Reviews: [https://www.artforum.com/print/202302/harmon-siegel-on-benjamin-h-d-buchloh-s-gerhard-richter-painting-after-the-subject-of-history-89984 Siegel] (Artforum), [https://www.artnews.com/art-in-america/aia-reviews/benjamin-h-d-buchloh-gerhard-richter-painting-after-the-subject-of-history-1234638464/ Spaulding] (Art in America), [https://doi.org/10.1080/10848770.2023.2174286 Sigler] (Eur Legacy).
  
 
; Articles (selection)
 
; Articles (selection)
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==Links==
 
==Links==
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* https://harvard.academia.edu/BenjaminBuchloh
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* [https://harvard.academia.edu/BenjaminBuchloh Academia.edu]
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* [http://en.wikipedia.org/wiki/Benjamin_H._D._Buchloh Buchloh at Wikipedia]
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* [http://en.wikipedia.org/wiki/Benjamin_H._D._Buchloh Wikipedia]
  
 
[[Series:Art history]] {{DEFAULTSORT:Buchloh, Benjamin}}
 
[[Series:Art history]] {{DEFAULTSORT:Buchloh, Benjamin}}

Revision as of 12:15, 9 August 2023

Benjamin Heinz-Dieter Buchloh (15 November 1941, Cologne) is an art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.

Works

Books
  • with Kynaston McShine and Robert Rosenblum, Andy Warhol: A Retrospective, 1990.
  • with Lynne Cooke, James Coleman: Projected Images 1972-1994, 1995.
  • with Judith F. Rodenbeck, Experiments in the Everyday: Allan Kaprow and Robert Watts. Events, Objects, Documents, New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999, xv+155 pp, IA.
  • with Karner Dietrich, Allan Sekula: Performance Under Working Conditions, 2003. [1]
  • with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; 3rd ed., upd. & exp., 2016, 896 pp. Publisher. Reviews: Bishop (Artforum), Collings (Guardian), Gewen (NY Times), Bryson (Frieze), Karmel, Sá (PT), Richard (LRB), Dahlberg (Leonardo).
    • Arte desde 1900: modernidad, antimodernidad, posmodernidad, trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. (Spanish)
    • Arte dal 1900: modernismo, antimodernismo, postmodernismo, trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. (Italian)
    • Umění po roce 1900: modernismus, antimodernismus, postmodernismus, trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. (Czech)
    • 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp. (Korean)
    • Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [2] (Russian)
  • Thomas Hirschhorn, 2004.
  • editor, Gerhard Richter, MIT Press (October Books), 2009, 200 pp. Publisher.
  • Gerhard Richter: Painting After the Subject of History, MIT Press (October Books), 2022, 696 pp. Publisher. Reviews: Siegel (Artforum), Spaulding (Art in America), Sigler (Eur Legacy).
Articles (selection)
  • "De l'esthétique d'administration à la critique institutionnelle (Aspects de l'art conceptuel, 1962-1969)", in L'art conceptuel, une perspective, Paris: Musée d’Art Moderne de la Ville de Paris, 1989, pp 25-29; repr. in Buchloh, Essais historiques II, Lyon: Art édition, 1992, pp 155-212. (French)
Bibliography

Links

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