Difference between revisions of "Benjamin H. D. Buchloh"

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*{{a|Buchloh1990}}"De l'esthétique d'administration à la critique institutionnelle (Aspects de l'art conceptuel, 1962-1969)", in ''L'art conceptuel, une perspective'', Paris: Musée d’Art Moderne de la Ville de Paris, 1989, pp 25-29; repr. in Buchloh, ''Essais historiques II'', Lyon: Art édition, 1992, pp 155-212. {{fr}}
 
*{{a|Buchloh1990}}"De l'esthétique d'administration à la critique institutionnelle (Aspects de l'art conceptuel, 1962-1969)", in ''L'art conceptuel, une perspective'', Paris: Musée d’Art Moderne de la Ville de Paris, 1989, pp 25-29; repr. in Buchloh, ''Essais historiques II'', Lyon: Art édition, 1992, pp 155-212. {{fr}}
 
** [[Media:Buchloh Benjamin HD 1990 Conceptual Art 1962-1969 From the Aesthetic of Administration to the Critique of Institutions.pdf|"Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions"]], ''October'' 55, Winter 1990, pp 105-143.
 
** [[Media:Buchloh Benjamin HD 1990 Conceptual Art 1962-1969 From the Aesthetic of Administration to the Critique of Institutions.pdf|"Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions"]], ''October'' 55, Winter 1990, pp 105-143.
 +
** "Von der Ästhetik der Verwaltung zur institutionellen Kritik. Einige Aspekte der Konzeptkunst von 1962-1969", in ''Um 1968. Konkrete Utopien in Kunst und Gesellschaft'', ed. Marie Luise Syring, Düsseldorf: Städtische Kunsthalle Düsseldorf, and Cologne: Dumont, 1990, pp 86-99. {{de}}
 
** "El arte conceptual de 1962 a 1969: de la estética de la administración a la crítica de las instituciones", in Buchloh, ''[[Media:Buchloh Benjamin Formalismo e historicidad modelos y metodos en el arte del siglo XX 2004.pdf|Formalismo e historicidad: modelos y métodos en el arte del siglo XX]]'', Madrid: Akal, 2004, pp 167-200. {{es}}
 
** "El arte conceptual de 1962 a 1969: de la estética de la administración a la crítica de las instituciones", in Buchloh, ''[[Media:Buchloh Benjamin Formalismo e historicidad modelos y metodos en el arte del siglo XX 2004.pdf|Formalismo e historicidad: modelos y métodos en el arte del siglo XX]]'', Madrid: Akal, 2004, pp 167-200. {{es}}
−
** "Konceptuell konst 1962-1969: från administrationens estetik till kritik av institutioner", ''Kairos'' 11: "Konceptkonst", ed. Sven-Olov Wallenstein, Stockholm: Raster, 2006. {{sw}}
+
** "Konceptuell konst 1962-1969: från administrationens estetik till kritik av institutioner", ''Kairos'' 11: "Konceptkonst", ed. Sven-Olov Wallenstein, Stockholm: Raster, 2006. [https://www.raster.se/Beskrivning.asp?id=332&from=Katalog] {{sw}}
 +
** [https://www.idea.ro/revista/ro/article/XIpthBAAACYAy56V/arta-conceptuala-19621969-de-la-estetica-administrarii-la-critica-institutiilor "Arta conceptuală 1962–1969: De la estetica administrării la critica instituțiilor"], trans. Veronica Lazăr and Andrei State, ''IDEA'' 25, 2006. {{ro}}
 +
** "Konceptualna umetnost 1962-1969: od estetike administracije do kritike institucija", trans. Zorana Dojić and Jelena Vesić, ''Prelom'' 9, Belgrade, 2008, pp 199-222. [https://www.ceeol.com/search/article-detail?id=875174] {{sr}}
  
 
; Bibliography
 
; Bibliography

Revision as of 10:30, 9 August 2023

Benjamin Heinz-Dieter Buchloh (1941) is a German art historian. He is currently the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.

Works

Books
  • with Kynaston McShine and Robert Rosenblum, Andy Warhol: A Retrospective, 1990.
  • with Lynne Cooke, James Coleman: Projected Images 1972-1994, 1995.
  • with Judith F. Rodenbeck, Experiments in the Everyday: Allan Kaprow and Robert Watts. Events, Objects, Documents, New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999, xv+155 pp, IA.
  • Neo-Avantgarde and Culture Industry, 2000. Essays.
  • with Karner Dietrich, Allan Sekula: Performance Under Working Conditions, 2003. [1]
  • with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; 3rd ed., upd. & exp., 2016, 896 pp. [2] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Bryson (2005), Karmel (2005), Sá (2005 PT), Richard (LRB 2006), Dahlberg (2006).
    • Arte desde 1900: modernidad, antimodernidad, posmodernidad, trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. (Spanish)
    • Arte dal 1900: modernismo, antimodernismo, postmodernismo, trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. (Italian)
    • Umění po roce 1900: modernismus, antimodernismus, postmodernismus, trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. (Czech)
    • 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp. (Korean)
    • Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [3] (Russian)
  • Thomas Hirschhorn, 2004.
  • Formalism and Historicity: Models and Methods in Twentieth-Century Art, MIT Press (October Books), 2015, 592 pp. [5]
Articles (selection)
  • "De l'esthétique d'administration à la critique institutionnelle (Aspects de l'art conceptuel, 1962-1969)", in L'art conceptuel, une perspective, Paris: Musée d’Art Moderne de la Ville de Paris, 1989, pp 25-29; repr. in Buchloh, Essais historiques II, Lyon: Art édition, 1992, pp 155-212. (French)
Bibliography

Links

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