Difference between revisions of "Benjamin H. D. Buchloh"
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==Works== | ==Works== | ||
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* with Kynaston McShine and Robert Rosenblum, ''Andy Warhol: A Retrospective'', 1990. | * with Kynaston McShine and Robert Rosenblum, ''Andy Warhol: A Retrospective'', 1990. | ||
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* ''Formalism and Historicity: Models and Methods in Twentieth-Century Art'', MIT Press (October Books), 2015, 592 pp. [https://mitpress.mit.edu/books/formalism-and-historicity] | * ''Formalism and Historicity: Models and Methods in Twentieth-Century Art'', MIT Press (October Books), 2015, 592 pp. [https://mitpress.mit.edu/books/formalism-and-historicity] | ||
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| + | ; Articles (selection) | ||
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| + | *{{a|Buchloh1990}}"De l'esthétique d'administration à la critique institutionnelle (Aspects de l'art conceptuel, 1962-1969)", in ''L'art conceptuel, une perspective'', Paris: Musée d’Art Moderne de la Ville de Paris, 1989, pp 25-29; repr. in Buchloh, ''Essais historiques II'', Lyon: Art édition, 1992, pp 155-212. {{fr}} | ||
| + | ** [[Media:Buchloh Benjamin HD 1990 Conceptual Art 1962-1969 From the Aesthetic of Administration to the Critique of Institutions.pdf|"Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions"]], ''October'' 55, Winter 1990, pp 105-143. | ||
; Bibliography | ; Bibliography | ||
Revision as of 09:24, 9 August 2023
Benjamin Heinz-Dieter Buchloh (1941) is a German art historian. He is currently the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.
Works
- Books
- with Kynaston McShine and Robert Rosenblum, Andy Warhol: A Retrospective, 1990.
- with Lynne Cooke, James Coleman: Projected Images 1972-1994, 1995.
- with Judith F. Rodenbeck, Experiments in the Everyday: Allan Kaprow and Robert Watts. Events, Objects, Documents, New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999, xv+155 pp, IA.
- Neo-Avantgarde and Culture Industry, 2000. Essays.
- with Karner Dietrich, Allan Sekula: Performance Under Working Conditions, 2003. [1]
- with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; 3rd ed., upd. & exp., 2016, 896 pp. [2] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Bryson (2005), Karmel (2005), Sá (2005 PT), Richard (LRB 2006), Dahlberg (2006).
- Arte desde 1900: modernidad, antimodernidad, posmodernidad, trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. (Spanish)
- Arte dal 1900: modernismo, antimodernismo, postmodernismo, trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. (Italian)
- Umění po roce 1900: modernismus, antimodernismus, postmodernismus, trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. (Czech)
- 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp. (Korean)
- Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [3] (Russian)
- Thomas Hirschhorn, 2004.
- Formalism and Historicity: Models and Methods in Twentieth-Century Art, MIT Press (October Books), 2015, 592 pp. [4]
- Articles (selection)
- "De l'esthétique d'administration à la critique institutionnelle (Aspects de l'art conceptuel, 1962-1969)", in L'art conceptuel, une perspective, Paris: Musée d’Art Moderne de la Ville de Paris, 1989, pp 25-29; repr. in Buchloh, Essais historiques II, Lyon: Art édition, 1992, pp 155-212. (French)
- "Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions", October 55, Winter 1990, pp 105-143.
- Bibliography
