Difference between revisions of "Benjamin H. D. Buchloh"

From Monoskop
Jump to navigation Jump to search
m (Text replacement - "//gen.lib.rus.ec" to "//libgen.rs")
Line 10: Line 10:
 
* with Karner Dietrich, ''Allan Sekula: Performance Under Working Conditions'', 2003. [https://vimeo.com/36995944]
 
* with Karner Dietrich, ''Allan Sekula: Performance Under Working Conditions'', 2003. [https://vimeo.com/36995944]
  
* with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, ''[http://gen.lib.rus.ec/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (2005), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel] (2005), [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (2005 PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB 2006), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006).
+
* with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, ''[http://libgen.rs/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (2005), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel] (2005), [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (2005 PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB 2006), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006).
 
** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
 
** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
 
** ''Arte dal 1900: modernismo, antimodernismo, postmodernismo'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}}
 
** ''Arte dal 1900: modernismo, antimodernismo, postmodernismo'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}}

Revision as of 10:31, 5 March 2021

Benjamin Heinz-Dieter Buchloh (1941) is a German art historian. He is currently the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.

Works

  • with Kynaston McShine and Robert Rosenblum, Andy Warhol: A Retrospective, 1990.
  • with Lynne Cooke, James Coleman: Projected Images 1972-1994, 1995.
  • Neo-Avantgarde and Culture Industry, 2000. Essays.
  • with Karner Dietrich, Allan Sekula: Performance Under Working Conditions, 2003. [1]
  • with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; 3rd ed., upd. & exp., 2016, 896 pp. [2] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Bryson (2005), Karmel (2005), (2005 PT), Richard (LRB 2006), Dahlberg (2006).
    • Arte desde 1900: modernidad, antimodernidad, posmodernidad, trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. (Spanish)
    • Arte dal 1900: modernismo, antimodernismo, postmodernismo, trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. (Italian)
    • Umění po roce 1900: modernismus, antimodernismus, postmodernismus, trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. (Czech)
    • 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp. (Korean)
    • Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [3] (Russian)
  • Thomas Hirschhorn, 2004.
  • Formalism and Historicity: Models and Methods in Twentieth-Century Art, MIT Press (October Books), 2015, 592 pp. [4]
Bibliography

Links