Difference between revisions of "Anthony Iles"

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Anthony Iles is a writer and editor based in [[London]]. He is a contributing editor to [[Mute]], an online and quarterly print magazine, http://metamute.org. He is the author of a pamphlet on flexible architecture, participation and regeneration around the London 2012 Olympics entitled 'The Lower Lea Valley as Fun Palace and Creative Prison': [http://www.divshare.com/download/6016897-66f] and co-editor, with [[Mattin]], of the recent book Noise & Capitalism, San Sebastian: Arteleku, 2009: [http://www.arteleku.net/audiolab/noise_capitalism.pdf].
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'''Anthony Iles''' is a doctoral candidate and Visiting Tutor at the School of Art & Design, Middlesex University. He is a Commissioning Editor for the series Documents in Contemporary Art published by the Whitechapel Gallery and MIT Press. A founder member of the Full Unemployment Cinema and a Contributing Editor with ''[[Mute|Mute / Metamute]]'' since 2005, he is the author, with [[Josephine Berry]], of the book, ''No Room to Move: Art and the Regenerate City'' (Mute, London 2011), contributing editor to the recent publications, ''[https://monoskop.org/log/?p=10123 Provocative Alloys: A Post-Media Anthology]'' (Mute, London, and Post-Media Lab, Lüneburg, 2013), ''[[Media:Cunningham Iles Mattar Vishmidt eds Anguish Language Writing and Crisis 2015.pdf|Anguish Language: Writing and Crisis]]'' (Archive Books, Berlin, 2015), and ''Look at Hazards, Look at Losses'' (Mute/Kuda, 2017) and a contributor to ''Brave New Work: A Reader on Harun Farocki’s Film A New Product'' (Buchhandlung Walther König, 2014). Other recent essays by Anthony have been published in the journals ''Cesura//Acceso, Mute, Radical Philosophy, Rab-Rab: Journal for Political and Formal Inquiries in Art and Logos''. [https://saladofpearls.wordpress.com/2019/06/14/print-and-society-workshop/ (2019)]
  
He is co-author, with [[Josephine Berry Slater]], of the book, ''No Room to Move: radical art and the regenerate city'', published by Mute in October 2010.  
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; Links
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* [https://saladofpearls.wordpress.com/ Blog]
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* [http://www.metamute.org/editorial/articles/anthony-iles Profile on ''Mute'']
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* [https://www.mdx.ac.uk/about-us/our-people/staff-directory/profile/iles-anthony Profile on Middlesex U]
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* [https://aaaaarg.fail/maker/53107f8e334fe07269206b46 ARG]
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* [https://independent.academia.edu/AnthonyIles Academia.edu]
  
Over the last ten years he has collaborated extensively with artists and musicians on talks, discussions, workshops, performances, exhibitions, film screenings and publications.
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[[Series:Writers|Iles, Anthony]]
 
 
 
 
http://www.metamute.org/en/content/anthony_iles
 
 
 
 
 
[[Category:Media culture writers|Iles, Anthony]]
 

Latest revision as of 23:21, 25 February 2023

Anthony Iles is a doctoral candidate and Visiting Tutor at the School of Art & Design, Middlesex University. He is a Commissioning Editor for the series Documents in Contemporary Art published by the Whitechapel Gallery and MIT Press. A founder member of the Full Unemployment Cinema and a Contributing Editor with Mute / Metamute since 2005, he is the author, with Josephine Berry, of the book, No Room to Move: Art and the Regenerate City (Mute, London 2011), contributing editor to the recent publications, Provocative Alloys: A Post-Media Anthology (Mute, London, and Post-Media Lab, Lüneburg, 2013), Anguish Language: Writing and Crisis (Archive Books, Berlin, 2015), and Look at Hazards, Look at Losses (Mute/Kuda, 2017) and a contributor to Brave New Work: A Reader on Harun Farocki’s Film A New Product (Buchhandlung Walther König, 2014). Other recent essays by Anthony have been published in the journals Cesura//Acceso, Mute, Radical Philosophy, Rab-Rab: Journal for Political and Formal Inquiries in Art and Logos. (2019)

Links