Video art

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Artists, collectives, events

Artists (cont.)

Peggy Ahwesh, Francis Alÿs, Atlas Group, Yael Bartana, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, General Idea, Douglas Gordon, Dan Graham, Halflifers, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Paper Tiger Television, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Sam Taylor-Wood, Ryan Trecartin, Hannah Wilke, Artur Żmijewski.

Archives and distributors

Links point to online catalogues.

more

TV as a Creative Medium, New York, 1969, PDF.
Video Art, Philadelphia, 1975, PDF.
The Video Show, London, 1975, PDF.
Radical Software magazine, 1970-74, Log, PDFs.
Gene Youngblood, Expanded Cinema, 1970, Log, PDF.
Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.
David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, 1992, Log.

Publications

Exhibition catalogues

  • TV as a Creative Medium, New York: Howard Wise Gallery, 1969, [8] pp. Commentary: Sturken (Afterimage 1984).
  • Video Circuits, McLaughlin Library, University of Guelph, 1973, 21 pp.
  • Video Art, ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. Antin's essay. Exh. held in Philadelphia, Cincinnati, Chicago, and Hartford/CT. [1]
  • The Video Show: Festival of Independent Video, London: Serpentine Gallery, 1975. Related documents. Hall's review. [2]
  • documenta 6, Kassel, 1977.
  • Plan K: Festival international de musique électronique, video et computer art / International Festival voor Elektronische Muziek, Video en Computer Art, Brussels, 1981, 142 pp. [3] (French)/(Dutch)
  • The Second Link: Viewpoints on Video in the Eighties, ed. Lorne Falk, Banff, CA: Banff Centre School of Fine Arts, 1983, 111 pp. Review: Zippay (Art J 1985).
  • Het Lumineuze beeld / Luminous Image, Amsterdam: Stedelijk Museum, 1984, 194 pp. With 22 video-installations by European and American artists. Poster. [4]. Documentary by Montevideo (1984, 57 min). Reviews: Zippay (Art J 1985), Duguet & Andrews (Camera Obscura, 1985).
  • New American Video Art: A Historical Survey, 1967-1980, ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​ [5]
  • Vidéo, ed. René Payant, Montreal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the Video 84 symposium. (French)/(English)
  • Video and Language. Video as Language, 1986, [6] pp.
  • Resolutions: A Critique of Video Art, ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [6]
  • The Arts for Television, eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Works by 102 artists; works and essays are classified under the following headings: image, theatre, literature, dance, music and television. [7] [8] [9]
  • Video Art: Expanded Forms, ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. Curator's essay in Leonardo (1990).
  • Video-Skulptur retrospektiv und aktuell 1963-1989, eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held in Cologne, Berlin and Zürich. (German)
  • Passages de l'image, eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. (French)
    • Passages de l'image, Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. (English)/(Catalan)
  • Video Positive, Liverpool, 1991. Review: Partridge (Variant 1991).
  • Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, ed. Karen Jacobson, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [10] [11] [12]
  • Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [13]
  • TV ARTS TV: The Television Shot by Artists, ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
  • Vidéo Vintage 1963–1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou, ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. [14]. Exh. held at Centre Pompidou, 8 Feb-7 May 2012; ZKM Karlsruhe; Beirut Art Center; MMCA Seoul. (French)

Conferences and symposia

Miscellaneous

Artists' writings

Magazines
  • Radical Software magazine, 11 issues, 1970-74, Log, PDFs.
  • Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [16]
Monographs
Anthologies
  • Video Art: An Anthology, eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.

Art history and theory

Books
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
    • Cine expandido, Buenos Aires: Eduntref, 2012, 456 pp. [17] (Spanish)
    • Expanded cinema, trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [18]
  • Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
  • Peggy Gale (ed.), Video by Artists, intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [19] [20]
  • Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML.
  • Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977.
  • Gregory Battcock (ed.), New Artists' Video: A Critical Anthology, New York: E.P.Dutton, 1978, xxii+198 pp. [21]
  • Bettina Gruber, Maria Vedder (eds.), Kunst und Video: Internationale Entwicklung und Künstler, Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: Zippay (Art J 1985). (German)
  • John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp, OL.
  • Deidre Boyle, Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
  • Elke Town (ed.), Video by Artists, 2, Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [22]
  • Lori Zippay (ed.), Artists' Video: An International Guide, New York: Cross River Press, 1991, 272 pp.
  • Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Press, 1991. Morse's essay, Sturken's essay.
  • David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, Santa Fe: The Vasulkas, 1992, 240 pp.
  • Christine Ross, Images de surface: l'art vidéo reconsidéré, Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. (French)
  • Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1996, 448 pp. [23]
  • Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
  • The Undercut Reader: Critical Writings on Artists' Film and Video, eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [24]
  • Michael Rush, Video Art, London: Thames & Hudson, 2003; rev.ed., 2007. Introduction + Chapter 1, Chapter 2.
  • Yvonne Speilmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. (German)
    • Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. TOC, Index, [25].
  • Chris Meigh-Andrews, A History of Video Art, Berg 2006; 2nd ed., Bloomsbury, 2014, 387 pp.
  • Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
  • Glenn Phillips (ed.), California Video: Artists and Histories, Los Angeles: Getty Publications, 2008, 312 pp. [26] [27]
  • Erika Suderburg, Ming-Yuen S. Ma (eds.), Resolutions 3: Global Networks of Video, University of Minnesota Press, 2012, 408 pp. [28]
  • Paul Hegarty, Rumour and Radiation: Sound in Video Art, Bloomsbury Academic, 2014.
  • Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), The Emergence of Video Processing Tools, 2 vols., Intellect, 2014. [29]. Review: Pearlman (Leonardo).
  • Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.
  • Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Ashgate, 2015. [30]
  • Gabrielle Jennings (ed.), Abstract Video: The Moving Image in Contemporary Art, forew. Kate Mondloch, University of California Press, 2015.
  • Omar Kholeif (ed.), Moving Image, London: Whitechapel Gallery, 2015, 239 pp.
Journal issues
Book chapters, Papers, Articles
Bibliography and Chronology
Dissertations

More

Resources

See also


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