Gerald Raunig
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Gerald Raunig is a philosopher and art theoretician. He works at the Zürcher Hochschule der Künste and at the eipcp (European Institute for Progressive Cultural Policies). He is a member of the editorial boards of the multilingual publishing platform transversal texts and the journal Kamion. He co-ordinated the transnational research projects republicart, transform and Creating Worlds, and was a member of the editorial board of the Austrian journal for radical democratic cultural politics, Kulturrisse. Lives in Vienna.
Works
- Wien Feber Null. Eine Ästhetik des Widerstands, Vienna: Turia+Kant, 2000, 127 pp. [1] (German)
- editor, Bildräume und Raumbilder. Repräsentationskritik in Film und Aktivismus, Vienna: Turia+Kant, 2004, 188 pp. [4] [5] (German)
- editor, with Ulf Wuggenig, Publicum. Theorien der Öffentlichkeit, Vienna: Turia+Kant, 2005, 127 pp. [6] [7] (German)
- editor, with Bernhard Hummer, Therese Kaufmann and Raimund Minichbauer, Republicart Practices: Documentation Evaluation, Vienna/Linz: EIPCP, 2005.
- Kunst und Revolution. Künstlerischer Aktivismus im langen 20. Jahrhundert, Vienna: Turia+Kant, 2005, 261 pp. [8] [9] (German)
- Art and Revolution. Transversal Activism in the Long Twentieth Century, trans. Aileen Derieg, New York/Los Angeles: Semiotext(e), 2007, 319 pp.
- Umetnost i revolucija. Umetnički aktivizam tokom dugog XX veka, trans. Relja Dražić, Novi Sad: kuda.org, 2006. (Serbian)
- Iskusstvo i revolyutsiya [Искусство и революция. Трансверсальный активизм в долгом двадцатом веке], 2008. (Russian)
- editor, with Ulf Wuggenig, Kritik der Kreativität, Turia+Kant: Vienna, 2007, 251 pp. [10] [11] (German)
- Tausend Maschinen. Eine kleine Philosophie der Maschine als sozialer Bewegung, afterw. Maurizio Lazzarato, Vienna: Turia+Kant, 2008, 125 pp. [12] (German)
- A Thousand Machines, trans. Aileen Derieg, New York/Los Angeles: Semiotext(e), 2009, 128 pp. (English)
- Mil máquinas. breve filosofía de las máquinas como movimiento social, trans. Marcelo Expósito, Madrid: Traficantes de Sueños, 2008, 126 pp. (Spanish)
- with Stefan Nowotny, Instituierende Praxen. Bruchlinien der Institutionskritik, Vienna: Turia+Kant, 2008, 220 pp. [13] [14] (German)
- editor, with Gene Ray, Art and Contemporary Critical Practice: Reinventing Institutional Critique, London: mayflybooks, and Vienna: EIPCP, 2009, 266 pp.
- editor, with Gene Ray and Ulf Wuggenig, Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’, London: mayfly, 2011, 234 pp.
- editor, with Isabell Lorey and Roberto Nigro, Inventionen 1. Gemeinsam. Prekär. Potentia. Kon-/Disjunktion. Ereignis. Transversalität. Queere Assemblagen, Zürich: diaphanes, 2011, 280 pp. [15] (German)
- Fabriken des Wissens. Streifen und Glätten 1, Zürich: diaphanes, 2012, 96 pp. [16] [17] (German)
- Factories of Knowledge, Industries of Creativity, trans. Aileen Derieg, afterw. Antonio Negri, New York/Los Angeles: Semiotext(e), 2013, 168 pp. [18] (English)
- Industrien der Kreativität. Streifen und Glätten 2, Zürich: diaphanes, 2012, 96 pp. [19] [20] (German)
- editor, with Isabell Lorey and Roberto Nigro, Inventionen 2. Exodus. Reale Demokratie. Immanenz. Territorium. Maßlose Differenz. Biopolitik, Zürich: diaphanes, 2012, 224 pp. [21] (German)
- Dividuum. Maschinischer Kapitalismus und molekulare Revolution, Band 1, Vienna: transversal texts, 2015, 256 pp. (German)
- Dividuum. Machinic Capitalism and Molecular Revolution, Vol. 1, trans. Aileen Derieg, New York/Los Angeles: Semiotext(e), 2016, 208 pp. [22] (English)