Július Koller
Meeting of the organisational committee for Koller's U.F.O. Ganek Gallery, 1982. Milan Adamčiak, Igor Gazdík, Július Koller (centre), Pavol Breier, Peter Meluzin. Photo: Květoslava Fulierová. Source. | |
Born |
May 28, 1939 Piešťany, Czechoslovakia (now Slovakia) |
---|---|
Died |
August 17, 2007 Bratislava, Slovakia | (aged 68)
Web | CEAD, Artyčok TV, Wikipedia-SK |
Collections | Art museums in Slovakia (Web umenia), Kontakt (Vienna), Tate, Pompidou, Generali, Galerie Martin Janda (Vienna), gb agency (Paris), Museum of Art Łódź, Artandconcept Gallery (Prague) |
Július Koller (1939, Piešťany - 2007, Bratislava) was a Slovak artist.
Koller studied painting at the Academy of Fine Arts in Bratislava from 1959 to 1965. Around 1967-1968, he began to use the symbol of the question mark in his works, and from 1970 he started to take yearly self-portraits of himself as a ‘U.F.O.-naut’. During the years 1980-1989, he ran the fictional U.F.O. Galéria, in his own words, ‘a challenging and hard-to-reach fictitious space for spiritual communication between earthly beings and the unknown cosmic world’. Koller’s work aims at a constant questioning of the world and the cultural context, opening up possibilities for a humanistic utopia in unexpected places.
In 1965, the same year that the Slovak group HAPPSOC released their manifesto, Július Koller published his manifesto "Anti-Happening (System of Subjective Objectivity)", which defined the artist's anti-Happening works enacted throughout the late 1960s. Unlike Happenings, where the focus is on action, anti-Happenings concentrate on the cultural reshaping of the subject, making those who participate in the work more aware of their surroundings. During one such anti-Happening, for example, Koller repainted the white lines that defined the structure of a tennis court.
Koller's technique of imbuing simple symbols with complex meanings is explained in his Mini-Koncepcie maxi-ideí (U.F.O.) [Mini-Concepts of Maxi Ideas] (1974), a series of simple text works that play on the term "UFO". Beginning in 1970, Koller took annual self-portraits, calling himself a UFO-naut while obscuring his body with random, banal objects—for example, he held a ping-pong ball in front of his eyes with glasses. Sports, such as tennis, held appeal for Koller as symbols of playful protest. Koller titled each of these self-portraits some variation of the acronym UFO: Univerzálny Filozoficky Ornament [Universal Philosophical Ornament] (1978), Underground Fantastic Organization (1975), etc. Koller also developed the fictitious gallery project titled U.F.O. Galéria – Galéria Ganku, Vysoké Tatry [U.F.O. Gallery Ganek, High Tatras], which began with a concept around a site in the Slovak mountains to later include bureaucratic documents and structures such as Terén [Board] in 1981 (its members were Milan Adamčiak, Pavol Breier, Igor Gazdík, Peter Meluzin, and Koller himself). In 2009, the Július Koller Society was established in order to preserve Koller's work. (Source)
Works (selection)[edit]
For more works visit collections listed above and a chronological overview.
More, 1963-64. Oil on canvas, 69 x 49 cm. Source.
Antihappening, 1965. Generali.
Antihappening, 1965. Text card, 11.5 x 16 cm. Source.
Ume Nie, 1970. 15 x 21 cm. Source.
U.F.O.naut 2, 1970. Photograph, 10 x 8.6 cm. Source.
Univerzálna Fyzkultúrna Operácia A (U.F.O.), 1970. B&W photograph, 16.9 x 21.6 cm. Janda.
Univerzálny Futurologický Otáznik, 1978. Photograph, 29 x 22.5 cm. Source.
U.F.O.-naut J.K. (U.F.O.), 1980. Black & white photograph. Gelatin silver print, baryta paper. 16 x 13 cm, mounted on cardboard, signed, dated and inscribed. 29.6 x 21 cm. Photo: Milan Sirkovsky. Edition: 3. Source.
Exhibitions[edit]
- Solo exhibitions and collaborations
- Park kultúry a oddychu, Bratislava, 1965.
- Galéria mladých, Bratislava, 1967.
- Permanentná demystifikácia 1., 2., V-klub, Bratislava, 1968.
- with Peter Bartoš, Permanentná Antigaléria [The Permanent Anti-gallery], the display window of the Komunálna opravovňa pančúch [Hosiery Express Repair] shop, Bratislava, 1968-69.
- J.K. Ping-Pong Club, Galéria mladých, Bratislava, Mar 1970.
- Textilné obrazy, Štátny výskumný ústav textilný, Bratislava, 1974.
- Nová vážnosť, Kostol klarisiek, Galéria SFVU, Bratislava, 1990.
- Post-komunikácia, Považská galéria umenia, Žilina, 1991.
- Sondy, Slovak National Gallery, Bratislava, Nov 1991 - Jan 1992; Štátna galéria, Banská Bystrica, 1992. Curated by Aurel Hrabušický.
- Tatranská galéria, Horný Smokovec, 1993.
- Hore-dole, Umelecká beseda Slovenska, Bratislava, 1993.
- Subjekty a reality z r.1968, Galéria Nova, Bratislava, 1995.
- J.K. - Univerzálne futurologické obrazy, Galéria SOGA, Bratislava, 1999.
- To, čo sa deje, Štúdio S, Bratislava, 1999.
- Partitúry a znaky, Vlastivedné múzeum, Trebišov, 1999.
- Anti-obrazy I. (Textextily), Linea Gallery, Bratislava, 29 Jul - 27 Oct 2002. Curated by Petra Hanáková.
- Cikcaková kultúrna situácia – výber z tvorby J.K., CC Centrum, Bratislava, 2002.
- Univerzálne Futurologické Operácie, Kölnischer Kunstverein, Cologne, 19 Jul - 21 Sep 2003. Curated by Roman Ondák. Review: Jan Verwoert (Frieze).
- Anti-obrazy II. (Reality), Linea Gallery, Bratislava, 4 Aug - 31 Oct 2003.
- Július Koller – Kontakt, Kunstraum München, Munich, 2004.
- Július Koller, Isabella Bortolozzi Gallery, Berlin, 2004.
- Marec, poberáš sa starec?, Tranzit, Bratislava, 23 Mar - 17 Apr 2005. [3]
- Július Koller and Jirí Kovanda, Index, Stockholm, 7 Jun - 10 Sep 2006.
- Július Koller, Galerie Martin Janda, Vienna, 24 Jan - 24 Feb 2007.
- J.K.U.F.O., Slovenský inštitút, Prague, 2007.
- Space is the Place, gb agency, Paris, 2 Jun - 21 Jul 2007. Video interview.
- More, Kressling Gallery, Bratislava, 25 Oct - 20 Nov 2007. Curated by Vladimir Beskid. [4]
- Július Koller a jeho priatelia, Typo & Ars, Bratislava, 2008. Group show. [5]
- with Jiří Kovanda, The Steins #7, Ludlow 38, New York City, 10 Jul - 16 Aug 2009. Curated by Tobi Maier.
- Július Koller, Galerie Martin Janda, Vienna, 24 Mar - 30 Apr 2010.
- Vedecko-fantastická retrospektíva / Science-Fiction Retrospective, Slovak National Gallery, Bratislava, 23 Apr - 20 Jun 2010. Curated by Aurel Hrabušický and Petra Hanáková. [6]. Video report (Artycok TV, EN subs). Review: Daniela Čarná (Rider 2010 EN). Commentaries: Alena Vrbanová (Jazdec 2010 SK).
- Anti-obrazy III. (Spomienky), Linea Gallery, Bratislava, 26 Apr - 11 Jun 2010.
- Atlas of Fantastic Science - From the Július Koller Visual Archive, Kunstraum Lakeside, 30 Mar - 20 May 2011. Curated by Daniel Grúň.
- U.F.O. NAUT JK (Július Koller) orquestada por Rirkrit Tiravanija, Kurimanzutto, Mexico, 2012.
- Mini-Concepts / Maxi-ideas, gb agency, Paris, 2 Jun - 21 Jul 2012.
- Archiv Júliuse Kollera: Badatelna / Július Koler Archive: Study Room, Tranzitdisplay, Prague, 11 Sep - 11 Nov 2012. Curated by Tomáš Pospiszyl.
- U.F.O.–NAUT JK (Július Koller) orchestrated by Rirkrit Tiravanija, Galerie Martin Janda, Vienna, 10 Apr - 25 May 2013.
- A. for Atlantis, gb agency, Paris, 31 Jan - 21 Mar 2015.
- Situaciones Culturales, Casas Riegner, Bogotá, 11 Mar - 28 Apr 2015.
- "?", Museum of Modern Art, Warsaw, 25 Sep 2015 - 10 Jan 2016. Curated by Daniel Grúň, Kathrin Rhomberg and Georg Schöllhammer.
- Július Koller: One Man Anti Show, mumok, Vienna, 25 Nov 2016 - 17 Apr 2017. Curated by Daniel Grúň, Kathrin Rhomberg, and Georg Schöllhammer. [7]
- U.F.O. The Art of Fantastical Dematerialization, Slovak National Gallery, Bratislava, 28 Mar-11 Aug 2024. Curated by Aurel Hrabušický.
- Selected exhibitions (incl. group shows), 1968-1989.
Artist's books[edit]
- Kriticko-konštruktívna aktivita. Koncepty a akcie, c1970 (samizdat). (Slovak)
- "Z autorských programov a akcií", in Výtvarný život 8 (1970), p 41. (Slovak)
- with Kveta Fulierová, Amo amare, ed. Petra Hanáková, Bratislava: Sputnik Editions, 2013, 100 pp. [8] (English)
- with Kveta Fulierová, J+K, ed. Petra Feriancová, Bratislava: Sputnik Editions, 2014, 100 pp. [9] (English)/(Slovak)
Catalogues and monographs[edit]
- Július Koller: Sondy (Probes), ed. Aurel Hrabušický, Galéria súčasného umenia Slovenskej národnej galérie, 1992, [38] pp. (Slovak)/(English)
- Július Koller: Univerzálne Futurologické Operácie, eds. Kathrin Rhomberg and Roman Ondák, Cologne: Verlag der Buchhandlung Walther König, Kölnischer Kunstverein, and tranzit, 2003, 245 pp. With texts by Georg Schöllhammer and Vít Havránek; conversations with Hans Ulrich Obrist and Roman Ondák. TOC. Publisher. [10] (German)/(English)/(Slovak)
- Július Koller a jeho priatelia, ed. Peter Čepec, Bratislava: Typo & Ars, 2008, 39 pp. With DVD. (Slovak)
- with Jiří Kovanda, The Steins #7, New York: Ludlow 38, 2009, [8] pp. With texts by Tobi Maier, Klara Kemp-Welch, and interview with Kovanda. (English)
- Július Koller: vedecko-fantastická retrospektíva / Science-Fiction Retrospective, eds. Petra Hanáková and Aurel Hrabušický, Bratislava: Slovak National Gallery, 2010, 366 pp. With texts by Petra Hanáková, Katarina Bajcurová, Kvetoslava Fulierová, Aurel Hrabušický, Georg Schöllhammer. TOC. Publisher. (Slovak)/(English)
- Daniel Grúň, Tomáš Pospiszyl, Archiv Júliuse Kollera: Badatelna / Július Koller Archive: Study Room, Prague: tranzit.cz, 2012, 24 pp. (Slovak),(Czech)/(English)
- Július Koller: One Man Anti Show, eds. Daniel Grúň, Kathrin Rhomberg, and Georg Schöllhammer, Vienna: mumok, and Cologne: Buchhandlung Walter König, 2016, 388 pp. Texts: Daniel Grúň, Cristina Freire, Reiner Fuchs, Aurel Hrabušický, Karola Kraus, Joanna Mytkowska, Kathrin Rhomberg, Georg Schöllhammer. TOC. Publisher. (German)
- Július Koller: One Man Anti Show. Dokumentation, Documentation, Dokumentácia, eds. Daniel Grúň, Kathrin Rhomberg, and Georg Schöllhammer, Vienna: mumok, 2017.
Interviews[edit]
- Ján Budaj, "Rozhovor po roku s Julom Kollerom o športe, UFO a o kultúre", in 3SD, ed. Ján Budaj, Bratislava, [1981]; 2nd ed., 1988 (samizdat); repr. in] "Samizdatové programové, teoretické a historické texty (výber)", ed. Radislav Matuštík, in Umenie akcie 1965-1989, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2001, pp 273-275. (Slovak)
- "Do you like football? on UFO, Superboys and communication", trans. Jana Krajnakova, in 1968-1989: Political Upheaval and Artistic Change, eds. Claire Bishop and Marta Dziewańska, Warsaw: Museum of Modern Art, 2009, pp 226-230. Translated from the second edition of Budaj's samizdat publication 3SD (1981, 1988). (English)
- "Július Koller im Gespräch mit Roman Ondák", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 124-133. (German)
- "Conversation between Július Koller and Roman Ondák", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 134-141. (English)
- "Július Koller v rozhovore s Romanom Ondákom", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 206-213. (Slovak)
- "Gespräch zwischen Július Koller und Hans Ulrich Obrist", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 50-57. (German)
- "Conversation between Július Koller and Hans Ulrich Obrist", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 142-149. (English)
- "Július Koller v rozhovore s Hansom Ulrichom Obristom", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 214-221. (Slovak)
- Stefan Römer, Interview with Koller, Conceptual Paradise, Lüneburg: Leuphana University, Sep 2003. (German)
- Koller talks about his work, Kadist Art Foundation, 2 Jun 2007. Video, 11 min. Slovak with EN subs, low res.
Literature[edit]
See also catalogues.
- Klaus Groh, "Július Koller", in Groh, Aktuelle Kunst in Osteuropa, Cologne: Dumont, 1972, pp [96-98], HTML. (German)
- Tomáš Štraus, "Three Models of Contemporary Slovak Art Actions", in Works and Words: International Art Manifestation, Amsterdam, Amsterdam: Galerie de Appel, 1980. [12] (English)
- Marian Dzúrik, Ann Stephen (eds.), After the Spring: Contemporary Czech and Slovak Art, Sydney: Museum of Contemporary Art, 1994. (English)
- Zora Rusinová, "Július Koller", in Umenie akcie 1965-1989, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2001, pp 73-88. (Slovak)
- Georg Schöllhammer, "Engagieren statt arrangieren... Július Kollers erratische Arbeit an der Neukonzeption des ästhetischen Raumes 1960ff", Springerin 2, Vienna, 2003; exp. in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 32-41. (German)
- "Engaging instead of Arranging: Július Koller's erratic work on the reconception of the aesthetic space 1960ff", trans. Timothy Jones, Springerin 2, Vienna, 2003; exp. as "Engagement Instead of Arrangement: Julius Koller’s Erratic Work on the Re-Conception of Aesthetic Space 1960ff", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 124-133. (English)
- "Angažovať namiesto aranžovať... Eratická práca Júliusa Kollera na novej koncepcii estetického priestoru po roku 1960", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 196-205. (Slovak)
- Vít Havránek, "J.K. und die kulturelle Situation der Slowakei", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 58ff. (German)
- "J.K. and Slovak Cultural Situation", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 150ff. (English)
- "J.K. a slovenská kulturní situace", in Július Koller: Univerzálne Futurologické Operácie, Cologne, 2003, pp 222ff. (Czech)
- Vít Havránek, "Slovenský U.F.O.-naut: Július Koller", Revue Art 2:4, 2005. (Czech)
- Georg Schöllhammer, "Július Koller, 1939–2007", Springerin 4, Vienna, 2007. (German)
- "Július Koller, 1939–2007", trans. Jennifer Taylor-Gaida, Springerin 4, Vienna, 2007. (English)
- Jan Verwoert, "Július Koller, 1939-2007", Frieze 111, Nov-Dec 2007. (English)
- Daniel Grúň, "Der Kosmos der Slowakischen Neoavantgarde zwischen Utopie, Fiktion und Politik", in Crossing 68/89, eds. Jürgen Danyel, Jennifer Schevardo and Stephan Kruhl, Berlin: Metropol, 2008, pp 136-155. (German)
- "Red Planet: Cosmic Imagery of the Slovak Neo-Avant-Garde", in Star City: The Future Under Communism, eds. Łukasz Ronduda, Alex Farquarson and Barbara Piwowarska, MAMMAL Foundation, Nottingham Contemporary, and Vienna: tranzit.at, 2011, pp 52-68. (English)
- Omar Mirza, "Július Koller", in Mirza, Aktionskunst in der Slowakei (1965-1989), Vienna: Universität Wien, 2008, pp 44-50. Master's thesis. (German)
- Marian Mazzone, "Drawing Conceptual Lessons from 1968", Third Text 23:1, 2009, pp 79-84. (English)
- Piotr Piotrowski, In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe, 1945–1989, trans. Anna Brzyski, London: Reaktion Books, 2009, pp 216-220. (English)
- Elizaveta Butakova, "Július Koller: UFO Universal Fantastic Occupation, 1971", Tate, London: Tate Modern, 2009. (English)
- Petra Hanáková, "Kultúrna stopa JK", in Július Koller: vedecko-fantastická retrospektíva / Science-Fiction Retrospective, eds. Petra Hanáková and Aurel Hrabušický, Bratislava: Slovak National Gallery, 2010, pp 9-28. (Slovak)
- "Cultural Trace JK", in Július Koller: vedecko-fantastická retrospektíva / Science-Fiction Retrospective, eds. Petra Hanáková and Aurel Hrabušický, Bratislava: Slovak National Gallery, 2010, pp 29-48. (English)
- Georg Schöllhammer, "Július Koller: kozmológ, skeptik - a hráč", in Július Koller: vedecko-fantastická retrospektíva / Science-Fiction Retrospective, eds. Petra Hanáková and Aurel Hrabušický, Bratislava: Slovak National Gallery, 2010, pp 49-56. (Slovak)
- "Július Koller: Cosmologist, Skeptic - and Player", in Július Koller: vedecko-fantastická retrospektíva / Science-Fiction Retrospective, eds. Petra Hanáková and Aurel Hrabušický, Bratislava: Slovak National Gallery, 2010, pp 57-63. (English)
- Petra Hanáková, "Žila som s ufonautom. Rozhovor s Kvetou Fulierovou", in Július Koller: vedecko-fantastická retrospektíva / Science-Fiction Retrospective, eds. Petra Hanáková and Aurel Hrabušický, Bratislava: Slovak National Gallery, 2010, pp 65-74. (Slovak)
- "I Lived with a Ufonaut. Petra Hanáková interviewing Kvetá Fulierová", in Július Koller: vedecko-fantastická retrospektíva / Science-Fiction Retrospective, eds. Petra Hanáková and Aurel Hrabušický, Bratislava: Slovak National Gallery, 2010, pp 75-85. (English)
- Aurel Hrabušický, "Uvedenie do diela Júliusa Kollera. Šesťdesiate roky (s obrazovo-textovou dokumentáciou)" / "Introduction to Work of Július Koller. The Sixties (with picture and text documentation)", in Július Koller: vedecko-fantastická retrospektíva / Science-Fiction Retrospective, eds. Petra Hanáková and Aurel Hrabušický, Bratislava: Slovak National Gallery, 2010, pp 87-318. (Slovak)/(English)
- Daniel Grúň, "Archivovať U.F.O. Július Koller ako zberateľ 'kultúrnych situácií' z tlačových médií", Romboid 7, 2010, pp 56-63. (Slovak)
- Marek Pokorný, "Július Koller. Několik mezer k jeho dílu", Flash Art CS 5:16, 2010, pp 34-38. (Czech)
- "Július Koller. Space Within His Work", Flash Art Czech & Slovak Edition 1:1, 2018. (English)
- Jana Geržová, et al., "O outsiderstve Júliusa Kollera a našom umení 60. rokov", Profil 4, Bratislava, 2010, pp 52-89. [13] (Slovak)
- Vít Havránek, "The Post-Bipolar Order and the Status of Public and Private under Communism", trans. Ivan Gutierrez, in Promises of the Past: A Discontinuous History of Art in Former Eastern Europe, eds. Christine Macel and Joanna Mytkowska, Zurich: JRP|Ringier, and Paris: Centre Georges Pompidou, 2010; repr., abbr., in Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology, eds. Ana Janevski, et al., New York: Museum of Modern Art, 2018, pp 185-193. (English)
- Petra Hanáková, "Láska s pečiatkou. Milostné koncepty Júliusa Kollera / Love with Stamp. Július Koller’s Love Concepts", in Ročenka Slovenskej národnej galérie v Bratislave - Galéria 2010, Bratislava: Slovenská národná galéria, 2011, pp 19-29. [14] [15] (Slovak)
- Daniel Grúň, "Archív umelca – paralelná inštitúcia alebo prostriedok seba-historizácie?", Sešit pro umění, teorii a příbuzné zóny 11, Prague, 2011, pp 64-83. (Slovak)
- Petra Hanáková, "Legere et collegere - Čitateľ, spisovač a hromadič informácií JK", in Ročenka Slovenskej národnej galérie v Bratislave - Galéria 2011, Bratislava: Slovenská národná galéria, 2012, pp 83-92; repr. as "Zberateľ informácií JK", WebUmenia, Bratislava: Slovenská národná galéria, Jul 2017. (Slovak)
- Aurel Hrabušický, "O zrozumiteľnom Kollerovi a nezrozumiteľnom Filkovi", Jazdec 4:3, Bratislava: Galéria Cypriána Majerníka, Jul-Sep 2012, pp 2-5. (Slovak)
- Daniel Grúň, "Július Koller: Dialectics of Self-Identification", trans. Jana Krajnakova, in L'Internationale. Post-War Avant-Gardes between 1957 and 1986, ed. Christian Hoeller, Zurich: JRP Ringier, 2012, pp 196-202. (English)
- Beata Jablonská, "Spor o slovenské 'More'", Sešit pro umění, teorii a příbuzné zóny 15, Prague, 2013, pp 6-19. (Slovak)
- Klara Kemp-Welch, "Doubt", ch. 2 in Kemp-Welch, Antipolitics in Central European Art: Reticence as Dissidence under Post-Totalitarian Rule 1956-1989, London: I.B. Tauris, 2014, pp 57-100. (English)
- Petra Hanáková, "Večne zelený Koller", in Ročenka SNG v Bratislave - Galéria 2012-2013, Bratislava: Slovenská národná galéria, 2014, pp 54-74. [16] (Slovak)
- Daniel Grúň (ed.), Július Koller. Galéria Ganku, trans. John Minahane, Vienna: Schlebrügge, 2014. [17] [18]. Review: Alexandra Tamásová (Hentak 2014 SK). (English)/(Slovak)
- Daniel Grúň, "A Guide to Ganek Gallery: The Archive of Július Koller’s Fictive Institution", in Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology, eds. Ana Janevski, et al., New York: Museum of Modern Art, 2018, pp 154-161. Excerpt from the book. (English)
- Tomáš Pospiszyl, "Národní konceptualizmus. Obrozenecké motivy v díle Stana Filka a Júliuse Kollera", ch. 3 in Pospiszyl, Asociativní dějepis umění: poválečné umění napříč generacemi a médii, Prague: tranzit.cz, 2014, pp 81-121. (Czech)
- "National Conceptualism: Slovak National Revival Motifs in the Work of Stano Filko and Julius Koller", trans. Ivan Gutierrez, in Pospiszyl, An Associative Art History: Comparative Studies of Neo-Avant-Gardes in a Bipolar World, Prague: tranzit.cz, and Zurich: JRP/Ringier, 2017. (English)
- Lýdia Pribišová, "Deväťdesiate roky v slovenskej spoločnosti: Valcovanie hodnôt", in Paradox 90. Kurátorské koncepcie v období mečiarizmu / Curatorial Concepts during Meciarism, 1993-1998, eds. Juraj Čarný and Richard Gregor, Bratislava: Dom umenia/Kunsthalle Bratislava, 2014, pp 12-25. (Slovak)
- "The Nineties in Slovak Society: The Crushing of Values", trans. Anna Bryson, Bratislava: Dom umenia/Kunsthalle Bratislava, 2014, pp 208-221; repr., abbr., in Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology, eds. Ana Janevski, et al., New York: Museum of Modern Art, 2018, pp 117-124. (English)
- Daniel Grúň, "Das Leben als Signal. Die kommunikative Provokation von Július Kollers künstlerischer Praxis", in Július Koller: One Man Anti Show, eds. Daniel Grúň, Kathrin Rhomberg, and Georg Schöllhammer, Vienna: mumok, and Cologne: Buchhandlung Walter König, 2016, pp 20-28. (German)
- "Life as Signal. Communicative Challenges of Július Koller’s Artistic Practice", in Július Koller: One Man Anti Show, eds. Daniel Grúň, Kathrin Rhomberg, and Georg Schöllhammer, Vienna: mumok, and Cologne: Buchhandlung Walter König, 2016, pp 20-28. (English)
- "Viaţa ca semnal. Sfidările comunicaţionale ale arhivei lui Július Koller" / "Life as Signal. Communicative Challenges of of Július Koller’s Archive", Revista Arta 6(20-21): "Conceptualism in Eastern and Central Europe", Bucharest, 2016, pp 49-53. [19] (Romanian)/(English)
- Martina Poliačková, "Július Koller a umelecký archív", Acta Universitatis Carolinae. Philosophica et historica 1, 2016, pp 177-201. (Slovak)
- Daniel Grúň, "Monument to a Heroine. Július Koller’s Archive and Processes of Self-Historicisation", trans. John Minahane, Institute of the Present, Sep 2017. (English)
- "Monument în cinstea unei eroine. Arhiva și procesele de autoistoricizare ale lui Július Koller", Institutul Prezentului, Sep 2017. (Romanian)
- Daniel Grúň, "Amateurism Under Socialism: The Politics of Art Education in the Work of Milan Adamčiak, Július Koller and Jiří Valoch", Third Text 32(4): "Actually Existing Artworlds of Socialism", 2018, pp 434-449. (English)
- Boris Kršňák, et al., Ume? Nie! Príbeh zbierky Artandconcept, Bratislava: Petrus, 2020. (Slovak)
- Daniel Grúň (ed.), AMA. Ľubomír Ďurček, Květoslava Fulierová, Július Koller a amatérski výtvarníci / Ľubomír Ďurček, Květoslava Fulierová, Július Koller and Amateur Artists, Vienna: Schlebrügge.Editor, Sep 2020, 340 pp. Texts by Ľubomír Ďurček, Květa Fulierová, Daniel Grúň, Július Koller, and interviews between Dagmar Gazdíková and Július Koller. Publisher. Review: Tuka (Artalk). [20] (Slovak)/(English)
- Paula Gortázar, "Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava", Third Text 37:1, 2023, pp 61-86. (English)
See also[edit]
Links[edit]
- Július Koller Society, est. 2008
- Selection of works, with English translations.
- Július Koller, U.F.O.-naut?, symposium, SNG, Bratislava, 23-26 Apr 2009. [21]