Difference between revisions of "Armin Medosch"

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* "Neurath im WWW", in ''Bildersprache. Otto Neurath Visualisierungen'', eds. Frank Hartmann and Edwin K. Bauer, Vienna: WUV, 2002; 2nd ed., exp., 2006. {{de}}
 
* "Neurath im WWW", in ''Bildersprache. Otto Neurath Visualisierungen'', eds. Frank Hartmann and Edwin K. Bauer, Vienna: WUV, 2002; 2nd ed., exp., 2006. {{de}}
 
* [http://www.metamute.org/editorial/articles/pull-plug "Pull the Plug: Ars Electronica Review"], ''Mute'' 25, London, Winter 2002/Spring 2003. {{en}}
 
* [http://www.metamute.org/editorial/articles/pull-plug "Pull the Plug: Ars Electronica Review"], ''Mute'' 25, London, Winter 2002/Spring 2003. {{en}}
−
* "Piratology", in ''DIVE - collaborative tools for online communities'', ed. Armin Medosch, Liverpool: Fact/KOP/Virtual Media Center, 2003. {{en}}
+
* [http://www.kuda.org/en/piratology-deep-seas-open-code-and-free-culture-armin-medosch "Piratology"], in ''DIVE - collaborative tools for online communities'', ed. Armin Medosch, Liverpool: Fact/KOP/Virtual Media Center, 2003. {{en}}
 
* [http://dmz.spc.org/londonzip.html "London.ZIP: A Mapping of Media Arts in London"], in ''DMZ Media Arts'', ed. Armin Medosch, London, 2003. {{en}}
 
* [http://dmz.spc.org/londonzip.html "London.ZIP: A Mapping of Media Arts in London"], in ''DMZ Media Arts'', ed. Armin Medosch, London, 2003. {{en}}
 
* [[Media:Medosch_Armin_2003_Demonstrieren_in_der_virtuellen_Republik.pdf|"Demonstrieren in der virtuellen Republik"]], in ''Bürgerrechte im Netz'', ed. Christine Schulzki-Haddouti, Bonn: Bundeszentrale für politische Bildung, 2003, pp 261-306. {{de}}
 
* [[Media:Medosch_Armin_2003_Demonstrieren_in_der_virtuellen_Republik.pdf|"Demonstrieren in der virtuellen Republik"]], in ''Bürgerrechte im Netz'', ed. Christine Schulzki-Haddouti, Bonn: Bundeszentrale für politische Bildung, 2003, pp 261-306. {{de}}
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* [https://monoskop.org/images/d/d6/Wynants_Cornelis_eds_How_Open_is_the_Future_Economic_Social_and_Cultural_Scenarios_Inspired_by_FLOSS_2005.pdf#page=135 "Roots Culture: Free Software Vibrations Inna Babylon"], in ''How Open is the Future? Economic, Social & Cultural Scenarios Inspired by Free and Open Source Software'', eds. Marleen Wynants and Jan Cornelis, Brussels: VUB Brussels University Press, 2005, pp 135-162; [https://monoskop.org/images/5/50/Cox_Geoff_Krysa_Joasia_eds_Engineering_Culture_On_The_Author_as_Digital_Producer_2005.pdf#page=164 upd. in] ''Engineering Culture: On 'The Author as (Digital) Producer' '', eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 177-201; [[Media:Medosch_Armin_2005_Roots_Culture_Free_Software_Vibrations_Inna_Babylon.pdf|repr. in]] ''Sarai Reader 2005: Bare Acts'', New Delhi: Sarai, 2005, pp 222-239. [http://web.archive.org/web/20071115010845/http://theoriebild.ung.at/view/Main/RootsCulture Draft]. {{en}}
 
* [https://monoskop.org/images/d/d6/Wynants_Cornelis_eds_How_Open_is_the_Future_Economic_Social_and_Cultural_Scenarios_Inspired_by_FLOSS_2005.pdf#page=135 "Roots Culture: Free Software Vibrations Inna Babylon"], in ''How Open is the Future? Economic, Social & Cultural Scenarios Inspired by Free and Open Source Software'', eds. Marleen Wynants and Jan Cornelis, Brussels: VUB Brussels University Press, 2005, pp 135-162; [https://monoskop.org/images/5/50/Cox_Geoff_Krysa_Joasia_eds_Engineering_Culture_On_The_Author_as_Digital_Producer_2005.pdf#page=164 upd. in] ''Engineering Culture: On 'The Author as (Digital) Producer' '', eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 177-201; [[Media:Medosch_Armin_2005_Roots_Culture_Free_Software_Vibrations_Inna_Babylon.pdf|repr. in]] ''Sarai Reader 2005: Bare Acts'', New Delhi: Sarai, 2005, pp 222-239. [http://web.archive.org/web/20071115010845/http://theoriebild.ung.at/view/Main/RootsCulture Draft]. {{en}}
 
* [http://www.metamute.org/editorial/articles/wireless-loveboat-isea-2004 "The Wireless Loveboat: ISEA 2004"], ''Mute'' 29, London, 2005. {{en}}
 
* [http://www.metamute.org/editorial/articles/wireless-loveboat-isea-2004 "The Wireless Loveboat: ISEA 2004"], ''Mute'' 29, London, 2005. {{en}}
 +
* [http://intertheory.org/medosch.htm "Landscape Painting in the Information Age, or Romanticism in Media Art"], in ''Open Nature'', eds. Yukiko Shikata, et al., Tokyo: NTT InterCommunicationCentre, 2005. {{en}}
 
* [http://web.archive.org/web/20080404162128/http://theoriebild.ung.at/view/Main/HiveNetworks "Meshing in the Future: The free configuration of everything and everyone with Hive Networks"], 2005. {{en}}  
 
* [http://web.archive.org/web/20080404162128/http://theoriebild.ung.at/view/Main/HiveNetworks "Meshing in the Future: The free configuration of everything and everyone with Hive Networks"], 2005. {{en}}  
 
* [[Media:Medosch_Armin_2006_Auf_freien_Wellenlaengen_Funknetze_als_techno-soziale_Entwuerfe.pdf|"Auf freien Wellenlängen: Funknetze als techno-soziale Entwürfe"]], in ''[http://www.opensourcejahrbuch.de/download/jb2006/ Open Source Yearbook. Zwischen Softwareentwicklung und Gesellschaftsmodell]'', eds. Bernd Lutterbeck, et al., Berlin: Lehmanns Media, 2006. [http://web.archive.org/web/20080216221103/http://theoriebild.ung.at/view/Main/FreieWellen Draft]. {{de}}
 
* [[Media:Medosch_Armin_2006_Auf_freien_Wellenlaengen_Funknetze_als_techno-soziale_Entwuerfe.pdf|"Auf freien Wellenlängen: Funknetze als techno-soziale Entwürfe"]], in ''[http://www.opensourcejahrbuch.de/download/jb2006/ Open Source Yearbook. Zwischen Softwareentwicklung und Gesellschaftsmodell]'', eds. Bernd Lutterbeck, et al., Berlin: Lehmanns Media, 2006. [http://web.archive.org/web/20080216221103/http://theoriebild.ung.at/view/Main/FreieWellen Draft]. {{de}}
 
** [https://monoskop.org/images/c/ca/Luksch_Manu_Patel_Mukul_eds_Ambient_Information_Systems.pdf#page=99 "On Free Wavelength: Wireless Networks as Techno-Social Models"], trans. Nicholas Grindell, in ''Ambient Information Systems'', eds. Manu Luksch and Mukul Patel, London: Ambient Information Systems, 2009, pp 99-115. [http://web.archive.org/web/20080411142522/http://theoriebild.ung.at/view/Main/FreeWavelength Draft]. {{en}}
 
** [https://monoskop.org/images/c/ca/Luksch_Manu_Patel_Mukul_eds_Ambient_Information_Systems.pdf#page=99 "On Free Wavelength: Wireless Networks as Techno-Social Models"], trans. Nicholas Grindell, in ''Ambient Information Systems'', eds. Manu Luksch and Mukul Patel, London: Ambient Information Systems, 2009, pp 99-115. [http://web.archive.org/web/20080411142522/http://theoriebild.ung.at/view/Main/FreeWavelength Draft]. {{en}}
 +
* "Waves: An Introduction", in ''Waves: Electromagnetic Waves as Material and Medium of Art. Acoustic Space #6'', eds. Medosch, et al., Riga: RIXC, 2006, pp 14-23. [http://rixc.org/en/acousticspace/all/waves-electromagnetic-waves-as-material-and-medium-for-arts/] {{en}}
 
* [http://web.archive.org/web/20080330024017/http://theoriebild.ung.at/view/Main/SpyChip "The Spychip Under Your Skin"], ed. Marina Vishmidt, 2006. Commissioned by Space Media Arts. {{en}}
 
* [http://web.archive.org/web/20080330024017/http://theoriebild.ung.at/view/Main/SpyChip "The Spychip Under Your Skin"], ed. Marina Vishmidt, 2006. Commissioned by Space Media Arts. {{en}}
 
* [http://web.archive.org/web/20071117144041/http://theoriebild.ung.at/view/Main/TheNextLayerDraft "The Next Layer or: The Emergence of Open Source Culture"], 2007. Draft for Pixelache publication, London/Vienna, 2006-07. {{en}}
 
* [http://web.archive.org/web/20071117144041/http://theoriebild.ung.at/view/Main/TheNextLayerDraft "The Next Layer or: The Emergence of Open Source Culture"], 2007. Draft for Pixelache publication, London/Vienna, 2006-07. {{en}}
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** "45 Revolutionen per Minute", in ''Was tun: Figuren des Protests. Taktiken des Widerstands: ein Reader des Festivals Basics. Medien-Kunst-Gesellschaft'', Salzburg: Müry, and Vienna: Salzmann, 2010, pp 12-27. {{de}}
 
** "45 Revolutionen per Minute", in ''Was tun: Figuren des Protests. Taktiken des Widerstands: ein Reader des Festivals Basics. Medien-Kunst-Gesellschaft'', Salzburg: Müry, and Vienna: Salzmann, 2010, pp 12-27. {{de}}
 
** "45 RPM.- 45 revoluçoes por minuto (historia da midia em alta velocidade)", in ''Mediações, Tecnologia e Espaço Público: Panorama Crítico da Arte em Mídias Móveis'', eds. L. Bambozzi, M. Bastos and R. Minelli, Sao Paulo: Conrad Do Brasil, 2010, pp 99-118. {{br-pt}}
 
** "45 RPM.- 45 revoluçoes por minuto (historia da midia em alta velocidade)", in ''Mediações, Tecnologia e Espaço Público: Panorama Crítico da Arte em Mídias Móveis'', eds. L. Bambozzi, M. Bastos and R. Minelli, Sao Paulo: Conrad Do Brasil, 2010, pp 99-118. {{br-pt}}
 +
* [https://monoskop.org/images/0/06/Deptford_TV_diaries_II_Pirate_Strategies_2008.pdf#page=74 "Paid in Full"], in ''Deptford.TV Diaries II: Pirate Strategies'', eds. Adnan Hadzi and Jonas Andersson, London: Deckspace, 2008, pp 73-97. {{en}}
 +
* "Waves - The Art of Electromagnetic Society (Introduction)", in ''Waves: The Art of the Electromagnetic Society'', eds. Medosch, et al., Dortmund: HMKV/Kettler, 2008. {{en}}
 +
* "Waves: The Art of Deconcealment", in ''Spectropia: Illuminating Investigations into the Electromagnetic Spectrum. Acoustic Space #7'', eds. Armin Medosch and Rasa Šmite, Riga: RIXC, and Liepaja: MPLab of Liepaja University, 2008. [http://rixc.org/en/acousticspace/all/spectropia-illuminating-investigations-in-the-electromagnetic-spectrum/] {{en}}
 
* [https://monoskop.org/images/c/ca/Luksch_Manu_Patel_Mukul_eds_Ambient_Information_Systems.pdf#page=336 "AmbientTV.NET: Open Doors, Open Processes"], in ''Ambient Information Systems'', eds. Manu Luksch and Mutul Patel, London: Ambient Information Systems, 2009, pp 336-368. [http://web.archive.org/web/20071115000714/http://theoriebild.ung.at/view/Main/AmbientTVDotNet Draft].
 
* [https://monoskop.org/images/c/ca/Luksch_Manu_Patel_Mukul_eds_Ambient_Information_Systems.pdf#page=336 "AmbientTV.NET: Open Doors, Open Processes"], in ''Ambient Information Systems'', eds. Manu Luksch and Mutul Patel, London: Ambient Information Systems, 2009, pp 336-368. [http://web.archive.org/web/20071115000714/http://theoriebild.ung.at/view/Main/AmbientTVDotNet Draft].
 
* [https://monoskop.org/images/1/1e/Node.London_Reader_II.pdf#page=95 "Situating Nodes and Narratives: Hidden Histories/Street Radio"], in ''Node.London Reader II'', London: Mute Publishing, 2009, pp 94-106.  {{en}}
 
* [https://monoskop.org/images/1/1e/Node.London_Reader_II.pdf#page=95 "Situating Nodes and Narratives: Hidden Histories/Street Radio"], in ''Node.London Reader II'', London: Mute Publishing, 2009, pp 94-106.  {{en}}
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* [http://web.archive.org/web/20071115000731/http://theoriebild.ung.at/view/Main/InterviewHarwood "Interview with Harwood / Mongrel: Between Social Software and the Poetic"], Southend/Leigh On Sea, 30 Jun 2006. {{en}}
 
* [http://web.archive.org/web/20071115000731/http://theoriebild.ung.at/view/Main/InterviewHarwood "Interview with Harwood / Mongrel: Between Social Software and the Poetic"], Southend/Leigh On Sea, 30 Jun 2006. {{en}}
 
* [http://web.archive.org/web/20071115000721/http://theoriebild.ung.at/view/Main/InterviewElektra "Plötzlich gibt es nicht nur eine Stimme. Interview mit Elektra"], Berlin, 16 Sep 2006. On Freifunk, C-Base and mesh-routing. {{de}}
 
* [http://web.archive.org/web/20071115000721/http://theoriebild.ung.at/view/Main/InterviewElektra "Plötzlich gibt es nicht nur eine Stimme. Interview mit Elektra"], Berlin, 16 Sep 2006. On Freifunk, C-Base and mesh-routing. {{de}}
 +
 +
===Lectures===
 +
* [http://www.kuda.org/en/piratology-deep-seas-open-code-and-free-culture-armin-medosch Piratology: The Deep Seas of Open Code and Free Culture], kuda.org, Novi Sad, 19 Dec 2003. Video, 59 min. [http://tekspost.no/pipermail/syndicate/2003-December/023765.html]
 +
* [http://www.kuda.org/en/wireless-utopia-100-years-free-energy-wireless-socialist-dreams-and-telecommunications-monopoly-armi Wireless Utopia, 100 Years of Free Energy, Wireless Socialist Dreams and Telecommunications monopoly], kuda.org, Novi Sad, 20 Dec 2003. Video, 69 min. [http://tekspost.no/pipermail/syndicate/2003-December/023765.html]
  
 
==Links==
 
==Links==

Revision as of 12:36, 25 February 2017

Born September 16, 1962(1962-09-16)
Graz, Austria
Lives in Graz (1962-85), Vienna (1985-2017), London (1997-?)
Died February 23, 2017(2017-02-23) (aged 54)
Vienna, Austria
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Armin Medosch (1962, Graz - 2017, Vienna) was a writer, artist and curator. His work dealt with media culture, wireless networks, online communities, and the history of art and technopolitics. He published a book on the international art and technology movement New Tendencies (2016). Medosch received his PhD degree in arts and computational technology from the Goldsmiths London (2012).

He studied German literature and philosophy at Graz University (1982-85) and theatre direction at the Academy for Music and Drama, Graz (1982-85). In 1985 moved to Vienna. 1986 founded Radio Subcom art group and 1989-92 participated at art festivals (Ars Electronica), warehouse-parties, VJing. Worked as a journalist for ORF, Radio Ö1.

1992-94 co-founded STUBNITZ Kunst-Raum-Schiff, Rostock, and curated and organised exhibitions and symposia in Rostock, Hamburg, Malmö and St.Petersburg (Jul-Sep 1994). With Stefan Iglhaut and Florian Rotzer, he curated Telepolis (Luxembourg, 1995), an exhibition and symposium about the interactive and networked city.

From 1996-2002 he was co-editor of Telepolis: The Magazine of Netculture. With Telepolis he won the European Online Journalism Award 2000 for investigative reporting and the Grimme Online Award 2002 for media journalism.

From 1997 he was based in London. There he co-initiated the monthly Cybersalon events, joint the University of Openess, a self-learning institution, and organised Art Servers Unlimited conference (with Manu Luksch, 1998). He was associate senior lecturer at the MA course on Interactive Digital Media at Ravensbourne College, London (2002-07).

Together with Yukiko Shikata and Shu Lea Cheang, Medosch curated the research-activist project Kingdom of Piracy (<KOP>, 2001-06). The initiative produced DIVE - collaborative tools for online communities (2003), a printed catalogue and CD with texts, art projects and software. With <KOP> and xxxxx he organised Plenum as a novel event format (2006).

In 2002 he co-organised "BerLon" - Berlin/London wireless community networking workshop in bootlab, Berlin. In 2004 he held a NinePin research residency by Scan Network in the South West of England, investigating real and virtual ports and their role as cultural socio-economic hubs of transmission, gatekeeping and control with the Ports project.

Medosch curated the exhibitions Waves (Riga, 2006; Dortmund, 2008) and Fields (Riga, 2014), and convened the conferences Goodbye Privacy (Ars Electronica, 2007) and Creative Cities (Vienna, 2009).

In 2009 Medosch founded the Technopolitics working group together with Brian Holmes. Since 2011, the group has been regularly hosting talks and workshops with invited guests in Vienna, growing to comprise about 10 core members and 30 contributors (artists, theoreticians, curators, journalists) as of 2015. They launched the project Tracing Information Society resulting in a Technopolitics Timeline, first displayed in the exhibition Social Glitch: Radical Aesthetics and the Consequences of Extreme Events at Kunst Raum Niederösterreich (2015) [1] [2] [3], later at MAK Vienna (2016), nGbK Berlin (2017) and elsewhere.

He was a regular speaker at international conferences on digital culture and frequently involved in organising and curating conferences. He contributed articles and essays to many books, catalogues, magazines and newspapers.

Publications

Freie Netze, 2004, Log, PDF.
New Tendencies, 2016, Log, HTML.

Books

Catalogues, journal issues

  • editor, DMZ Media Arts Festival, London, 2003. Catalogue. [5]
  • editor, DIVE - collaborative tools for online communities, 2003. With CD.
  • editor, with Rasa Šmite and Daina Silina, Waves: Electromagnetic Waves as Material and Medium of Art. Acoustic Space #6, Riga: RIXC, 2006. [6]
  • editor, with Rasa Šmite, Spectropia: Illuminating Investigations into the Electromagnetic Spectrum. Acoustic Space #7, Riga: RIXC, and Liepaja: MPLab of Liepaja University, 2008. [7]
  • editor, with Inke Arns, Raitis Šmits and Rasa Šmite, Waves: The Art of the Electromagnetic Society, Dortmund: HMKV/Kettler, 2008. Catalogue.
  • Lernen in der Netzwerkgesellschaft, Vienna: Bundesministerium für Unterricht, Kultur und Kunst, 2011. (German)
  • editor, with Rasa Šmite and Raitis Šmits, Art as Research. Acoustic Space #9, Riga: RIXC, and Liepaja: MPLab of Liepaja University, 2010. [8]
  • editor, with Rasa Šmite and Raitis Šmits, Networks and Sustainability. Acoustic Space #10, Riga: RIXC, and Liepaja: MPLab of Liepaja University, 2011. [9]
  • editor, with Rasa Šmite and Raitis Šmits, Techno-Ecologies 2. Media Art Histories: ReNew. Acoustic Space #12, Riga: RIXC, and Liepaja: MPLab of Liepaja University, 2014. [10]
  • editor, with Rasa Šmite and Raitis Šmits, Open Fields. Acoustic Space #16, Riga: RIXC, and Liepaja: MPLab of Liepaja University, 2016. [11]

Theses

Book chapters, papers, essays

more, more

Interviews

Lectures

Links

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