Difference between revisions of "Annet Dekker"
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− | '''Annet Dekker''' is an independent researcher and curator. She is | + | '''Annet Dekker''' is an independent researcher and curator. |
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+ | She is Assistant Professor Archival Science at the University of Amsterdam and Visiting Lecturer at London South Bank University. Previously she was Researcher Digital Preservation at Tate, London, tutor at [[Piet Zwart Institute]], Rotterdam, and Fellow at [[Het Nieuwe Instituut|The New Institute]], Rotterdam. She initiated aaaan.net with [[Annette Wolfsberger]] in 2009; they coordinate artists-in-residences and set up strategic and sustainable collaborations with national and international arts organisations. Previously she worked as Web curator for [[SKOR]] (Foundation for Art and Public Domain, 2010–12), was programme manager at [[Virtueel Platform]] (2008–10), and head of exhibitions, education and artists-in-residence at the [[NIMk|Netherlands Media Art Institute]] (1999–2008). Together with [[Annette Wolfsberger]], she produced ''Funware'', an international touring exhibition in 2010 and 2011 about fun in software (curated by [[Olga Goriunova]]). In 2014, she completed her PhD under the supervision of [[Matthew Fuller]] on the conservation of net art at Goldsmiths University of London, ''Enabling the Future, or How to Survive FOREVER. A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation''. | ||
; Publications | ; Publications |
Revision as of 20:59, 9 February 2017
Annet Dekker is an independent researcher and curator.
She is Assistant Professor Archival Science at the University of Amsterdam and Visiting Lecturer at London South Bank University. Previously she was Researcher Digital Preservation at Tate, London, tutor at Piet Zwart Institute, Rotterdam, and Fellow at The New Institute, Rotterdam. She initiated aaaan.net with Annette Wolfsberger in 2009; they coordinate artists-in-residences and set up strategic and sustainable collaborations with national and international arts organisations. Previously she worked as Web curator for SKOR (Foundation for Art and Public Domain, 2010–12), was programme manager at Virtueel Platform (2008–10), and head of exhibitions, education and artists-in-residence at the Netherlands Media Art Institute (1999–2008). Together with Annette Wolfsberger, she produced Funware, an international touring exhibition in 2010 and 2011 about fun in software (curated by Olga Goriunova). In 2014, she completed her PhD under the supervision of Matthew Fuller on the conservation of net art at Goldsmiths University of London, Enabling the Future, or How to Survive FOREVER. A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation.
- Publications
- editor, with Annette Wolfsberger, Walled Garden, Amsterdam: Virtueel Platform, 2009, 119 pp.
- editor, Archive2020 – Sustainable Archiving of Born-Digital Cultural Content, Amsterdam: Virtueel Platform, 2010, 112 pp.
- editor, Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future?, Eindhoven: Baltan Laboratories, 2013, 144 pp.
- Links