Difference between revisions of "Alessandro Ludovico"

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==Publications==
 
==Publications==
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; Books
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* ''Suoni futuri digitali: la musica e il suo deflagrante impatto con la cultura digitale'', Apogeo, 2000, 180 pp. [https://archive.neural.it/init/default/show/2322] {{it}}
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* ''[http://monoskop.org/log/?p=4165 Post-Digital Print: The Mutation of Publishing Since 1894]'', Rotterdam: Creating 010, Hogeschool Rotterdam, and Eindhoven: Onomatopee, 2012, 192 pp.
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** ''[https://monoskop.org/log/?p=4165 Post-Digital Print. La mutazione dell’editoria dal 1894]'', Altamura: CaratteriMobili, 2014, 249 pp. {{it}}
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** ''Post-Digital Print: la mutation de l'édition depuis 1894'', trans. Marie-Mathilde Bortolotti, Paris: B42, 2016. [https://editions-b42.com/produit/post-digital-print-2/] {{fr}}
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** ''Post-Digital Print'', Seoul: Mediabus, 2017, 264 pp. [http://mediabus.org/Post-Digital-Print] {{ko}}
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** ''Impresión posdigital: la mutación de la edición desde 1894'', Universidad de los Andes, 2020, 264 pp. [https://uniandes.ipublishcentral.com/product/impresin-posdigital] {{es}}
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* ''[[:File:Ludovico Alessandro Tactical Publishing Using Senses Software and Archives in the Twenty-First Century 2024.pdf|Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century]]'', forew. Nick Montfort, MIT Press (Leonardo), 2024, xii+324 pp. [https://mitpress.mit.edu/9780262542050/tactical-publishing/ Publisher].
  
 
; Editor
 
; Editor
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* ''[https://monoskop.org/log/?p=587 Ubermorgen.com. Media Hacking vs. Conceptual Art]'', Basel: Merian, 2009, 208 pp.
 
* ''[https://monoskop.org/log/?p=587 Ubermorgen.com. Media Hacking vs. Conceptual Art]'', Basel: Merian, 2009, 208 pp.
 
; Books
 
 
* ''Suoni futuri digitali: la musica e il suo deflagrante impatto con la cultura digitale'', Apogeo, 2000, 180 pp. [https://archive.neural.it/init/default/show/2322] {{it}}
 
 
* ''[http://monoskop.org/log/?p=4165 Post-Digital Print: The Mutation of Publishing Since 1894]'', Rotterdam: Creating 010, Hogeschool Rotterdam, and Eindhoven: Onomatopee, 2012, 192 pp.
 
** ''[https://monoskop.org/log/?p=4165 Post-Digital Print. La mutazione dell’editoria dal 1894]'', Altamura: CaratteriMobili, 2014, 249 pp. {{it}}
 
** ''Post-Digital Print: la mutation de l'édition depuis 1894'', trans. Marie-Mathilde Bortolotti, Paris: B42, 2016. [https://editions-b42.com/produit/post-digital-print-2/] {{fr}}
 
** ''Post-Digital Print'', Seoul: Mediabus, 2017, 264 pp. [http://mediabus.org/Post-Digital-Print] {{ko}}
 
** ''Impresión posdigital: la mutación de la edición desde 1894'', Universidad de los Andes, 2020, 264 pp. [https://uniandes.ipublishcentral.com/product/impresin-posdigital] {{es}}
 
 
* ''[https://doi.org/10.7551/mitpress/12104.001.0001 Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century]'', forew. Nick Montfort, MIT Press (Leonardo), 2024, 280 pp. [https://mitpress.mit.edu/9780262542050/tactical-publishing/ Publisher].
 
  
 
; Interviews  
 
; Interviews  

Revision as of 10:12, 8 April 2024

Alessandro Ludovico (1969) is a researcher, artist and chief editor of Neural magazine since 1993. He received his Ph.D. degree in English and Media from Anglia Ruskin University in Cambridge, UK. He is Associate Professor at the Winchester School of Art, University of Southampton. He has published and edited several books, and has lectured worldwide. He also served as an advisor for the Documenta 12’s Magazine Project. He is one of the authors of the award-winning Hacking Monopolism trilogy of artworks (Google Will Eat Itself, Amazon Noir, Face to Facebook). (2022)

Publications

Books
  • Suoni futuri digitali: la musica e il suo deflagrante impatto con la cultura digitale, Apogeo, 2000, 180 pp. [1] (Italian)
Editor
  • Neural magazine, Bari, since 1993. [5]
Interviews
Essays

See also

Links