Difference between revisions of "Jonathan Sterne"

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* [https://sterneworks.org/ Personal website]
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* [https://sterneworks.org/ Website]
 
* [https://www.mcgill.ca/ahcs/people-contacts/faculty/sterne Profile on McGill]
 
* [https://www.mcgill.ca/ahcs/people-contacts/faculty/sterne Profile on McGill]
 
* [[Mastodon::https://assemblag.es/@jonathansterne]] [[Mastodon|(Mastodon)]]
 
* [[Mastodon::https://assemblag.es/@jonathansterne]] [[Mastodon|(Mastodon)]]

Latest revision as of 08:51, 15 December 2022

Jonathan Sterne teaches in the Department of Art History and Communication Studies at McGill University. He is author of Diminished Faculties: A Political Phenomenology of Impairment (Duke 2021); MP3: The Meaning of a Format (Duke 2012), The Audible Past: Cultural Origins of Sound Reproduction (Duke 2003); and numerous articles on media, technologies and the politics of culture. He is also editor of The Sound Studies Reader (Routledge 2012) and co-editor of The Participatory Condition in the Digital Age (Minnesota 2016). He is working on a series of essays on artificial intelligence and culture, and with Mara Mills, he is writing Tuning Time: Histories of Sound and Speed. (2022)

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