Difference between revisions of "Paul Wood"
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* editor, with Liz Dawtrey, Toby Jackson, Mary Masterton, and Pam Meecham, ''[https://aaaaarg.fail/thing/5c196b659ff37c52de622bdb Investigating Modern Art]'', Yale University Press, 1996, 208 pp. | * editor, with Liz Dawtrey, Toby Jackson, Mary Masterton, and Pam Meecham, ''[https://aaaaarg.fail/thing/5c196b659ff37c52de622bdb Investigating Modern Art]'', Yale University Press, 1996, 208 pp. | ||
* editor, with Charles Harrison and Jason Gaiger, ''[https://aaaaarg.fail/thing/579039bf9ff37c0420a0989a Art in Theory 1815-1900]'', Oxford: Blackwell, 1998. | * editor, with Charles Harrison and Jason Gaiger, ''[https://aaaaarg.fail/thing/579039bf9ff37c0420a0989a Art in Theory 1815-1900]'', Oxford: Blackwell, 1998. | ||
| − | * editor, ''The Challenge of the Avant-Garde'', Yale University Press, and Open University, 1999. | + | * editor, ''The Challenge of the Avant-Garde'', Yale University Press, and Milton Keynes: Open University, 1999. |
* editor, with Charles Harrison and Jason Gaiger, ''[https://monoskop.org/log/?p=2761 Art in Theory 1648-1815]'', Oxford: Blackwell, 2001, 1220 pp. | * editor, with Charles Harrison and Jason Gaiger, ''[https://monoskop.org/log/?p=2761 Art in Theory 1648-1815]'', Oxford: Blackwell, 2001, 1220 pp. | ||
* ''[https://aaaaarg.fail/thing/5c1d349f9ff37c4911622bc8 Conceptual Art]'', London: Tate Publications, 2002, 80 pp. | * ''[https://aaaaarg.fail/thing/5c1d349f9ff37c4911622bc8 Conceptual Art]'', London: Tate Publications, 2002, 80 pp. | ||
* ''Western Art and the Wider World'', Oxford: Wiley Blackwell, 2014, 304 pp. | * ''Western Art and the Wider World'', Oxford: Wiley Blackwell, 2014, 304 pp. | ||
| − | * editor, with Steve Edwards, ''[https://aaaaarg.fail/thing/535fb0a5334fe04de3c62edc Art & Visual Culture, 1850-2010: Modernity to Globalization]'', London: Tate Publications, 2012, 334 pp. | + | * editor, with Steve Edwards, ''[https://aaaaarg.fail/thing/535fb0a5334fe04de3c62edc Art & Visual Culture, 1850-2010: Modernity to Globalization]'', London: Tate Publications, and Milton Keyens: Open University, 2012, 334 pp. |
; Links | ; Links | ||
Revision as of 13:42, 22 December 2018
Paul Wood began working for the Open University in the 1980s as a part-time Tutor in Scotland, based in Edinburgh. From the 1990s he worked in the Dept of Art History at Milton Keynes. His main involvement has been in the history of the modern movement.
- Works
- editor, with Charles Harrison, Art in Theory 1900-1990, Oxford: Blackwell, 1992, 1220 pp; new ed. as Art in Theory 1900-2000, 2002.
- Art en théorie 1900-1990: une anthologie, 1997. (French)
- with Jonathan Harris, Francis Frascina, and Charles Harrison, Modernism in Dispute: Art Since the Forties, Yale University Press, 1993, 383 pp.
- editor, with Liz Dawtrey, Toby Jackson, Mary Masterton, and Pam Meecham, Investigating Modern Art, Yale University Press, 1996, 208 pp.
- editor, with Charles Harrison and Jason Gaiger, Art in Theory 1815-1900, Oxford: Blackwell, 1998.
- editor, The Challenge of the Avant-Garde, Yale University Press, and Milton Keynes: Open University, 1999.
- editor, with Charles Harrison and Jason Gaiger, Art in Theory 1648-1815, Oxford: Blackwell, 2001, 1220 pp.
- Conceptual Art, London: Tate Publications, 2002, 80 pp.
- Western Art and the Wider World, Oxford: Wiley Blackwell, 2014, 304 pp.
- editor, with Steve Edwards, Art & Visual Culture, 1850-2010: Modernity to Globalization, London: Tate Publications, and Milton Keyens: Open University, 2012, 334 pp.
- Links
- Profile on Open University (archived)
