Difference between revisions of "Michael Fried"
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'''Michael M. Fried''' (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore. | '''Michael M. Fried''' (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore. | ||
| − | == | + | ==Works== |
* ''Powers'' (poems), The Review, 1973. | * ''Powers'' (poems), The Review, 1973. | ||
* ''Absorption and Theatricality: Painting and Beholder in the Age of Diderot'', University of California Press, 1980. | * ''Absorption and Theatricality: Painting and Beholder in the Age of Diderot'', University of California Press, 1980. | ||
| Line 17: | Line 17: | ||
* [http://en.wikipedia.org/wiki/Michael_Fried Fried at Wikipedia] | * [http://en.wikipedia.org/wiki/Michael_Fried Fried at Wikipedia] | ||
| − | {{DEFAULTSORT:Fried, Michael}} | + | [[Category:Art history]] {{DEFAULTSORT:Fried, Michael}} |
Revision as of 22:19, 25 April 2016
Michael M. Fried (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore.
Works
- Powers (poems), The Review, 1973.
- Absorption and Theatricality: Painting and Beholder in the Age of Diderot, University of California Press, 1980.
- Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane, University of Chicago Press, 1987.
- Courbet's Realism, University of Chicago Press, 1990.
- To the Center of the Earth, Noonday Press, 1994.
- Manet's Modernism University of Chicago Press, 1996.
- Art and Objecthood: Essays and Reviews, University of Chicago Press, 1998.
- Menzel's Realism: Art and Embodiment in Nineteenth-Century, Yale University Press, 2002.
- Why Photography Matters as Art as Never Before, Yale University Press, 2008.
- The Moment of Caravaggio, Princeton University Press, 2010.
