Difference between revisions of "Computer music"
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* Barry S. Brook (ed.), ''Musicology and the Computer'', New York, 1970. | * Barry S. Brook (ed.), ''Musicology and the Computer'', New York, 1970. | ||
| − | * ''The Computer and Music'' | + | * Harry B. Lincoln (ed.), ''The Computer and Music'', Ithaca: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL]. |
* ''Computer Music Journal'', quarterly, MIT Press, 1977-2020. [https://direct.mit.edu/comj] | * ''Computer Music Journal'', quarterly, MIT Press, 1977-2020. [https://direct.mit.edu/comj] | ||
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* Curtis Roads, John Strawn (eds.), ''[[Media:Roads Curtis Strawn John eds Foundations_of_Computer_Music_1985.djvu|Foundations of Computer Music]]'', Cambridge, MA: MIT Press, 1985, xiii+712 pp. [https://www.curtisroads.net/books] | * Curtis Roads, John Strawn (eds.), ''[[Media:Roads Curtis Strawn John eds Foundations_of_Computer_Music_1985.djvu|Foundations of Computer Music]]'', Cambridge, MA: MIT Press, 1985, xiii+712 pp. [https://www.curtisroads.net/books] | ||
| + | |||
| + | * Peter Manning, ''Electronic and Computer Music'', New York: Oxford University Press, 1985, 291+[8] pp; 2nd ed., 1993, viii+399 pp; [https://monoskop.org/log/?p=276 rev. & exp. ed.], 2004, x+474 pp; [https://monoskop.org/log/?p=276 4th ed.], 2013, xii+543 pp. | ||
* Georgina Born, ''[https://monoskop.org/log/?p=21877 Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde]'', University of California Press, 1995, xvi+390 pp. | * Georgina Born, ''[https://monoskop.org/log/?p=21877 Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde]'', University of California Press, 1995, xvi+390 pp. | ||
Revision as of 08:23, 8 April 2021
Pages
Literature
- Harald Heckmann (ed.), Elektronische Datenverarbeitung in der Musikwissenschaft, Regensburg, 1967. (German)
- Gerald Lefkoff (ed.), Computer Applications in Music, Morgantown, WV, 1967.
- Heinz von Foerster, James W. Beauchamp (eds.), Music by Computer, John Wiley & Sons, 1969, 139 pp.
- Barry S. Brook (ed.), Musicology and the Computer, New York, 1970.
- Harry B. Lincoln (ed.), The Computer and Music, Ithaca: Cornell University Press, 1970, xvi+354 pp, OL.
- Computer Music Journal, quarterly, MIT Press, 1977-2020. [1]
- Curtis Roads (ed.), Composers and the Computer, Los Altos, CA: William Kaufmann, 1985, xx+201 pp.
- Curtis Roads, John Strawn (eds.), Foundations of Computer Music, Cambridge, MA: MIT Press, 1985, xiii+712 pp. [2]
- Peter Manning, Electronic and Computer Music, New York: Oxford University Press, 1985, 291+[8] pp; 2nd ed., 1993, viii+399 pp; rev. & exp. ed., 2004, x+474 pp; 4th ed., 2013, xii+543 pp.
- Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde, University of California Press, 1995, xvi+390 pp.
- Curtis Roads, et al., The Computer Music Tutorial, Cambridge, MA: MIT Press, 1996, xx+1234 pp.
- L'audionumérique, trans. Jean de Reydellet, Paris: Dunod, 1999, 679 pp; 2nd ed. as L'audionumérique: musique et informatique, Paris: Dunod, 2007, 658 pp; 3rd ed., Paris: Dunod, 2016, 674 pp. (French)
- Konpyūta ongaku: rekishi tekunorojī āto. [コンピュータ音楽 : 歴史・テクノロジー・アート], Tokyo: Tōkyō Denki Daigaku Shuppankyoku, 2001, 1054 pp. (Japanese)
- Curtis Roads, Microsound, Cambridge, MA: MIT Press, 2001, xii+409 pp. With an audio CD.
See also
Electroacoustic music, Sound art
| Sound and Music communities of practice |
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Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About. | ||
