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| + | [[Image:Worringer_Wilhelm_Abstraktion_und_Einfuehlung_1907.jpg|thumb|300px|''Abstraktion und Einfühlung'', 1907, [http://archive.org/details/gri_33125008469211 IA].]]  | ||
| + | [[Image:Worringer_Wilhelm_Abstraction_and_Empathy_1997.jpg|thumb|300px|''Abstraction and Empathy'', 1953/1997, [http://monoskop.org/log/?p=16640 Log], [[Media:Worringer_Wilhelm_Abstraction_and_Empathy_1997.pdf|PDF]], [http://libgen.is/book/index.php?md5=E54AB5BCAD1E3258C0CC7251B6EC2C05 DJVU], [http://aaaaarg.fail/ref/6e3be07d3aa9f8c1491b12b09996749b#0.01 ARG].]]  | ||
Wilhelm Worringer (1881, Aachen - 1965, Munich) was a German art historian and theoretician of [[Expressionism]].  | Wilhelm Worringer (1881, Aachen - 1965, Munich) was a German art historian and theoretician of [[Expressionism]].  | ||
==Works==  | ==Works==  | ||
| − | (in German unless noted)  | + | (in German unless noted otherwise)  | 
| − | * ''Abstraktion und Einfühlung: ein Beitrag zur Stilpyschologie'', Neuwied: Heuser, 1907, 118 pp, [http://archive.org/details/gri_33125008469211 IA], [http://archive.org/details/abstraktionundei00worr_1 IA]; repr., Munich: R. Piper, 1908; 3rd ed., 1911, [http://archive.org/details/abstraktionundei00worr IA]; 11th ed.,   | + | * ''Abstraktion und Einfühlung: ein Beitrag zur Stilpyschologie'', Neuwied: Heuser, 1907, 118 pp, [http://archive.org/details/gri_33125008469211 IA], [http://archive.org/details/abstraktionundei00worr_1 IA]; repr., Munich: R. Piper, 1908; 3rd ed., 1911, [http://archive.org/details/abstraktionundei00worr IA]; 11th ed., exp., 1921, [http://archive.org/details/abstraktionundei00worruoft IA]; new ed., new forew., 1948; new ed., ed. Helga Grebing, intro. Claudia Öhlschläger, Munich: Wilhelm Fink, 2007. Dissertation.  | 
| − | ** ''Abstraction and Empathy'', trans. Michael Bullock, New York: International University Press, 1953; new ed., intro. Hilton Kramer, Chicago: Ivan R. Dee, 1997, 144 pp, [http://libgen.  | + | ** ''[http://monoskop.org/log/?p=16640 Abstraction and Empathy: A Contribution to the Psychology of Style]'', trans. Michael Bullock, New York: International University Press, 1953; new ed., intro. Hilton Kramer, Chicago: Ivan R. Dee, 1997, 144 pp, [[Media:Worringer_Wilhelm_Abstraction_and_Empathy_1997.pdf|PDF]], [http://libgen.is/book/index.php?md5=E54AB5BCAD1E3258C0CC7251B6EC2C05 DJVU], [http://aaaaarg.fail/ref/6e3be07d3aa9f8c1491b12b09996749b#0.01 ARG]. {{en}}  | 
| − | ** ''Abstracción y naturaleza'', trans. Mariana Frank, México: Fondo de Cultura Económica, 1953, 137 pp; 1975. {{es}}  | + | ** ''Abstracción y naturaleza'', trans. Mariana Frank, México: Fondo de Cultura Económica, 1953, 137 pp; 1975. [http://abstraccionygeometria.files.wordpress.com/2009/04/abstraccic3b3n-y-ne280a6m-worringer.pdf Excerpt]. {{es}}  | 
** ''Chusho to kanjo inyu'', trans. Masao Kusanagi, Tokyo: Iwanami Shoten, 1953. {{jp}}  | ** ''Chusho to kanjo inyu'', trans. Masao Kusanagi, Tokyo: Iwanami Shoten, 1953. {{jp}}  | ||
| + | |||
| + | * ''Lucas Cranach'', Munich: Piper, 1908.  | ||
* ''Formprobleme der Gotik'', Munich: R. Piper, 1912; 2nd ed., 1912, [http://archive.org/details/formproblemederg00worr IA], [https://archive.org/details/formproblemederg00worruoft IA].  | * ''Formprobleme der Gotik'', Munich: R. Piper, 1912; 2nd ed., 1912, [http://archive.org/details/formproblemederg00worr IA], [https://archive.org/details/formproblemederg00worruoft IA].  | ||
| Line 15: | Line 19: | ||
* ''Die altdeutsche Buchillustratoren'', Munich: Piper, 1912; 2nd ed., 1919, [http://archive.org/details/diealtdeutschebu00worr IA], [http://archive.org/details/diealtdeutsche00worr IA]; 3rd ed., 1921, [http://archive.org/details/diealtdeutschebu00worruoft IA].  | * ''Die altdeutsche Buchillustratoren'', Munich: Piper, 1912; 2nd ed., 1919, [http://archive.org/details/diealtdeutschebu00worr IA], [http://archive.org/details/diealtdeutsche00worr IA]; 3rd ed., 1921, [http://archive.org/details/diealtdeutschebu00worruoft IA].  | ||
| − | * ''  | + | * ''Künstlerische Zeitfragen'', Munich: Brickmann, 1921.  | 
| − | * ''  | + | * ''Die Anfänge der deutschen Tafelmalerei'', Leipzig: Insel, 1924, 349 pp, [http://libgen.is/book/index.php?md5=AB3479AD07F7244EC3DE5792363C94D6 PDF].  | 
| − | |||
| − | * ''Griechentum und Gotik: vom Weltreich des Hellenismus'', Munich: Piper, 1928, 108 pp, [http://libgen.  | + | * ''Ägyptische Kunst: Probleme ihre Werte'', Munich: Piper, 1927, 110 pp, [http://libgen.is/book/index.php?md5=4310A19F0EF5C9345E00ED612C2AE436 PDF].   | 
| + | ** ''Egyptian Art'', trans., ed. & pref. Bernard Rackham, London: Putnam's Sons, 1928, 95 pp, [http://libgen.is/book/index.php?md5=7D06003EC8251FD9B2CBE60D98C7DAB9 PDF]. {{en}}  | ||
| + | |||
| + | * ''Griechentum und Gotik: vom Weltreich des Hellenismus'', Munich: Piper, 1928, 108 pp, [http://libgen.is/book/index.php?md5=786A4FA21A19AD3FE8B488D5B79847C3 PDF].  | ||
* ''Käthe Kollwitz'', Königsberg: Grafen und Unger, 1931.  | * ''Käthe Kollwitz'', Königsberg: Grafen und Unger, 1931.  | ||
| − | * ''  | + | * ''Über den Einfluss der angelsächsischen Buchmalerei auf die frühmittelalterliche Monumentalplastik des Kontinents'', Halle: Niemeyer, 1931, 16+xii pp.  | 
| − | * ''  | + | * ''Problematik der Gegenwartskunst'', Munich: Piper, 1948.  | 
| − | * ''  | + | * ''Fragen und Gegenfragen. Schriften zum Kunstproblem'', Munich: Piper, 1956, [http://openlibrary.org/works/OL2660633W OL].  | 
| − | * ''  | + | ==Literature==  | 
| + | * Neil H. Donahue (ed.), ''Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer'', University Park, PA: Pennsylvania State University Press, 1995, xii+217 pp. [http://www.psupress.org/books/titles/0-271-01306-0.html]  | ||
==Links==  | ==Links==  | ||
* http://dictionaryofarthistorians.org/worringerw.htm  | * http://dictionaryofarthistorians.org/worringerw.htm  | ||
| + | |||
| + | [[Series:Art history]] {{DEFAULTSORT:Worringer, Wilhelm}}  | ||
Latest revision as of 10:29, 1 November 2024
Abstraktion und Einfühlung, 1907, IA.
Wilhelm Worringer (1881, Aachen - 1965, Munich) was a German art historian and theoretician of Expressionism.
Works[edit]
(in German unless noted otherwise)
- Abstraktion und Einfühlung: ein Beitrag zur Stilpyschologie, Neuwied: Heuser, 1907, 118 pp, IA, IA; repr., Munich: R. Piper, 1908; 3rd ed., 1911, IA; 11th ed., exp., 1921, IA; new ed., new forew., 1948; new ed., ed. Helga Grebing, intro. Claudia Öhlschläger, Munich: Wilhelm Fink, 2007. Dissertation.
- Abstraction and Empathy: A Contribution to the Psychology of Style, trans. Michael Bullock, New York: International University Press, 1953; new ed., intro. Hilton Kramer, Chicago: Ivan R. Dee, 1997, 144 pp, PDF, DJVU, ARG. (English)
 - Abstracción y naturaleza, trans. Mariana Frank, México: Fondo de Cultura Económica, 1953, 137 pp; 1975. Excerpt. (Spanish)
 - Chusho to kanjo inyu, trans. Masao Kusanagi, Tokyo: Iwanami Shoten, 1953. (Japanese)
 
 
- Lucas Cranach, Munich: Piper, 1908.
 
- Formprobleme der Gotik, Munich: R. Piper, 1912; 2nd ed., 1912, IA, IA.
- Form Problems of the Gothic, New York: Stechert, 1920, IA. (English)
 - L’Art gothique, trans. D. Decourdemanche, Paris: Gallimard, 1941. (French)
 - Form in Gothic, trans. Herbert Read, London: A. Tiranti, 1957. (English)
 
 
- Künstlerische Zeitfragen, Munich: Brickmann, 1921.
 
- Die Anfänge der deutschen Tafelmalerei, Leipzig: Insel, 1924, 349 pp, PDF.
 
- Ägyptische Kunst: Probleme ihre Werte, Munich: Piper, 1927, 110 pp, PDF.
- Egyptian Art, trans., ed. & pref. Bernard Rackham, London: Putnam's Sons, 1928, 95 pp, PDF. (English)
 
 
- Griechentum und Gotik: vom Weltreich des Hellenismus, Munich: Piper, 1928, 108 pp, PDF.
 
- Käthe Kollwitz, Königsberg: Grafen und Unger, 1931.
 
- Über den Einfluss der angelsächsischen Buchmalerei auf die frühmittelalterliche Monumentalplastik des Kontinents, Halle: Niemeyer, 1931, 16+xii pp.
 
- Problematik der Gegenwartskunst, Munich: Piper, 1948.
 
- Fragen und Gegenfragen. Schriften zum Kunstproblem, Munich: Piper, 1956, OL.
 
Literature[edit]
- Neil H. Donahue (ed.), Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer, University Park, PA: Pennsylvania State University Press, 1995, xii+217 pp. [1]