Difference between revisions of "November 2025"
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[https://darc.au.dk/blog/nyhed/artikel/readme-software-art-festival-20-years-on-launch-of-video-archive README Software Art Festival 20 Years On]. We welcome you to the event celebrating the launch of the archive of the [https://www.youtube.com/@readmerunme 2004 Readme Dorkbot videos]. To mark this occasion and discuss the last 20 years in art, culture and computation, some of the original presenters at [[Readme]] will come together online to talk about then, in-between and now. Digital Aesthetics Research Center, Aarhus University and online, 6 Nov 2025. [https://nettime.org/Lists-Archives/nettime-l-2510/msg00003.html Announcement]. | [https://darc.au.dk/blog/nyhed/artikel/readme-software-art-festival-20-years-on-launch-of-video-archive README Software Art Festival 20 Years On]. We welcome you to the event celebrating the launch of the archive of the [https://www.youtube.com/@readmerunme 2004 Readme Dorkbot videos]. To mark this occasion and discuss the last 20 years in art, culture and computation, some of the original presenters at [[Readme]] will come together online to talk about then, in-between and now. Digital Aesthetics Research Center, Aarhus University and online, 6 Nov 2025. [https://nettime.org/Lists-Archives/nettime-l-2510/msg00003.html Announcement]. | ||
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| + | <small>''Listings'': [https://kunsten.nu/artguide/ kunsten.nu], [https://dukop.dk/en/sphere/change/3/ Duk Op].</small> | ||
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[https://criticalmedialab.ch/library-making-as-practice/ Library Making as Practice] / [https://criticalmedialab.ch/careful-vs-careless-library-custodians-and-artificial-readers/ ''Careful vs Careless: Library Custodians and Artificial Readers''] / [https://criticalmedialab.ch/library-a-network-of-relations/ ''Library, A Network of Relations''], exhibitions and colloquium, [[distro]], Basel, 5–17 November 2025. The colloquium builds on two exhibitions at distro drawing together a range of tactics and strategies to library making as practice. It brings together artists who work with and through libraries to rethink the power asymmetries in the ways how knowledge circulates and how publics are formed. [[:File:Careful_A_Repertorium_on_Shadow_Library_Practice_2025.pdf|Repertorium PDF]]. | [https://criticalmedialab.ch/library-making-as-practice/ Library Making as Practice] / [https://criticalmedialab.ch/careful-vs-careless-library-custodians-and-artificial-readers/ ''Careful vs Careless: Library Custodians and Artificial Readers''] / [https://criticalmedialab.ch/library-a-network-of-relations/ ''Library, A Network of Relations''], exhibitions and colloquium, [[distro]], Basel, 5–17 November 2025. The colloquium builds on two exhibitions at distro drawing together a range of tactics and strategies to library making as practice. It brings together artists who work with and through libraries to rethink the power asymmetries in the ways how knowledge circulates and how publics are formed. [[:File:Careful_A_Repertorium_on_Shadow_Library_Practice_2025.pdf|Repertorium PDF]]. | ||
| + | |||
| + | <small>''Listings'': [https://summe.xyz/en/offspaces-initiatives/kalender/ Summe].</small> | ||
</div> | </div> | ||
<div class=nobreak> | <div class=nobreak> | ||
== Berlin == | == Berlin == | ||
| + | |||
| + | [https://www.bbk-kulturwerk.de/en/kalender/nothing-comes-without-its-world-cornelia-sollfrank-friends Nothing comes without its world!], exhibition, Deutscher Künstlerbund Berlin, September 13, 2025 – November 21, 2025. On the occasion of the presentation of the HAP Grieshaber Prize 2025, [[Cornelia Sollfrank]] takes the invitation to a solo exhibition as an opportunity not only to present a selection of her own works, but also to provide insight into the “world” that this work has helped to create: a long-standing relational network of Berlin-based and international agents. Accompanying event: Critical knowledge and communication infrastructure as aesthetic practice: Workshop for the tech*feminist art scene in Berlin, November 19, 2025, 10:30-18h. | ||
<gallery mode=packed heights=300px> | <gallery mode=packed heights=300px> | ||
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</gallery> | </gallery> | ||
| − | [https://ngbk.de/en/programm/programm/eastunbloc EastUnBloc] presents subversive, experimental and innovative media art works and practices from socialist and transition-era Central and Eastern Europe and their contexts. Exhibition, performances, talks, workshops. [[nGbK]], Berlin, Sat, 29.11.25 – Sun, 15.2.26. | + | [https://ngbk.de/en/programm/programm/eastunbloc EastUnBloc] presents subversive, experimental and innovative media art works and practices from socialist and transition-era Central and Eastern Europe and their contexts. Exhibition, performances, talks, workshops. [[nGbK]], Berlin, Sat, 29.11.25 – Sun, 15.2.26. Opening, 28 Nov, 18h. TV Free Europe presents, 29 Nov, 19h. |
| + | |||
| + | <small>''Listings'': [https://echtzeitmusik.de/index.php?page=calendar Echtzeitmusik], [https://mobilize.berlin/ mobilize.berlin], [https://www.field-notes.berlin/ field notes], [https://www.indexberlin.com/ Index].</small> | ||
</div> | </div> | ||
<div class=nobreak> | <div class=nobreak> | ||
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== Bratislava == | == Bratislava == | ||
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<div class=nobreak> | <div class=nobreak> | ||
| + | == The Hague == | ||
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| + | [https://www.stroom.nl/en/stroom/agenda-en/brewing-permacomputing-collectives Brewing Permacomputing Collectives: Self-Organised Networks against Big Tech], a series of short presentations with members of international [[Permacomputing]] groups. Stroom Den Haag, Friday 28 november, 2025, 17:00 - 18:30 hrs. [https://london.permacomputing.net/brewing-permacomputing-collectives-self-organised-networks-against-big-tech] | ||
| + | </div> | ||
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| + | <div class=nobreak> | ||
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== Kuala Lumpur == | == Kuala Lumpur == | ||
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== Lille == | == Lille == | ||
| − | + | The symposium [https://edit-art21.univ-lille.fr When creation takes over publishing: Strategies and dynamics of artist publishing in the 21st century] will examine the publishing processes put in place by contemporary art practitioners (artists, designers, writers, curators, publishers, etc.) and renewed by the widespread use of digital technologies. At the same time, a collective exhibition will present editions by artists and writers working on the form and materiality of books, from national and international collections. An artistic publishing project will also bring together fifty artists, invited to put the conference's theme into practice in a modest, shared printed form. LILLIAD, University of Lille - 12, 13 and 14 November 2025. | |
</div> | </div> | ||
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== Oslo == | == Oslo == | ||
| − | [https://www.uks.no/program/from-barricade-to-barricade-a-debate-on-museums-responsibilities-and-role-as-political-actors/ From Barricade to Barricade: A Debate on Museums’ Responsibilities and Role as Political Actors]. What responsibilities do art institutions carry when calls for solidarity arise, and how do the expectations placed on them by society and the art field shape their response? The past weeks’ public conversation concerning The National Museum’s curation of Noa Eshkol’s Mourning Carpet (Afterthe Ma‘alot School Massacre) in room 76, has stormed Norwegian media. In response, Young Artists’ Society (UKS) and Kunstnernes Hus will host a debate about the role and responsibilities of museums as political actors. Kunstnernes Hus, 5 November 2025. [https://www.youtube.com/watch?v=UxoSiMn6vkQ | + | [https://www.uks.no/program/from-barricade-to-barricade-a-debate-on-museums-responsibilities-and-role-as-political-actors/ From Barricade to Barricade: A Debate on Museums’ Responsibilities and Role as Political Actors]. What responsibilities do art institutions carry when calls for solidarity arise, and how do the expectations placed on them by society and the art field shape their response? The past weeks’ public conversation concerning The National Museum’s curation of Noa Eshkol’s Mourning Carpet (Afterthe Ma‘alot School Massacre) in room 76, has stormed Norwegian media. In response, Young Artists’ Society (UKS) and Kunstnernes Hus will host a debate about the role and responsibilities of museums as political actors. Kunstnernes Hus, 5 November 2025. [https://www.youtube.com/watch?v=UxoSiMn6vkQ Video recording]. [https://kunstkritikk.no/nasjonalmuseets-historiefortelling-kan-ikke-bli-staende/ Kunstkritikk]. |
[https://www.kunstbokoslo.no/ Kunstbok Oslo - Art Book Fair] at Kunstnernes Hus, November 15 - 16, from 12.00-17.00. 90 exhibitors, a two day seminar, program for kids and risograph-workshop in Kunstnernes Hus riso-room. We present artist books and independent publishers, and we are an online art bookstore as well as a platform for meetings and conversations. | [https://www.kunstbokoslo.no/ Kunstbok Oslo - Art Book Fair] at Kunstnernes Hus, November 15 - 16, from 12.00-17.00. 90 exhibitors, a two day seminar, program for kids and risograph-workshop in Kunstnernes Hus riso-room. We present artist books and independent publishers, and we are an online art bookstore as well as a platform for meetings and conversations. | ||
| − | [https://katalogen.org Katalog for kunstnerisk publisering] (Katalogen.org) | + | <gallery mode=packed heights=300px> |
| + | Katalog_for_kunstnerisk_publisering.png | ||
| + | </gallery> | ||
| + | |||
| + | [https://katalogen.org Katalog for kunstnerisk publisering] (Katalogen.org) documents important publications in the field of artistic publishing, seen from a Norwegian perspective. The catalogue's purpose is to highlight publications that rarely receive the attention they deserve. The first pilot version of Katalogen.org was published in autumn 2024. We will be launching Katalogen.org ‘2.0’ – an expanded version, incorporating 20 new works, at [https://www.kunstbokoslo.no/exhibitors/torpedo-press Kunstbok Oslo] on 16 November 2025. | ||
| + | |||
| + | <small>''Listings'': [https://dukkopp.no/ Dukk Opp], [https://artacademycalendar.khio.no/ Kunstakademiet], [https://underskog.no/kalender?city=1 Underskog], [https://www.osloartguide.no Oslo Art Guide], [https://paragone.no/kunstguide Paragone], [https://csid.no/ Concerts in Oslo], [https://www.broadcast.events/ Broadcast].</small> | ||
</div> | </div> | ||
<div class=nobreak> | <div class=nobreak> | ||
| + | == Prague == | ||
| + | |||
| + | The [https://cz.tranzit.org/en/project/0/2025-11-07/bodies-craving-to-believe 2025 Performance Art Festival – Bodies Craving to Believe] will take place on Friday, November 7, from 7:00 p.m. in the industrial space of the Old Wastewater Treatment Plant in Prague-Bubeneč (Čistírna1906). The program features six original performances exploring corporeality as a medium of emotional expression, hope, and queer self-determination. | ||
| + | |||
| + | <small>''Listings'': [https://jlbjlt.net/ jlbjlt], [https://akce.nolog.cz/ akce.nolog.cz], [https://www.artmap.cz/akce/ Artmap].</small> | ||
| + | </div> | ||
| + | <div class=nobreak> | ||
== Rotterdam == | == Rotterdam == | ||
[https://varia.zone/en/resisting-knowledge-erasure.html Palestine Shadow Library], soft launch, [[Varia]], Rotterdam, 30 November 2025. As part of the Colonial Infrastructures series, this 5th edition will focus on knowledge under duress and its circulation in times of repression. How do we gather to disseminate knowledge that was erased and dispersed? | [https://varia.zone/en/resisting-knowledge-erasure.html Palestine Shadow Library], soft launch, [[Varia]], Rotterdam, 30 November 2025. As part of the Colonial Infrastructures series, this 5th edition will focus on knowledge under duress and its circulation in times of repression. How do we gather to disseminate knowledge that was erased and dispersed? | ||
| + | |||
| + | <small>''Listings'': [https://calendar.klank.school/ 010 kalender], [https://prikbord.page Gancio], [http://weownrotterdam.nl We Own Rotterdam].</small> | ||
</div> | </div> | ||
<div class=nobreak> | <div class=nobreak> | ||
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== Seoul == | == Seoul == | ||
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</div> | </div> | ||
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| + | [[Series:Calendar]] | ||
Latest revision as of 21:05, 9 November 2025
Contents
Aarhus[edit]
README Software Art Festival 20 Years On. We welcome you to the event celebrating the launch of the archive of the 2004 Readme Dorkbot videos. To mark this occasion and discuss the last 20 years in art, culture and computation, some of the original presenters at Readme will come together online to talk about then, in-between and now. Digital Aesthetics Research Center, Aarhus University and online, 6 Nov 2025. Announcement.
Listings: kunsten.nu, Duk Op.
Basel[edit]
Library Making as Practice / Careful vs Careless: Library Custodians and Artificial Readers / Library, A Network of Relations, exhibitions and colloquium, distro, Basel, 5–17 November 2025. The colloquium builds on two exhibitions at distro drawing together a range of tactics and strategies to library making as practice. It brings together artists who work with and through libraries to rethink the power asymmetries in the ways how knowledge circulates and how publics are formed. Repertorium PDF.
Listings: Summe.
Berlin[edit]
Nothing comes without its world!, exhibition, Deutscher Künstlerbund Berlin, September 13, 2025 – November 21, 2025. On the occasion of the presentation of the HAP Grieshaber Prize 2025, Cornelia Sollfrank takes the invitation to a solo exhibition as an opportunity not only to present a selection of her own works, but also to provide insight into the “world” that this work has helped to create: a long-standing relational network of Berlin-based and international agents. Accompanying event: Critical knowledge and communication infrastructure as aesthetic practice: Workshop for the tech*feminist art scene in Berlin, November 19, 2025, 10:30-18h.
The third edition of The Social Life of Film takes place from 20–23 November 2025 in Berlin. Hosted in collaboration with Aktionshaus, the congress will centre on alternative structures of support. The Social Life of Film is an annual congress which brings together independent screening initiatives to further the communal potential of the moving image.
EastUnBloc presents subversive, experimental and innovative media art works and practices from socialist and transition-era Central and Eastern Europe and their contexts. Exhibition, performances, talks, workshops. nGbK, Berlin, Sat, 29.11.25 – Sun, 15.2.26. Opening, 28 Nov, 18h. TV Free Europe presents, 29 Nov, 19h.
Listings: Echtzeitmusik, mobilize.berlin, field notes, Index.
Bratislava[edit]
NEXT Advanced Music Festival, multiple venues in Bratislava, 26–30 Nov 2025.
The Hague[edit]
Brewing Permacomputing Collectives: Self-Organised Networks against Big Tech, a series of short presentations with members of international Permacomputing groups. Stroom Den Haag, Friday 28 november, 2025, 17:00 - 18:30 hrs. [1]
Kuala Lumpur[edit]
Kuala Lumpur Art Book Fair, KL & Selangor Chinese Assembly Hall, 28 – 30 Nov 2025
Leipzig[edit]
Robotron. Code and Utopia, Galerie für Zeitgenössische Kunst, Leipzig, October 25, 2025 - February 22, 2026. The rapid rise of computers and microelectronics since the 1960s is often described as the “third industrial revolution”. In East Germany, the name Robotron became closely associated with this transformative technology, which reshaped every sector of the economy. Revisiting the history of this state-owned enterprise highlights not only the technical possibilities and societal hopes it carried, but also the political and economic contradictions that ultimately contributed to the collapse of East Germany. Bringing together photographs, films, installations, and graphic works – some created in the GDR – the exhibition explores the transformation of the industrial landscape in East Germany.
Lille[edit]
The symposium When creation takes over publishing: Strategies and dynamics of artist publishing in the 21st century will examine the publishing processes put in place by contemporary art practitioners (artists, designers, writers, curators, publishers, etc.) and renewed by the widespread use of digital technologies. At the same time, a collective exhibition will present editions by artists and writers working on the form and materiality of books, from national and international collections. An artistic publishing project will also bring together fifty artists, invited to put the conference's theme into practice in a modest, shared printed form. LILLIAD, University of Lille - 12, 13 and 14 November 2025.
Oslo[edit]
From Barricade to Barricade: A Debate on Museums’ Responsibilities and Role as Political Actors. What responsibilities do art institutions carry when calls for solidarity arise, and how do the expectations placed on them by society and the art field shape their response? The past weeks’ public conversation concerning The National Museum’s curation of Noa Eshkol’s Mourning Carpet (Afterthe Ma‘alot School Massacre) in room 76, has stormed Norwegian media. In response, Young Artists’ Society (UKS) and Kunstnernes Hus will host a debate about the role and responsibilities of museums as political actors. Kunstnernes Hus, 5 November 2025. Video recording. Kunstkritikk.
Kunstbok Oslo - Art Book Fair at Kunstnernes Hus, November 15 - 16, from 12.00-17.00. 90 exhibitors, a two day seminar, program for kids and risograph-workshop in Kunstnernes Hus riso-room. We present artist books and independent publishers, and we are an online art bookstore as well as a platform for meetings and conversations.
Katalog for kunstnerisk publisering (Katalogen.org) documents important publications in the field of artistic publishing, seen from a Norwegian perspective. The catalogue's purpose is to highlight publications that rarely receive the attention they deserve. The first pilot version of Katalogen.org was published in autumn 2024. We will be launching Katalogen.org ‘2.0’ – an expanded version, incorporating 20 new works, at Kunstbok Oslo on 16 November 2025.
Listings: Dukk Opp, Kunstakademiet, Underskog, Oslo Art Guide, Paragone, Concerts in Oslo, Broadcast.
Prague[edit]
The 2025 Performance Art Festival – Bodies Craving to Believe will take place on Friday, November 7, from 7:00 p.m. in the industrial space of the Old Wastewater Treatment Plant in Prague-Bubeneč (Čistírna1906). The program features six original performances exploring corporeality as a medium of emotional expression, hope, and queer self-determination.
Listings: jlbjlt, akce.nolog.cz, Artmap.
Rotterdam[edit]
Palestine Shadow Library, soft launch, Varia, Rotterdam, 30 November 2025. As part of the Colonial Infrastructures series, this 5th edition will focus on knowledge under duress and its circulation in times of repression. How do we gather to disseminate knowledge that was erased and dispersed?
Listings: 010 kalender, Gancio, We Own Rotterdam.
Seoul[edit]
17th Unlimited Edition - Seoul Art Book Fair 2025, Seoul Museum of Art, 14-16 November 2025. [2]
