Difference between revisions of "Martha Rosler"
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'''Martha Rosler''' (1943) is an American artist. She works in video, photo-text, installation, and performance, as well as writing about art and culture. Rosler’s work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to systems of transport. | '''Martha Rosler''' (1943) is an American artist. She works in video, photo-text, installation, and performance, as well as writing about art and culture. Rosler’s work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to systems of transport. | ||
− | == | + | ==Works== |
* ''3 Works'', Press of the Nova Scotia College of Art and Design, 1981; 2006. | * ''3 Works'', Press of the Nova Scotia College of Art and Design, 1981; 2006. | ||
* ''[https://monoskop.org/log/?p=17015 If You Lived Here: The City in Art, Theory, and Social Activism: A Project by Martha Rosler]'', ed. Brian Wallis, Seattle: Bay Press, 1991; repr., New York: New Press, 1999. | * ''[https://monoskop.org/log/?p=17015 If You Lived Here: The City in Art, Theory, and Social Activism: A Project by Martha Rosler]'', ed. Brian Wallis, Seattle: Bay Press, 1991; repr., New York: New Press, 1999. | ||
* ''Positions in the Life World'', ed. Catherine de Zegher, MIT Press, 1999, 304 pp. Review: [http://www.caareviews.org/reviews/370 Stimson] (CAA 2000). | * ''Positions in the Life World'', ed. Catherine de Zegher, MIT Press, 1999, 304 pp. Review: [http://www.caareviews.org/reviews/370 Stimson] (CAA 2000). | ||
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* ''[http://gen.lib.rus.ec/book/index.php?md5=D3177E641709C5291D74C7A4DF7C3B0D Decoys and Disruptions: Selected Writings, 1975-2001]'', MIT Press, 2004. | * ''[http://gen.lib.rus.ec/book/index.php?md5=D3177E641709C5291D74C7A4DF7C3B0D Decoys and Disruptions: Selected Writings, 1975-2001]'', MIT Press, 2004. | ||
* ''Imágenes públicas'', Gustavo Gili, 2007. {{es}} | * ''Imágenes públicas'', Gustavo Gili, 2007. {{es}} | ||
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* ''In the Place of the Public: Airport Series'', Cantz, 1997. | * ''In the Place of the Public: Airport Series'', Cantz, 1997. | ||
* ''Passionate Signals'', Cantz, 2005. | * ''Passionate Signals'', Cantz, 2005. | ||
+ | |||
+ | ==Essays== | ||
+ | * [http://everydayarchive.org/awt/wp-content/uploads/2014/01/rosler-martha_in-around-afterthoughts.pdf "In, around, and afterthoughts (on documentary photography)"] in: ''The Context of Meaning: Critical Histories of Photography'', ed by Bolton. R. Massachusetts, The MIT Press, pp 303-325. | ||
==Links== | ==Links== |
Revision as of 14:40, 11 July 2017
Martha Rosler at New Langton Arts in San Francisco, March 1980. Photo: Fred Lonidier. | |
Born |
July 29, 1943 Brooklyn, New York, United States |
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Web | UbuWeb, Aaaaarg, Wikipedia |
Martha Rosler (1943) is an American artist. She works in video, photo-text, installation, and performance, as well as writing about art and culture. Rosler’s work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to systems of transport.
Works
- 3 Works, Press of the Nova Scotia College of Art and Design, 1981; 2006.
- If You Lived Here: The City in Art, Theory, and Social Activism: A Project by Martha Rosler, ed. Brian Wallis, Seattle: Bay Press, 1991; repr., New York: New Press, 1999.
- Positions in the Life World, ed. Catherine de Zegher, MIT Press, 1999, 304 pp. Review: Stimson (CAA 2000).
- Decoys and Disruptions: Selected Writings, 1975-2001, MIT Press, 2004.
- Imágenes públicas, Gustavo Gili, 2007. (Spanish)
- Photo books
- Rights of Passage, NYFA, 1995.
- In the Place of the Public: Airport Series, Cantz, 1997.
- Passionate Signals, Cantz, 2005.
Essays
- "In, around, and afterthoughts (on documentary photography)" in: The Context of Meaning: Critical Histories of Photography, ed by Bolton. R. Massachusetts, The MIT Press, pp 303-325.