Difference between revisions of "Sanne Krogh Groth"
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| − | Sanne Krogh Groth | + | '''Sanne Krogh Groth''' is Ph.D. in Musicology from the University of Copenhagen (2010, Kehrer 2014) and MA in Musicology and Theatre studies (2003) with a thesis on Sound Art. She is currently, since 2017, associate professor in Musicology at Lund Universitet and since 2011 editor-in-chief of the online journal Seismograf/DMT (seismograf.org). In 2015-16 she was affiliated at the Royal Library in Copenhagen conducting the research project “Composers on Stage” concerning 21st century contemporary music composers and in 2011-2014 assistant professor in Performance Design at Roskilde University. She has published internationally and occasionally co-curated at events and exhibitions. She is the author of the book ''Politics and Aesthetics in Electronic Music. A Study of EMS - Elektronmusikstudion Stockholm, 1964-79'' (Kehrer, 2014) [http://www.artbooksheidelberg.de/html/en/program/detail.html?ID=855]. |
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* http://seismograf.org/profil/sanne-krogh-groth | * http://seismograf.org/profil/sanne-krogh-groth | ||
[[Category:Sound art|Groth, Sanne Krogh]] | [[Category:Sound art|Groth, Sanne Krogh]] | ||
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Latest revision as of 13:40, 29 April 2017
Sanne Krogh Groth is Ph.D. in Musicology from the University of Copenhagen (2010, Kehrer 2014) and MA in Musicology and Theatre studies (2003) with a thesis on Sound Art. She is currently, since 2017, associate professor in Musicology at Lund Universitet and since 2011 editor-in-chief of the online journal Seismograf/DMT (seismograf.org). In 2015-16 she was affiliated at the Royal Library in Copenhagen conducting the research project “Composers on Stage” concerning 21st century contemporary music composers and in 2011-2014 assistant professor in Performance Design at Roskilde University. She has published internationally and occasionally co-curated at events and exhibitions. She is the author of the book Politics and Aesthetics in Electronic Music. A Study of EMS - Elektronmusikstudion Stockholm, 1964-79 (Kehrer, 2014) [1].
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