Difference between revisions of "Video art"

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* ''The Arts for Television'', eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Works by 102 artists; works and essays are classified under the following headings: image, theatre, literature, dance, music and television. [http://www.vasulka.org/archive/ExhFest12/'m'/MOCALAposter.pdf] [http://moma.org/calendar/exhibitions/2131] [http://camh.org/exhibitions/arts-television]
 
* ''The Arts for Television'', eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Works by 102 artists; works and essays are classified under the following headings: image, theatre, literature, dance, music and television. [http://www.vasulka.org/archive/ExhFest12/'m'/MOCALAposter.pdf] [http://moma.org/calendar/exhibitions/2131] [http://camh.org/exhibitions/arts-television]
 
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.cc/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
 
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.cc/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
−
* ''Video-Skulptur retrospektiv und aktuell 1963-1989'', eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held in Cologne, Berlin and Zürich.  
+
* ''Video-Skulptur retrospektiv und aktuell 1963-1989'', eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held in Cologne, Berlin and Zürich. {{de}}
 +
* ''Passages de l'image'', Paris: Centre Pompidou, 1990, 191 pp. Exh. held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. {{fr}}
 +
** ''Passages de l'image'', Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. {{en}}/{{ca}}
 
* ''Video Positive'', Liverpool, 1991. Review: [http://www.rewind.ac.uk/documents/Pictorial%20Heroes/PH160.pdf Partridge] (Variant 1991).
 
* ''Video Positive'', Liverpool, 1991. Review: [http://www.rewind.ac.uk/documents/Pictorial%20Heroes/PH160.pdf Partridge] (Variant 1991).
 
* ''Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art'', ed. Karen Jacobson, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [https://www.sfmoma.org/exhibition/seeing-time/] [http://www.appetiteengineers.com/project/seeing-time-selections-from-the-pamela-and-richard-kramlich-collection-of-media-art/] [http://zkm.de/en/publication/seeing-time-selection-from-the-pamela-and-richard-kramlich-collection-of-media-art]
 
* ''Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art'', ed. Karen Jacobson, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [https://www.sfmoma.org/exhibition/seeing-time/] [http://www.appetiteengineers.com/project/seeing-time-selections-from-the-pamela-and-richard-kramlich-collection-of-media-art/] [http://zkm.de/en/publication/seeing-time-selection-from-the-pamela-and-richard-kramlich-collection-of-media-art]

Revision as of 23:31, 5 February 2017

Artists, collectives, events

Artists (cont.)

Peggy Ahwesh, Francis Alÿs, Atlas Group, Yael Bartana, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, General Idea, Douglas Gordon, Dan Graham, Halflifers, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Paper Tiger Television, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Sam Taylor-Wood, Ryan Trecartin, Hannah Wilke, Artur Żmijewski.

Archives and distributors

Links point to online catalogues.

more

TV as a Creative Medium, New York, 1969, PDF.
Video Art, Philadelphia, 1975, PDF.
The Video Show, London, 1975, PDF.
Radical Software magazine, 1970-74, Log, PDFs.
Gene Youngblood, Expanded Cinema, 1970, Log, PDF.
Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.
David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, 1992, Log.

Publications

Exhibition catalogues

  • TV as a Creative Medium, New York: Howard Wise Gallery, 1969, [8] pp. Commentary: Sturken (Afterimage 1984).
  • Video Circuits, McLaughlin Library, University of Guelph, 1973, 21 pp.
  • Video Art, ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. Antin's essay. Exh. held in Philadelphia, Cincinnati, Chicago, and Hartford/CT. [1]
  • The Video Show: Festival of Independent Video, London: Serpentine Gallery, 1975. Related documents. Hall's review. [2]
  • documenta 6, Kassel, 1977.
  • Plan K: Festival international de musique électronique, video et computer art / International Festival voor Elektronische Muziek, Video en Computer Art, Brussels, 1981, 142 pp. [3] (French)/(Dutch)
  • The Second Link: Viewpoints on Video in the Eighties, ed. Lorne Falk, Banff, CA: Banff Centre School of Fine Arts, 1983, 111 pp. Review: Zippay (Art J 1985).
  • Het Lumineuze beeld / Luminous Image, Amsterdam: Stedelijk Museum, 1984, 194 pp. With 22 video-installations by European and American artists. Poster. [4]. Documentary by Montevideo (1984, 57 min). Reviews: Zippay (Art J 1985), Duguet & Andrews (Camera Obscura, 1985).
  • New American Video Art: A Historical Survey, 1967-1980, ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​ [5]
  • Vidéo, ed. René Payant, Montreal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the Video 84 symposium. (French)/(English)
  • Video and Language. Video as Language, 1986, [6] pp.
  • Resolutions: A Critique of Video Art, ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [6]
  • The Arts for Television, eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Works by 102 artists; works and essays are classified under the following headings: image, theatre, literature, dance, music and television. [7] [8] [9]
  • Video Art: Expanded Forms, ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. Curator's essay in Leonardo (1990).
  • Video-Skulptur retrospektiv und aktuell 1963-1989, eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held in Cologne, Berlin and Zürich. (German)
  • Passages de l'image, Paris: Centre Pompidou, 1990, 191 pp. Exh. held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. (French)
    • Passages de l'image, Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. (English)/(Catalan)
  • Video Positive, Liverpool, 1991. Review: Partridge (Variant 1991).
  • Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, ed. Karen Jacobson, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [10] [11] [12]
  • Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [13]
  • TV ARTS TV: The Television Shot by Artists, ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
  • Vidéo Vintage 1963–1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou, ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. [14] (French) Exhib. travelled to ZKM Karlsruhe, Beirut Art Center, MMCA Seoul.

Symposia

Miscellaneous

Artists' writings

Magazines
  • Radical Software magazine, 11 issues, 1970-74, Log, PDFs.
  • Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [16]
Monographs
Anthologies
  • Video Art: An Anthology, eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.

Art history and theory

Books
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
    • Cine expandido, Buenos Aires: Eduntref, 2012, 456 pp. [17] (Spanish)
    • Expanded cinema, trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [18]
  • Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
  • Peggy Gale (ed.), Video by Artists, intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [19] [20]
  • Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML.
  • Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977.
  • Gregory Battcock (ed.), New Artists' Video: A Critical Anthology, New York: E.P.Dutton, 1978, xxii+198 pp. [21]
  • Bettina Gruber, Maria Vedder (eds.), Kunst und Video: Internationale Entwicklung und Künstler, Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: Zippay (Art J 1985). (German)
  • John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp, OL.
  • Deidre Boyle, Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
  • Elke Town (ed.), Video by Artists, 2, Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [22]
  • Lori Zippay (ed.), Artists' Video: An International Guide, New York: Cross River Press, 1991, 272 pp.
  • Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Press, 1991. Morse's essay.
  • David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, Santa Fe: The Vasulkas, 1992, 240 pp.
  • Christine Ross, Images de surface: l'art vidéo reconsidéré, Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. (French)
  • Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1996, 448 pp. [23]
  • Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
  • The Undercut Reader: Critical Writings on Artists' Film and Video, eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [24]
  • Michael Rush, Video Art, London: Thames & Hudson, 2003; rev.ed., 2007. Introduction + Chapter 1, Chapter 2.
  • Yvonne Speilmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. (German)
    • Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. TOC, Index, [25].
  • Chris Meigh-Andrews, A History of Video Art, Berg 2006; 2nd ed., Bloomsbury, 2014, 387 pp.
  • Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
  • Glenn Phillips (ed.), California Video: Artists and Histories, Los Angeles: Getty Publications, 2008, 312 pp. [26] [27]
  • Erika Suderburg, Ming-Yuen S. Ma (eds.), Resolutions 3: Global Networks of Video, University of Minnesota Press, 2012, 408 pp. [28]
  • Paul Hegarty, Rumour and Radiation: Sound in Video Art, Bloomsbury Academic, 2014.
  • Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), The Emergence of Video Processing Tools, 2 vols., Intellect, 2014. [29]. Review: Pearlman (Leonardo).
  • Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.
  • Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Ashgate, 2015. [30]
  • Gabrielle Jennings (ed.), Abstract Video: The Moving Image in Contemporary Art, forew. Kate Mondloch, University of California Press, 2015.
  • Omar Kholeif (ed.), Moving Image, London: Whitechapel Gallery, 2015, 239 pp.
Journal issues
Book chapters, Papers, Articles
Bibliography and Chronology
Dissertations

More

Resources

See also


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