Difference between revisions of "Video art"

From Monoskop
Jump to navigation Jump to search
Line 29: Line 29:
 
* ''[[Media:TV_as_a_Creative_Medium_1969.pdf|TV as a Creative Medium]]'', New York: Howard Wise Gallery, 1969, [8] pp. Commentary: [http://www.vasulka.org/archive/Publications/FormattedPublications/HowardAll.pdf Sturken] (Afterimage 1984).
 
* ''[[Media:TV_as_a_Creative_Medium_1969.pdf|TV as a Creative Medium]]'', New York: Howard Wise Gallery, 1969, [8] pp. Commentary: [http://www.vasulka.org/archive/Publications/FormattedPublications/HowardAll.pdf Sturken] (Afterimage 1984).
 
* ''[http://www.vasulka.org/archive/Artists1/Cameron,Eric/VidCircuits.pdf Video Circuits]'', McLaughlin Library, University of Guelph, 1974, 21 pp.
 
* ''[http://www.vasulka.org/archive/Artists1/Cameron,Eric/VidCircuits.pdf Video Circuits]'', McLaughlin Library, University of Guelph, 1974, 21 pp.
* ''The Video Show: Festival of Independent Video'', London: Serpentine Gallery, 1975. [http://www.rewind.ac.uk/database/searchrewind.php?table_name=REWINDArtistDetails&function=details&where_field=Artist_Name&where_value=The%20Video%20Show%201975&Section=Documents&Name=The%20Video%20Show%201975 Related documents]. [http://www.luxonline.org.uk/histories/1970-1979/the_video_show.html]
+
* ''Video Art'', ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. [[Media:Antin_David_1975_Video_the_Distinctive_Features_of_the_Medium.pdf|Antin's essay]]. Exh. held in Philadelphia, Cincinnati, Chicago, and Hartford/CT. [http://excursus.icaphila.org/iv/saturday-june-15-2pm/]
 +
* ''[[Media:The_Video_Show_Festival_of_Independent_Video_1975.pdf|The Video Show: Festival of Independent Video]]'', London: Serpentine Gallery, 1975. [http://www.rewind.ac.uk/database/searchrewind.php?table_name=REWINDArtistDetails&function=details&where_field=Artist_Name&where_value=The%20Video%20Show%201975&Section=Documents&Name=The%20Video%20Show%201975 Related documents]. [http://www.rewind.ac.uk/documents/David%20Hall/DH101.pdf Hall's review]. [http://www.luxonline.org.uk/histories/1970-1979/the_video_show.html]
 
* ''[http://www.documenta.de/en/retrospective/documenta_6 documenta 6]'', Kassel, 1977.
 
* ''[http://www.documenta.de/en/retrospective/documenta_6 documenta 6]'', Kassel, 1977.
 
* ''Het Lumineuze beeld / Luminous Image'', Amsterdam: Stedelijk Museum, 1984, 194 pp. With 22 video-installations by European and American artists. [http://www.stedelijk.nl/kunstwerk/56015-the-luminous-image-het-lumineuze-beeld Poster]. [http://www.stedelijk.nl/kunstwerk/56051-the-luminous-image-het-lumineuze-beeld-22-video-installaties-van-europese-en-amerikaanse-kunstenaars]. [https://www.youtube.com/watch?v=Mbimu_J9TcI Documentary] by Montevideo (1984, 57 min). Review: [http://cameraobscura.dukejournals.org.sci-hub.cc/content/5/1-2_13-14/28.short Duguet & Andrews] (Camera Obscura, 1985).
 
* ''Het Lumineuze beeld / Luminous Image'', Amsterdam: Stedelijk Museum, 1984, 194 pp. With 22 video-installations by European and American artists. [http://www.stedelijk.nl/kunstwerk/56015-the-luminous-image-het-lumineuze-beeld Poster]. [http://www.stedelijk.nl/kunstwerk/56051-the-luminous-image-het-lumineuze-beeld-22-video-installaties-van-europese-en-amerikaanse-kunstenaars]. [https://www.youtube.com/watch?v=Mbimu_J9TcI Documentary] by Montevideo (1984, 57 min). Review: [http://cameraobscura.dukejournals.org.sci-hub.cc/content/5/1-2_13-14/28.short Duguet & Andrews] (Camera Obscura, 1985).
 
* ''[[Media:New_American_Video_Art_A_Historical_Survey_1967-1980.pdf|New American Video Art: A Historical Survey, 1967-1980]]'', ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​  [http://www.vasulka.org/archive/ExhFest6/Whitney/WHIT011.pdf]
 
* ''[[Media:New_American_Video_Art_A_Historical_Survey_1967-1980.pdf|New American Video Art: A Historical Survey, 1967-1980]]'', ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​  [http://www.vasulka.org/archive/ExhFest6/Whitney/WHIT011.pdf]
 +
* ''Vidéo'', ed. René Payant, Montreal: Artexte, 1986, 263 pp. Catalogue issued in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the Video 84 symposium. {{fr}}/{{en}}
 
* ''[[Media:Video_and_Language_Video_as_Language_1986.pdf|Video and Language. Video as Language]]'', 1986, [6] pp.
 
* ''[[Media:Video_and_Language_Video_as_Language_1986.pdf|Video and Language. Video as Language]]'', 1986, [6] pp.
 
* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
 
* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
Line 47: Line 49:
 
* ''[[Radical Software]]'' magazine, 11 issues, 1970-74, [http://monoskop.org/log/?p=269 Log], [http://www.radicalsoftware.org/e/browse.html PDFs].
 
* ''[[Radical Software]]'' magazine, 11 issues, 1970-74, [http://monoskop.org/log/?p=269 Log], [http://www.radicalsoftware.org/e/browse.html PDFs].
 
* ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/]
 
* ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/]
 +
* ''Studio International'': "Video Art", ed. David Hall, London, May-Jun 1976. [[Media:Hall_David_1976_British_Video_Art_Towards_an_Autonomous_Practice.pdf|Hall's essay]].
  
 
; Monographs
 
; Monographs
Line 52: Line 55:
 
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
 
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
 
* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
 
* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
 +
 +
; Anthologies
 +
* ''Video Art: An Anthology'', eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.
  
 
===Art history and theory===
 
===Art history and theory===
Line 60: Line 66:
 
* Michael Shamberg, Raindance Corporation, ''Guerrilla Television'', New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [http://archive.neural.it/init/default/show/1964]
 
* Michael Shamberg, Raindance Corporation, ''Guerrilla Television'', New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [http://archive.neural.it/init/default/show/1964]
 
* Paul Ryan, ''Birth And Death And Cybernation: Cybernetics of the Sacred'', New York: Gordon & Breach, 1973.
 
* Paul Ryan, ''Birth And Death And Cybernation: Cybernetics of the Sacred'', New York: Gordon & Breach, 1973.
* Ira Schneider, Beryl Korot (eds.), ''Video Art: An Anthology'', New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.
+
* Peggy Gale (ed.), ''Video by Artists'', intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [http://www.leftmatrix.com/videobyartists1.html] [https://www.arcanabooks.com/catalog/book/022253/]
* Peggy Gale (ed.), ''Video by Artists'', Toronto: Art Metropole, 1976. [http://www.leftmatrix.com/videobyartists1.html]
 
 
* Johanna Gill, ''[http://www.vasulka.org/archive/4-30b/Rockefeller(1041).pdf Video: State of the Art]'', Rockefeller Foundation, 1976, 56 pp, [http://www.experimentaltvcenter.org/video-state-art HTML].
 
* Johanna Gill, ''[http://www.vasulka.org/archive/4-30b/Rockefeller(1041).pdf Video: State of the Art]'', Rockefeller Foundation, 1976, 56 pp, [http://www.experimentaltvcenter.org/video-state-art HTML].
 
* Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977.
 
* Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977.
Line 67: Line 72:
 
* John Hanhardt (ed.), ''[[Media:Hanhardt_John_ed_Video_Culture_A_Critical_Investigation.pdf|Video Culture: A Critical Investigation]]'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp, [http://openlibrary.org/books/OL24755064M OL].
 
* John Hanhardt (ed.), ''[[Media:Hanhardt_John_ed_Video_Culture_A_Critical_Investigation.pdf|Video Culture: A Critical Investigation]]'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp, [http://openlibrary.org/books/OL24755064M OL].
 
* Deidre Boyle, ''Video Classics: A Guide to Video Art and Documentary Tapes'', Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
 
* Deidre Boyle, ''Video Classics: A Guide to Video Art and Documentary Tapes'', Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
 +
* Elke Town (ed.), ''Video by Artists, 2'', Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [http://www.leftmatrix.com/videobyartists2.html]
 
* Lori Zippay (ed.), ''Artists' Video: An International Guide'', New York: Cross River Press, 1991, 272 pp.
 
* Lori Zippay (ed.), ''Artists' Video: An International Guide'', New York: Cross River Press, 1991, 272 pp.
 
* Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991.
 
* Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991.
 
* David Dunn (ed.), ''[http://monoskop.org/log/?p=43 Eigenwelt Der Apparatewelt: Pioneers of Electronic Art]'', Santa Fe: The Vasulkas, 1992, 240 pp.
 
* David Dunn (ed.), ''[http://monoskop.org/log/?p=43 Eigenwelt Der Apparatewelt: Pioneers of Electronic Art]'', Santa Fe: The Vasulkas, 1992, 240 pp.
 +
* Christine Ross, ''Images de surface: l'art vidéo reconsidéré'', Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. {{fr}}
 
* Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1996, 448 pp. [https://www.upress.umn.edu/book-division/books/resolutions]
 
* Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1996, 448 pp. [https://www.upress.umn.edu/book-division/books/resolutions]
 
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.  
 
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.  

Revision as of 08:33, 25 September 2016

Artists, collectives, events

Artists (cont.)

Peggy Ahwesh, Francis Alÿs, Atlas Group, Yael Bartana, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, General Idea, Douglas Gordon, Dan Graham, Halflifers, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Paper Tiger Television, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Sam Taylor-Wood, Ryan Trecartin, Hannah Wilke, Artur Żmijewski.

Archives and distributors

TV as a Creative Medium, 1969, PDF. Catalogue.
Radical Software magazine, 1970-74, Log, PDFs.
Gene Youngblood, Expanded Cinema, 1970, Log, PDF.
Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.
David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, 1992, Log.

Publications

Exhibitions/Catalogues

  • TV as a Creative Medium, New York: Howard Wise Gallery, 1969, [8] pp. Commentary: Sturken (Afterimage 1984).
  • Video Circuits, McLaughlin Library, University of Guelph, 1974, 21 pp.
  • Video Art, ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. Antin's essay. Exh. held in Philadelphia, Cincinnati, Chicago, and Hartford/CT. [1]
  • The Video Show: Festival of Independent Video, London: Serpentine Gallery, 1975. Related documents. Hall's review. [2]
  • documenta 6, Kassel, 1977.
  • Het Lumineuze beeld / Luminous Image, Amsterdam: Stedelijk Museum, 1984, 194 pp. With 22 video-installations by European and American artists. Poster. [3]. Documentary by Montevideo (1984, 57 min). Review: Duguet & Andrews (Camera Obscura, 1985).
  • New American Video Art: A Historical Survey, 1967-1980, ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​ [4]
  • Vidéo, ed. René Payant, Montreal: Artexte, 1986, 263 pp. Catalogue issued in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the Video 84 symposium. (French)/(English)
  • Video and Language. Video as Language, 1986, [6] pp.
  • Resolutions: A Critique of Video Art, ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [5]
  • Video Art: Expanded Forms, ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. Curator's essay in Leonardo (1990).
  • Video-Skulptur retrospektiv und aktuell 1963-1989, eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held in Cologne, Berlin and Zürich.
  • TV ARTS TV: The Television Shot by Artists, ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
  • Vidéo Vintage 1963–1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou, ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. [6] (French) Exhib. travelled to ZKM Karlsruhe, Beirut Art Center, MMCA Seoul.
Symposia

Artists' writings

Magazines
  • Radical Software magazine, 11 issues, 1970-74, Log, PDFs.
  • Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [7]
  • Studio International: "Video Art", ed. David Hall, London, May-Jun 1976. Hall's essay.
Monographs
Anthologies
  • Video Art: An Anthology, eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.

Art history and theory

Books
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
    • Cine expandido, Buenos Aires: Eduntref, 2012, 456 pp. [8] (Spanish)
    • Expanded cinema, trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [9]
  • Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
  • Peggy Gale (ed.), Video by Artists, intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [10] [11]
  • Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML.
  • Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977.
  • Gregory Battcock (ed.), New Artists Video: A Critical Anthology, New York: E.P.Dutton, 1978, xxii+198 pp. [12]
  • John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp, OL.
  • Deidre Boyle, Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
  • Elke Town (ed.), Video by Artists, 2, Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [13]
  • Lori Zippay (ed.), Artists' Video: An International Guide, New York: Cross River Press, 1991, 272 pp.
  • Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Press, 1991.
  • David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, Santa Fe: The Vasulkas, 1992, 240 pp.
  • Christine Ross, Images de surface: l'art vidéo reconsidéré, Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. (French)
  • Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1996, 448 pp. [14]
  • Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
  • The Undercut Reader: Critical Writings on Artists' Film and Video, eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [15]
  • Michael Rush, Video Art, London: Thames & Hudson, 2003; rev.ed., 2007. Introduction + Chapter 1, Chapter 2.
  • Yvonne Speilmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. (German)
    • Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. TOC, Index, [16].
  • Chris Meigh-Andrews, A History of Video Art, Berg 2006; 2nd ed., Bloomsbury, 2014, 387 pp.
  • Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
  • Erika Suderburg, Ming-Yuen S. Ma (eds.), Resolutions 3: Global Networks of Video, University of Minnesota Press, 2012, 408 pp. [17]
  • Paul Hegarty, Rumour and Radiation: Sound in Video Art, Bloomsbury Academic, 2014.
  • Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.
  • Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Ashgate, 2015. [18]
  • Gabrielle Jennings (ed.), Abstract Video: The Moving Image in Contemporary Art, forew. Kate Mondloch, University of California Press, 2015.
  • Omar Kholeif (ed.), Moving Image, London: Whitechapel Gallery, 2015, 239 pp.
Journal issues
Book chapters, Papers, Articles
Bibliography and Chronology
Dissertations

More

Resources

See also