Difference between revisions of "Video art"

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* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
 
* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
 
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.cc/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
 
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.cc/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
 +
* ''Video-Skulptur retrospektiv und aktuell 1963-1989'', eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held in Cologne, Berlin and Zürich.
 
* ''[http://monoskop.org/log/?p=16463 TV ARTS TV: The Television Shot by Artists]'', ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
 
* ''[http://monoskop.org/log/?p=16463 TV ARTS TV: The Television Shot by Artists]'', ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
 
* ''Vidéo Vintage 1963–1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou'', ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. [https://boutique.centrepompidou.fr/en/books/video-vintage-1963-1983-une-selection-de-videos-fondatrices-des-collections-nouveaux-medias-du-musee-national-dart-moderne-centre-pompidou/123.html] {{fr}} Exhib. travelled to [http://on1.zkm.de/zkm/stories/storyReader$8105 ZKM Karlsruhe], [http://www.beirutartcenter.org/exhibitions.php?exhibid=349&statusid=3 Beirut Art Center], [http://www.mmca.go.kr/upload/m/data/board/2013/10/17/20131017092147.pdf MMCA Seoul].
 
* ''Vidéo Vintage 1963–1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou'', ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. [https://boutique.centrepompidou.fr/en/books/video-vintage-1963-1983-une-selection-de-videos-fondatrices-des-collections-nouveaux-medias-du-musee-national-dart-moderne-centre-pompidou/123.html] {{fr}} Exhib. travelled to [http://on1.zkm.de/zkm/stories/storyReader$8105 ZKM Karlsruhe], [http://www.beirutartcenter.org/exhibitions.php?exhibid=349&statusid=3 Beirut Art Center], [http://www.mmca.go.kr/upload/m/data/board/2013/10/17/20131017092147.pdf MMCA Seoul].

Revision as of 08:01, 25 September 2016

Artists, collectives, events

Artists (cont.)

Peggy Ahwesh, Francis Alÿs, Atlas Group, Yael Bartana, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, General Idea, Douglas Gordon, Dan Graham, Halflifers, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Paper Tiger Television, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Sam Taylor-Wood, Ryan Trecartin, Hannah Wilke, Artur Żmijewski.

Archives and distributors

TV as a Creative Medium, 1969, PDF. Catalogue.
Radical Software magazine, 1970-74, Log, PDFs.
Gene Youngblood, Expanded Cinema, 1970, Log, PDF.
Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.
David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, 1992, Log.

Publications

Exhibitions/Catalogues

  • TV as a Creative Medium, New York: Howard Wise Gallery, 1969, [8] pp. Commentary: Sturken (Afterimage 1984).
  • Video Circuits, McLaughlin Library, University of Guelph, 1974, 21 pp.
  • The Video Show: Festival of Independent Video, London: Serpentine Gallery, 1975. Related documents. [1]
  • documenta 6, Kassel, 1977.
  • Het Lumineuze beeld / Luminous Image, Amsterdam: Stedelijk Museum, 1984, 194 pp. With 22 video-installations by European and American artists. Poster. [2]. Documentary by Montevideo (1984, 57 min). Review: Duguet & Andrews (Camera Obscura, 1985).
  • New American Video Art: A Historical Survey, 1967-1980, ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​ [3]
  • Video and Language. Video as Language, 1986, [6] pp.
  • Resolutions: A Critique of Video Art, ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [4]
  • Video Art: Expanded Forms, ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. Curator's essay in Leonardo (1990).
  • Video-Skulptur retrospektiv und aktuell 1963-1989, eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held in Cologne, Berlin and Zürich.
  • TV ARTS TV: The Television Shot by Artists, ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
  • Vidéo Vintage 1963–1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou, ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. [5] (French) Exhib. travelled to ZKM Karlsruhe, Beirut Art Center, MMCA Seoul.
Symposia

Artists' writings

Magazines
  • Radical Software magazine, 11 issues, 1970-74, Log, PDFs.
  • Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [6]
Monographs

Art history and theory

Books
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
    • Cine expandido, Buenos Aires: Eduntref, 2012, 456 pp. [7] (Spanish)
    • Expanded cinema, trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [8]
  • Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
  • Ira Schneider, Beryl Korot (eds.), Video Art: An Anthology, New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.
  • Peggy Gale (ed.), Video by Artists, Toronto: Art Metropole, 1976. [9]
  • Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML.
  • Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977.
  • Gregory Battcock (ed.), New Artists Video: A Critical Anthology, New York: E.P.Dutton, 1978, xxii+198 pp. [10]
  • John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp, OL.
  • Deidre Boyle, Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
  • Lori Zippay (ed.), Artists' Video: An International Guide, New York: Cross River Press, 1991, 272 pp.
  • Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Press, 1991.
  • David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, Santa Fe: The Vasulkas, 1992, 240 pp.
  • Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1996, 448 pp. [11]
  • Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
  • The Undercut Reader: Critical Writings on Artists' Film and Video, eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [12]
  • Michael Rush, Video Art, London: Thames & Hudson, 2003; rev.ed., 2007. Introduction + Chapter 1, Chapter 2.
  • Yvonne Speilmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. (German)
    • Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. TOC, Index, [13].
  • Chris Meigh-Andrews, A History of Video Art, Berg 2006; 2nd ed., Bloomsbury, 2014, 387 pp.
  • Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
  • Erika Suderburg, Ming-Yuen S. Ma (eds.), Resolutions 3: Global Networks of Video, University of Minnesota Press, 2012, 408 pp. [14]
  • Paul Hegarty, Rumour and Radiation: Sound in Video Art, Bloomsbury Academic, 2014.
  • Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.
  • Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Ashgate, 2015. [15]
  • Gabrielle Jennings (ed.), Abstract Video: The Moving Image in Contemporary Art, forew. Kate Mondloch, University of California Press, 2015.
  • Omar Kholeif (ed.), Moving Image, London: Whitechapel Gallery, 2015, 239 pp.
Journal issues
Book chapters, Papers, Articles
Bibliography and Chronology
Dissertations

More

Resources

See also