Difference between revisions of "Video art"

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* ''[[Media:New_American_Video_Art_A_Historical_Survey_1967-1980.pdf|New American Video Art: A Historical Survey, 1967-1980]]'', ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​  [http://www.vasulka.org/archive/ExhFest6/Whitney/WHIT011.pdf]
 
* ''[[Media:New_American_Video_Art_A_Historical_Survey_1967-1980.pdf|New American Video Art: A Historical Survey, 1967-1980]]'', ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​  [http://www.vasulka.org/archive/ExhFest6/Whitney/WHIT011.pdf]
 
* ''[[Media:Video_and_Language_Video_as_Language_1986.pdf|Video and Language. Video as Language]]'', 1986, [6] pp.
 
* ''[[Media:Video_and_Language_Video_as_Language_1986.pdf|Video and Language. Video as Language]]'', 1986, [6] pp.
* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986.
+
* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
 
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.cc/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
 
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.cc/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
 
* ''[http://monoskop.org/log/?p=16463 TV ARTS TV: The Television Shot by Artists]'', ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
 
* ''[http://monoskop.org/log/?p=16463 TV ARTS TV: The Television Shot by Artists]'', ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
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* ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/]
 
* ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/]
  
; Books
+
; Monographs
 
* Dan Graham, ''Video-Architecture-Television: Writings on Video and Video Works 1970-1978'', Halifax: Press of the Nova Scotia College of Art & Design, 1979. [http://beausievers.com/bhqfu/computer_art/readings/graham-video_architecture_television.pdf Lead essay].
 
* Dan Graham, ''Video-Architecture-Television: Writings on Video and Video Works 1970-1978'', Halifax: Press of the Nova Scotia College of Art & Design, 1979. [http://beausievers.com/bhqfu/computer_art/readings/graham-video_architecture_television.pdf Lead essay].
 
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
 
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
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* Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991.
 
* Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991.
 
* David Dunn (ed.), ''[http://monoskop.org/log/?p=43 Eigenwelt Der Apparatewelt: Pioneers of Electronic Art]'', Santa Fe: The Vasulkas, 1992, 240 pp.
 
* David Dunn (ed.), ''[http://monoskop.org/log/?p=43 Eigenwelt Der Apparatewelt: Pioneers of Electronic Art]'', Santa Fe: The Vasulkas, 1992, 240 pp.
* Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1996.
+
* Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1996, 448 pp. [https://www.upress.umn.edu/book-division/books/resolutions]
 
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.  
 
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.  
 
* ''The Undercut Reader: Critical Writings on Artists' Film and Video'', eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [http://books.google.com/books?id=VE3MkTTgeBsC&printsec=frontcover]
 
* ''The Undercut Reader: Critical Writings on Artists' Film and Video'', eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [http://books.google.com/books?id=VE3MkTTgeBsC&printsec=frontcover]
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* Chris Meigh-Andrews, ''A History of Video Art'', Berg 2006; [http://gen.lib.rus.ec/book/index.php?md5=AD3F25797F8FF079C6A6041F0DF99DAC 2nd ed.], Bloomsbury, 2014, 387 pp.
 
* Chris Meigh-Andrews, ''A History of Video Art'', Berg 2006; [http://gen.lib.rus.ec/book/index.php?md5=AD3F25797F8FF079C6A6041F0DF99DAC 2nd ed.], Bloomsbury, 2014, 387 pp.
 
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011.
 
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011.
 +
* Erika Suderburg, Ming-Yuen S. Ma (eds.), ''Resolutions 3: Global Networks of Video'', University of Minnesota Press, 2012, 408 pp.  [https://www.upress.umn.edu/book-division/books/resolutions-3]
 
* Paul Hegarty, ''[http://aaaaarg.fail/ref/1745394ca117c0a9b18b137dcc518b14#0.01 Rumour and Radiation: Sound in Video Art]'', Bloomsbury Academic, 2014.
 
* Paul Hegarty, ''[http://aaaaarg.fail/ref/1745394ca117c0a9b18b137dcc518b14#0.01 Rumour and Radiation: Sound in Video Art]'', Bloomsbury Academic, 2014.
 
* Helen Westgeest, ''[http://gen.lib.rus.ec/book/index.php?md5=5DEF2EFE9006688D224844DBA0333FEF Video Art Theory: A Comparative Approach]'', Wiley-Blackwell, 2015.
 
* Helen Westgeest, ''[http://gen.lib.rus.ec/book/index.php?md5=5DEF2EFE9006688D224844DBA0333FEF Video Art Theory: A Comparative Approach]'', Wiley-Blackwell, 2015.

Revision as of 17:10, 24 September 2016

Artists, collectives, events

Artists (cont.)

Peggy Ahwesh, Francis Alÿs, Atlas Group, Yael Bartana, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, General Idea, Douglas Gordon, Dan Graham, Halflifers, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Paper Tiger Television, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Sam Taylor-Wood, Ryan Trecartin, Hannah Wilke, Artur Żmijewski.

Archives and distributors

TV as a Creative Medium, 1969, PDF. Catalogue.
Radical Software magazine, 1970-74, Log, PDFs.
Gene Youngblood, Expanded Cinema, 1970, Log, PDF.
Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.
David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, 1992, Log.

Publications

Exhibitions/Catalogues

Symposia

Artists' writings

Magazines
  • Radical Software magazine, 11 issues, 1970-74, Log, PDFs.
  • Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [6]
Monographs

Art history and theory

Books
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
    • Cine expandido, Buenos Aires: Eduntref, 2012, 456 pp. [7] (Spanish)
    • Expanded cinema, trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [8]
  • Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
  • Ira Schneider, Beryl Korot (eds.), Video Art: An Anthology, New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.
  • Peggy Gale (ed.), Video by Artists, Toronto: Art Metropole, 1976. [9]
  • Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML.
  • Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977.
  • Gregory Battcock (ed.), New Artists Video: A Critical Anthology, New York: E.P.Dutton, 1978, xxii+198 pp. [10]
  • John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp, OL.
  • Deidre Boyle, Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
  • Lori Zippay (ed.), Artists' Video: An International Guide, New York: Cross River Press, 1991, 272 pp.
  • Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Press, 1991.
  • David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, Santa Fe: The Vasulkas, 1992, 240 pp.
  • Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1996, 448 pp. [11]
  • Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
  • The Undercut Reader: Critical Writings on Artists' Film and Video, eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [12]
  • Michael Rush, Video Art, London: Thames & Hudson, 2003; rev.ed., 2007. Introduction + Chapter 1, Chapter 2.
  • Yvonne Speilmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. (German)
    • Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. TOC, Index, [13].
  • Chris Meigh-Andrews, A History of Video Art, Berg 2006; 2nd ed., Bloomsbury, 2014, 387 pp.
  • Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
  • Erika Suderburg, Ming-Yuen S. Ma (eds.), Resolutions 3: Global Networks of Video, University of Minnesota Press, 2012, 408 pp. [14]
  • Paul Hegarty, Rumour and Radiation: Sound in Video Art, Bloomsbury Academic, 2014.
  • Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.
  • Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Ashgate, 2015. [15]
  • Gabrielle Jennings (ed.), Abstract Video: The Moving Image in Contemporary Art, forew. Kate Mondloch, University of California Press, 2015.
  • Omar Kholeif (ed.), Moving Image, London: Whitechapel Gallery, 2015, 239 pp.
Journal issues
Book chapters, Papers, Articles
Bibliography and Chronology
Dissertations

More

Resources

See also