Difference between revisions of "Rosalind E. Krauss"

From Monoskop
Jump to navigation Jump to search
Line 1: Line 1:
−
[[Image:Rosalind_Kraus_by_Judy_Olausen_c1978.jpg|thumb|258px|Judy Olausen, ''Rosalind Krauss'', c1978. [http://www.e-flux.com/journal/the-device-laid-bare-on-some-limitations-in-current-art-criticism/] ]]
+
{{Infobox artist
−
'''Rosalind Epstein Krauss''' (1941) is an American art critic and theorist and she is a professor at Columbia University in New York City.
+
|image = Rosalind_Kraus_by_Judy_Olausen_c1978.jpg
 +
|imagesize = 250px
 +
|caption = Judy Olausen, ''Rosalind Krauss'', c1978. [http://www.e-flux.com/journal/the-device-laid-bare-on-some-limitations-in-current-art-criticism/]
 +
|birth_date = {{birth date|1941|11|30|mf=y}}
 +
|birth_place = Washington, D.C., United States
 +
|web = [[Aaaaarg::http://gr.aaaaarg.org/maker/5310646b334fe071e0b90787|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Rosalind_Krauss|Wikipedia]], [[Academia.edu::http://www.academia.edu/Documents/in/Rosalind_Krauss|Academia.edu]]
 +
}}
 +
'''Rosalind Epstein Krauss''' (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City.
  
 
{{TOC limit|3}}
 
{{TOC limit|3}}
Line 16: Line 23:
 
* ''L'Amour fou: Photography & Surrealism'', London: Arts Council, 1986.
 
* ''L'Amour fou: Photography & Surrealism'', London: Arts Council, 1986.
  
−
* ''Le Photographique: pour une Théorie des Écarts. Histoire et théorie de la photographie'', trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays from 1974-85. [http://www.jstor.org/stable/41389324 Review]. {{fr}}
+
* ''Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie'', trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays from 1974-85. {{fr}} Review: [http://www.jstor.org/stable/41389324 Murray] (1993-94, EN).
  
−
* ''The Optical Unconscious'', MIT Press, 1993, 365 pp, [http://monoskop.org/log/?p=5931 Log].
+
* ''The Optical Unconscious'', MIT Press, 1993, 365 pp, [http://monoskop.org/log/?p=5931 Log]. Review: [http://www.newcriterion.com/articles.cfm/Feeling-sorry-for-Rosalind-Krauss-4751 Kimball] (1993).
 
** ''El inconsciente óptico'', trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, [[Media:Krauss_Rosalind_E_El_inconciente_optico.pdf|PDF]]. {{es}}
 
** ''El inconsciente óptico'', trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, [[Media:Krauss_Rosalind_E_El_inconciente_optico.pdf|PDF]]. {{es}}
  
 
* with Yve Alain Bois. ''Formless: A User's Guide'', Zone Books, 1997, 304 pp, [http://monoskop.org/log/?p=1483 Log].
 
* with Yve Alain Bois. ''Formless: A User's Guide'', Zone Books, 1997, 304 pp, [http://monoskop.org/log/?p=1483 Log].
  
−
* ''Bachelors'', MIT Press, 1999, 228 pp, [http://monoskop.org/log/?p=5993 Log].
+
* ''Bachelors'', MIT Press, 1999, 228 pp, [http://monoskop.org/log/?p=5993 Log], [http://gr.aaaaarg.org/ref/8b4dce800749d1430b80046f0b31a3fb#0.01 ARG].
  
−
* ''The Picasso Papers'',  The MIT Press, 1999, [[Media:Krauss_Rosalind_The_Picasso_Papers.pdf|PDF]], [https://archive.org/details/ThePicassoPapersByRosalindE.Krauss IA].
+
* ''The Picasso Papers'',  MIT Press, 1999, [[Media:Krauss_Rosalind_The_Picasso_Papers.pdf|PDF]], [http://archive.org/details/ThePicassoPapersByRosalindE.Krauss IA]. Review: [http://www.nybooks.com/articles/archives/1999/apr/08/the-fallen-angel/ McCully] (1999)
  
 
* ''A Voyage on the North Sea: Art in the Age of the Post-Medium Condition'', Thames & Hudson, 2000, 64 pp, [http://monoskop.org/log/?p=7009 Log].
 
* ''A Voyage on the North Sea: Art in the Age of the Post-Medium Condition'', Thames & Hudson, 2000, 64 pp, [http://monoskop.org/log/?p=7009 Log].
 +
 +
* with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', London: Thames & Hudson, 2004, 704 pp, [http://gr.aaaaarg.org/ref/a050ef6306cdefebd5ded69ecd5e891c#0.01 ARG]. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005).
  
 
* ''Under Blue Cup'', MIT Press, 2011, [http://gr.aaaaarg.org/ref/f32187b4085f2f20ec4d813ac83d6e47#0.01 ARG], [http://www.scribd.com/doc/127649067/ Scribd].
 
* ''Under Blue Cup'', MIT Press, 2011, [http://gr.aaaaarg.org/ref/f32187b4085f2f20ec4d813ac83d6e47#0.01 ARG], [http://www.scribd.com/doc/127649067/ Scribd].
  
 
===Editor===
 
===Editor===
 +
* ''October'' journal.
 
* ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977.
 
* ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977.
  
 
===Selected essays===
 
===Selected essays===
−
* "A Note on Photography and the Simulacral", ''October'' 31 (Winter, 1984), pp 49-68, [http://archive.org/details/RosalindKraussANoteOnPhotography1984 IA], [http://faculty.georgetown.edu/irvinem/theory/Krauss-NoteOnPhotographyandtheSimulacral-October-1984.pdf PDF].
+
* "Sculpture in the Expanded Field", ''October'' 8 (Spring 1979), pp 30-44, [[Media:Krauss_Rosalind_1979_Sculpture_in_the_Expanded_Field.pdf|PDF]], [http://gr.aaaaarg.org/ref/5ac56185662721171907a68a55dba769#0.01 ARG]; repr. in ''The Anti-Aesthetic: Essays on PostModern Culture'', ed. Hal Foster, Washington: Bay Press, 1984, [[Media:Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf|PDF]].
 +
** "A escultura no campo ampliado", ''Gávea'' 1 (1984), pp 87-93; repr. ''Arte & Ensaios'' 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137, [[Media:Krauss_Rosalind_1979_2008_A_escultura_no_campo_ampliado.pdf|PDF]]. {{br-pt}}
 +
* "Photography's Discursive Spaces", ''Art Journal'' (Winter 1982), [http://gr.aaaaarg.org/ref/c060570f4d92821bff3f0112c9a427f1#0.01 ARG].
 +
* "A Note on Photography and the Simulacral", ''October'' 31 (Winter 1984), pp 49-68, [http://archive.org/details/RosalindKraussANoteOnPhotography1984 IA], [http://faculty.georgetown.edu/irvinem/theory/Krauss-NoteOnPhotographyandtheSimulacral-October-1984.pdf PDF].
  
 
===Bibliography===
 
===Bibliography===
Line 56: Line 69:
  
 
==Links==
 
==Links==
−
* [http://en.wikipedia.org/wiki/Rosalind_Krauss Krauss at Wikipedia]
 
 
* [http://en.wikipedia.org/wiki/October_(journal) ''October'' at Wikipedia]
 
* [http://en.wikipedia.org/wiki/October_(journal) ''October'' at Wikipedia]
 
* [http://www.theartstory.org/critic-krauss-rosalind.htm Krauss at The Art Story]
 
* [http://www.theartstory.org/critic-krauss-rosalind.htm Krauss at The Art Story]
  
−
[[Category: Writers|Krauss, Rosalind]]
+
{{DEFAULTSORT:Krauss, Rosalind}}
 +
{{featured_article}}
 +
[[Category: Writers]]

Revision as of 13:44, 11 April 2015


Judy Olausen, Rosalind Krauss, c1978. [1]
Born November 30, 1941(1941-11-30)
Washington, D.C., United States
Web Aaaaarg, Wikipedia, Using "Academia.edu" as base chain is not permitted during the annotation process.

Rosalind Epstein Krauss (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City.

Works

(in English unless noted)

Books

  • Terminal Iron Works: The Sculpture of David Smith, MIT Press, 1971.
  • Passages in Modern Sculpture, MIT Press, 1977.
  • The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985.
  • L'Amour fou: Photography & Surrealism, London: Arts Council, 1986.
  • Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays from 1974-85. (French) Review: Murray (1993-94, EN).
  • The Optical Unconscious, MIT Press, 1993, 365 pp, Log. Review: Kimball (1993).
    • El inconsciente óptico, trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, PDF. (Spanish)
  • with Yve Alain Bois. Formless: A User's Guide, Zone Books, 1997, 304 pp, Log.
  • Bachelors, MIT Press, 1999, 228 pp, Log, ARG.
  • The Picasso Papers, MIT Press, 1999, PDF, IA. Review: McCully (1999)
  • A Voyage on the North Sea: Art in the Age of the Post-Medium Condition, Thames & Hudson, 2000, 64 pp, Log.
  • with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG. [2] Reviews: Bishop (2005), Collings (2005), Gewen (2005).
  • Under Blue Cup, MIT Press, 2011, ARG, Scribd.

Editor

  • October journal.
  • The Sculpture of David Smith: A Catalogue Raisonné, New York: Garland, 1977.

Selected essays

  • "Sculpture in the Expanded Field", October 8 (Spring 1979), pp 30-44, PDF, ARG; repr. in The Anti-Aesthetic: Essays on PostModern Culture, ed. Hal Foster, Washington: Bay Press, 1984, PDF.
    • "A escultura no campo ampliado", Gávea 1 (1984), pp 87-93; repr. Arte & Ensaios 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137, PDF. (Brazilian Portuguese)
  • "Photography's Discursive Spaces", Art Journal (Winter 1982), ARG.
  • "A Note on Photography and the Simulacral", October 31 (Winter 1984), pp 49-68, IA, PDF.

Bibliography

Literature

  • David Carrier, Rosalind Krauss and American Philosophical Art Criticism, Greenwood Publishing Group, 2002, ISBN 0275975207, 9780275975203, IA.
  • "Rosalind Krauss", in Judy K. Collischan Van Wagner, Women Shaping Art: Profiles of Power, New York: Praeger, 1984, pp 149-164.
  • Janet Malcolm, "A Girl of the Zeitgeist", Part II, The New Yorker, 27 October 1986.
  • Scott Rothkopf, "Krauss and the Art of Cultural Controversy", The Harvard Crimson, 16 May 1997.
  • Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", Horizons philosophiques 9:1 (1998), pp 73-85. (in French)
  • Anna C. Chave, "Minimalism and Biography", Art Bulletin (March 2000).
  • David Raskin, "The Shiny Illusionism of Krauss and Judd", Art Journal (Spring 2006).
  • Yve-Alain Bois, "Rosalind Krauss with Yve-Alain Bois", The Brooklyn Rail, 2012.
  • Diane Armitage, "Rosalind Krauss in the 21st Century: Does she stil mater?", THE magazine 20:5 (November 2012), pp 37-39.
  • Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990, Études photographiques, no. 21 , decembre 2007: 123-143.

See also

Links


Retrieved from "https://monoskop.org/index.php?title=Rosalind_E._Krauss&oldid=54215"