Difference between revisions of "Rudolf Arnheim"
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==Literature== | ==Literature== | ||
| + | * ''Toward a Psychology of Art'', Berkeley and Los Angeles: University of California Press, 1949/1966 | ||
| + | * ''Art and Visual Perception: A Psychology of the Creative Eye'', Berkeley and Los Angeles: University of California Press, 1954/1974 | ||
* ''Film als Kunst'' [''[http://monoskop.org/log/?p=5228 Film as Art]''], Berlin, 1932, University of California Press, 1957 | * ''Film als Kunst'' [''[http://monoskop.org/log/?p=5228 Film as Art]''], Berlin, 1932, University of California Press, 1957 | ||
| + | * ''Picasso's Guernica'', Berkeley: University of California Press, 1962/1974 | ||
| + | * '' Visual Thinking'', Berkeley: University of California Press, 1969 | ||
* ''[http://monoskop.org/log/?p=5475 Radio: An Art of Sound]'',Faber and Faber Limited, London, 1936, Arno Press, New York, 1971 | * ''[http://monoskop.org/log/?p=5475 Radio: An Art of Sound]'',Faber and Faber Limited, London, 1936, Arno Press, New York, 1971 | ||
* ''[http://monoskop.org/log/?p=6097 Entropy and Art: Essay on Disorder and Order]'', University of California Press, 1971 | * ''[http://monoskop.org/log/?p=6097 Entropy and Art: Essay on Disorder and Order]'', University of California Press, 1971 | ||
| + | * ''The Dynamics of Architectural Form'', Berkeley and Los Angeles: University of California Press, 1977 | ||
* ''The Coming and Going of Images'' (cap.) in ''[http://monoskop.org/log/?p=1237 Oliver Grau (ed.): MediaArtHistories]'', MIT Press, 2007: 15-17 | * ''The Coming and Going of Images'' (cap.) in ''[http://monoskop.org/log/?p=1237 Oliver Grau (ed.): MediaArtHistories]'', MIT Press, 2007: 15-17 | ||
Revision as of 09:08, 29 January 2014
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist, and perceptual psychologist.
His major books are Art and Visual Perception: A Psychology of the Creative Eye (1954), Visual Thinking (1969), and The Power of the Center: A Study of Composition in the Visual Arts (1982), but it is Art and Visual Perception for which he was most widely known. Revised, enlarged and published as a new version in 1974, it has been translated into fourteen languages. He lived in Germany, Italy, England, and America.
Literature
- Toward a Psychology of Art, Berkeley and Los Angeles: University of California Press, 1949/1966
- Art and Visual Perception: A Psychology of the Creative Eye, Berkeley and Los Angeles: University of California Press, 1954/1974
- Film als Kunst [Film as Art], Berlin, 1932, University of California Press, 1957
- Picasso's Guernica, Berkeley: University of California Press, 1962/1974
- Visual Thinking, Berkeley: University of California Press, 1969
- Radio: An Art of Sound,Faber and Faber Limited, London, 1936, Arno Press, New York, 1971
- Entropy and Art: Essay on Disorder and Order, University of California Press, 1971
- The Dynamics of Architectural Form, Berkeley and Los Angeles: University of California Press, 1977
- The Coming and Going of Images (cap.) in Oliver Grau (ed.): MediaArtHistories, MIT Press, 2007: 15-17
