Difference between revisions of "Rudolf Arnheim"
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==Links== | ==Links== | ||
* http://www.t-h-e-n-e-t.com/html/_film/pers/_pers_arnheim.htm | * http://www.t-h-e-n-e-t.com/html/_film/pers/_pers_arnheim.htm | ||
| + | * http://en.wikipedia.org/wiki/Rudolf_Arnheim | ||
[[Category:Media culture writers|Arnheim, Rudolf]] | [[Category:Media culture writers|Arnheim, Rudolf]] | ||
Revision as of 08:59, 29 January 2014
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist, and perceptual psychologist.
His major books are Art and Visual Perception: A Psychology of the Creative Eye (1954), Visual Thinking (1969), and The Power of the Center: A Study of Composition in the Visual Arts (1982), but it is Art and Visual Perception for which he was most widely known. Revised, enlarged and published as a new version in 1974, it has been translated into fourteen languages. He lived in Germany, Italy, England, and America.
Literature
- Film als Kunst [Film as Art], Berlin, 1932, University of California Press, 1957
- Radio: An Art of Sound,Faber and Faber Limited, London, 1936, Arno Press, New York, 1971
- Entropy and Art: Essay on Disorder and Order, University of California Press, 1971
- The Coming and Going of Images (cap.) in Oliver Grau (ed.): MediaArtHistories, MIT Press, 2007: 15-17
