Difference between revisions of "Original Videojournal"

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; See also
 
; See also
[[Czech Republic#Video_art]]
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* [[Czech Republic#Video art]]
  
 
; Literature
 
; Literature
* Alice Růžičková, ''Český dokumentární film v 80. letech: "Originální Videjournal"'', Prague: FAMU, 2000. Master thesis. (in Czech)
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* Alice Růžičková, ''[[Media:Ruzickova_Alice_Cesky_dokumentarni_film_v_80_letech_Originalni_Videojournal.pdf|Český dokumentární film v 80. letech: "Originální Videjournal"]]'', Prague: FAMU, 2000. Master thesis. (in Czech)
 
* Alice Růžičková, "Originální Videojournal", in ''Alternativní kultura'', edited by Josef Alan, Jihlava: Nakladatelství Lidové noviny, 2001, pp 474-491. (in Czech)
 
* Alice Růžičková, "Originální Videojournal", in ''Alternativní kultura'', edited by Josef Alan, Jihlava: Nakladatelství Lidové noviny, 2001, pp 474-491. (in Czech)
 +
* Alice Lovejoy, "'Video Knows No Borders': Samizdat Television and the Unofficial Public Sphere in 'Normalized' Czechoslovakia", in ''Samizdat, Tamizdat & Beyond: Transnational Media During and After Socialism'', edited by Friederike Kind-Kovacs and Jessie Labov, Berghahn Books, 2013, pp 206-220. [http://books.google.com/books?id=fVJFAAAAQBAJ&pg=PA206]
  
 
[[Category:Video activism]]
 
[[Category:Video activism]]

Revision as of 17:46, 15 August 2013

Originální Videojournal was a dissident video magazine started from Václav and Olga Havel's initiative, was being edited and copied secretly on school equipment. Existed from 1987 to 1989.

See also
Literature
  • Alice Růžičková, Český dokumentární film v 80. letech: "Originální Videjournal", Prague: FAMU, 2000. Master thesis. (in Czech)
  • Alice Růžičková, "Originální Videojournal", in Alternativní kultura, edited by Josef Alan, Jihlava: Nakladatelství Lidové noviny, 2001, pp 474-491. (in Czech)
  • Alice Lovejoy, "'Video Knows No Borders': Samizdat Television and the Unofficial Public Sphere in 'Normalized' Czechoslovakia", in Samizdat, Tamizdat & Beyond: Transnational Media During and After Socialism, edited by Friederike Kind-Kovacs and Jessie Labov, Berghahn Books, 2013, pp 206-220. [1]