Difference between revisions of "Manos Saklas"

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'''Manos Saklas''' (b. 1998, Athens) is an artist working across visual art, radio productions and electro-acoustic music. Rooted in his studies at the Xenakis CMRC & EMS Stockholm, his practice engages with cultural artifacts and methodologies drawn from fields as diverse as conceptual art, greek mythology, modernist composition, and warfare technologies—underscoring their sociopolitical resonances.
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'''Manos Saklas''' (b. 1998, Athens) is an artist and a curator working across contemporary art, radio production and electro-acoustic music. His practice engages with cultural artifacts and compositional methodologies drawn from fields as diverse as conceptual art, electroacoustic music, greek mythology, acoustic ecology, and weather-sensing technologies—underscoring their sociopolitical resonances.
  
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In solo exhibition contexts, he creates listening spaces that evoke a sense of introspection, often combining rigorous and intuitive methodologies, with an emphasis to material nuances and poetic sensibilities. Far from merely interpreting the sonic, his visual works and writings feed into the audible part and are somewhat sonorous themselves. Akin his sound pieces, they are often situated at the thresholds of perception, where sensory processes are being modulated, felt and observed.
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Saklas work has been featured internationally in a wide range of settings, including galleries and museums, cultural and academic institutions, concert halls and music festivals, films and fashion archives, radio and public spaces. His recent exhibitions include: Kairos: Listening to the Weather (2026), Polyrhythmia in Paper (2026), Chronopoetics (2025), Articulations of Chaos (2024). Since 2020, he has been the artistic director, moderator and producer of the monthly radio show Otoliths in Flux as part of Onassis Cultural Center’s Stegi Radio. He studied visual art at Kunsthøgskolen i Oslo (KHiO) Kunstakademiet, Royal Institute of Art (Mejan), and Athens School of Fine Arts (ASFA) along with sound studies and electro-acoustic music at Xenakis KSYME-CMRC and EMS Elektronmusikstudion.
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Saklas' practice seeks to catch a glimpse of the imperceptible, not to exhaust and actualize it, like science, or purely conceptualize it, like philosophy, but by employing aesthetics to embrace the unseen oscillations, flows, noises and atmospheres that circulate us, to form an idiosyncratic artistic vocabulary.[https://strumandiodine.com/artist/manos-saklas/]
 
  
 
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; Links
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* [https://detach.live/podcasts/otoliths-in-flux Otoliths in Flux], radio show on stegi.radio
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* [https://kaput-mag.com/stories_en/manos-saklas-im-not-sure-if-i-am-interested-in-music-journalism/ Interview 2024]
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* [https://kaput-mag.com/stories_en/manos-saklas-im-not-sure-if-i-am-interested-in-music-journalism/ Interview], 2024
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* [https://stegi.radio/podcasts/otoliths-in-flux/ Otoliths in Flux]
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* [https://vektorathens.org/exhibition-imagine-you-wake-up-and-there-is-no-internet/ Selected Participations]
 
* [https://instagram.com/manos_saklas/ Instagram]
 
* [https://instagram.com/manos_saklas/ Instagram]
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* [[Mastodon::https://mastodon.social/@manossaklas|Mastodon]]
 
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[[Series: Contemporary Art, Sound Studies, Electroacoustic Music]]
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[[Series: Contemporary Art, Electroacoustic Composition, Radio art, Sound Studies]]
 
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Latest revision as of 15:00, 21 December 2025

Manos Saklas (b. 1998, Athens) is an artist and a curator working across contemporary art, radio production and electro-acoustic music. His practice engages with cultural artifacts and compositional methodologies drawn from fields as diverse as conceptual art, electroacoustic music, greek mythology, acoustic ecology, and weather-sensing technologies—underscoring their sociopolitical resonances.

Saklas work has been featured internationally in a wide range of settings, including galleries and museums, cultural and academic institutions, concert halls and music festivals, films and fashion archives, radio and public spaces. His recent exhibitions include: Kairos: Listening to the Weather (2026), Polyrhythmia in Paper (2026), Chronopoetics (2025), Articulations of Chaos (2024). Since 2020, he has been the artistic director, moderator and producer of the monthly radio show Otoliths in Flux as part of Onassis Cultural Center’s Stegi Radio. He studied visual art at Kunsthøgskolen i Oslo (KHiO) Kunstakademiet, Royal Institute of Art (Mejan), and Athens School of Fine Arts (ASFA) along with sound studies and electro-acoustic music at Xenakis KSYME-CMRC and EMS Elektronmusikstudion.

Links
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