Difference between revisions of "Catherine Lenoble"
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| − | '''Catherine Lenoble''' | + | Active in the field of digital arts/cultures, maker communities, and fabrication spaces, '''Catherine Lenoble''' directs [https://lafun.fr/ La Fabrique d’Usages Numériques] (La FUN/le Funlab) in Tours, certified as a Fabrique de territoire and Manufacture de proximité. She contributes to numerous networks, such as Artlabo, Ambition Tiers-Lieux Centre Val de Loire, France Tiers Lieux, and Réseau Français des Fablabs. |
| − | She | + | She is the author of the novel ''[http://www.petitbain.net PetitBain]'' (2010, à la criée) that placed ubiquity as the main character, she experimented with cross-genre narratives and hybrid fictional objects (print, online). Since then, she has engaged with writing in different collaborative environments (writing workshop in public space, networked performances, curation of nomadic conferences on reading/writing digital, etc) and co-initiated the research group [https://www.algolit.net/ Algolit] (algorithmes & literature) in 2012 (with [[An Mertens]]). She wrote ''[http://www.litteraturing.net Anna K]'' (HYX, 2016) about British novelist Anna Kavan and her legacy in the era of collaborative and computational web. |
| + | She was a core member of [[PiNG]] in [[Nantes]], a resource organisation for emerging innovating projects that identify, experiment and evaluate the social and cultural uses of multimedia. | ||
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| + | ; Links | ||
* http://www.litteraturing.net/ | * http://www.litteraturing.net/ | ||
* http://www.petitbain.net | * http://www.petitbain.net | ||
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Latest revision as of 22:27, 12 November 2025
Active in the field of digital arts/cultures, maker communities, and fabrication spaces, Catherine Lenoble directs La Fabrique d’Usages Numériques (La FUN/le Funlab) in Tours, certified as a Fabrique de territoire and Manufacture de proximité. She contributes to numerous networks, such as Artlabo, Ambition Tiers-Lieux Centre Val de Loire, France Tiers Lieux, and Réseau Français des Fablabs.
She is the author of the novel PetitBain (2010, à la criée) that placed ubiquity as the main character, she experimented with cross-genre narratives and hybrid fictional objects (print, online). Since then, she has engaged with writing in different collaborative environments (writing workshop in public space, networked performances, curation of nomadic conferences on reading/writing digital, etc) and co-initiated the research group Algolit (algorithmes & literature) in 2012 (with An Mertens). She wrote Anna K (HYX, 2016) about British novelist Anna Kavan and her legacy in the era of collaborative and computational web.
She was a core member of PiNG in Nantes, a resource organisation for emerging innovating projects that identify, experiment and evaluate the social and cultural uses of multimedia.
- Links
