Difference between revisions of "Bio art"

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==Pages==
 
==Pages==
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category            = Bio art
 
category            = Bio art
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[http://www.mediamatic.net/377193/en/biotoop-dijkspark Mediamatic Biotoop]
 
  
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==Literature==
+
[https://bioartsociety.fi/ Bioart Society],  
−
* Karl Gerbel, Peter Weibel (eds.), ''[http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745 Artificial Life / Genetic Art (Ars Electronica 1993)]'', PVS-Verleger, 1993.
+
[http://www.mediamatic.net/377193/en/biotoop-dijkspark Mediamatic Biotoop], [http://web.archive.org/web/20171026115707/https://www.biohacklabs.org/List]
−
** ''[http://90.146.8.18/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745 Genetische Kunst / Künstliches Leben (Ars Electronica 1993)]'', 1993. {{de}}
+
 
−
* Christine Schöpf, Gerfried Stocker (eds.), ''[http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8457 Flesh Factor (Ars Electronica 1997)]'', Springer, 1997. [https://ars.electronica.art/fleshfactor/]
+
==Publications==
−
** ''[http://90.146.8.18/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8457 Fleshfactor. Informationsmaschine Mensch (Ars Electronica 1997)]'', 1997. {{de}}
+
 
 +
* ''[https://archive.aec.at/print/108304/ Ars Electronica 1993. Genetische Kunst. Künstliches Leben / Genetic Art. Artificial Life]'', eds. Karl Gerbel and [[Peter Weibel]], Linz: PVS-Verleger, 1993, 445 pp. {{de}}/{{en}}
 +
 
 +
* ''[https://archive.aec.at/print/108313/ Ars Electronica 1997. Fleshfactor. Informationsmaschine Mensch / Flesh Factor]'', eds. Christine Schöpf and Gerfried Stocker, Vienna: Springer, 1997, 447 pp. {{de}}/{{en}}
  
 
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}
 
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}
 +
 
* ''Kunstforum International'' 157: "Klone und Mutanten. Transgene Kunst I", Nov-Dec 2001. [https://www.kunstforum.de/band/2001-157] {{de}}
 
* ''Kunstforum International'' 157: "Klone und Mutanten. Transgene Kunst I", Nov-Dec 2001. [https://www.kunstforum.de/band/2001-157] {{de}}
 +
 
* ''Kunstforum International'' 158: "Der erfundene Zwilling. Transgene Kunst II", Jan-Mar 2002. [https://www.kunstforum.de/band/2002-158] {{de}}
 
* ''Kunstforum International'' 158: "Der erfundene Zwilling. Transgene Kunst II", Jan-Mar 2002. [https://www.kunstforum.de/band/2002-158] {{de}}
 +
 
* Suzanne Anker, Dorothy Nelkin, ''The Molecular Gaze: Art in the Genetic Age'', Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
 
* Suzanne Anker, Dorothy Nelkin, ''The Molecular Gaze: Art in the Genetic Age'', Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
 +
 
* Eduardo Kac, ''[[Media:Kac_Eduardo_Telepresence_and_Bio_Art_Networking_Humans_Rabbits_and_Robots_2005.pdf|Telepresence and Bio Art: Networking Humans, Rabbits and Robots]]'', forew. James Elkins, University of Michigan Press, 2005, 311 pp.
 
* Eduardo Kac, ''[[Media:Kac_Eduardo_Telepresence_and_Bio_Art_Networking_Humans_Rabbits_and_Robots_2005.pdf|Telepresence and Bio Art: Networking Humans, Rabbits and Robots]]'', forew. James Elkins, University of Michigan Press, 2005, 311 pp.
 +
 
* Jens Hauser, [http://90.146.8.18/en/archiv_files/20051/FE_2005_Jens_Hauser_en.pdf "Bio Art: Taxonomy of an Etymological Monster"], in ''Hybrid: Living in a Paradox (Ars Electronica 2005)'', eds. Gerfried Stocker and Christiane Schöpf, Ostfildern-Ruit, Hatje Cantz, 2005, pp 181-192.
 
* Jens Hauser, [http://90.146.8.18/en/archiv_files/20051/FE_2005_Jens_Hauser_en.pdf "Bio Art: Taxonomy of an Etymological Monster"], in ''Hybrid: Living in a Paradox (Ars Electronica 2005)'', eds. Gerfried Stocker and Christiane Schöpf, Ostfildern-Ruit, Hatje Cantz, 2005, pp 181-192.
 +
 
* [https://www.erudit.org/en/journals/inter/2006-n94-inter1121523/ ''Inter'' 94: "L'art biotech et le posthumain"], Fall 2006. {{fr}}
 
* [https://www.erudit.org/en/journals/inter/2006-n94-inter1121523/ ''Inter'' 94: "L'art biotech et le posthumain"], Fall 2006. {{fr}}
 +
 
* Eduardo Kac (ed.), ''[https://monoskop.org/log/?p=88 Signs of Life: Bio Art and Beyond]'', MIT Press, 2007, 420 pp.
 
* Eduardo Kac (ed.), ''[https://monoskop.org/log/?p=88 Signs of Life: Bio Art and Beyond]'', MIT Press, 2007, 420 pp.
 +
 
* Beatriz da Costa, Kavita Philip (eds.), ''[https://monoskop.org/log/?p=90 Tactical Biopolitics: Art, Activism, and Technoscience]'', MIT Press, 2008, 504 pp.
 
* Beatriz da Costa, Kavita Philip (eds.), ''[https://monoskop.org/log/?p=90 Tactical Biopolitics: Art, Activism, and Technoscience]'', MIT Press, 2008, 504 pp.
 +
 
* Melentie Pandilovski, ''Art in the Biotech Era'', Experimental Art Foundation, 2008.
 
* Melentie Pandilovski, ''Art in the Biotech Era'', Experimental Art Foundation, 2008.
−
* Ingeborg Reichle, ''Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art'', pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. [https://link.springer.com/content/pdf/bfm%3A978-3-211-78161-6%2F1.pdf TOC & Preface], [https://link.springer.com/content/pdf/bbm%3A978-3-211-78161-6%2F1.pdf Illustrations]. [https://link.springer.com/book/10.1007/978-3-211-78161-6]
+
 
 +
* Ingeborg Reichle, ''[https://libgen.is/book/index.php?md5=02AA766093A4133C019D0279BDD4D9F0 Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art]'', pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. [https://link.springer.com/content/pdf/bfm%3A978-3-211-78161-6%2F1.pdf TOC & Preface], [https://link.springer.com/content/pdf/bbm%3A978-3-211-78161-6%2F1.pdf Illustrations]. [https://link.springer.com/book/10.1007/978-3-211-78161-6]
 +
 
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009.
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009.
  
 
* George Gessert, ''[http://library.memoryoftheworld.org/#/book/dac1727b-e018-4e9c-8a3d-53113c7ff96f Green Light: Toward an Art of Evolution]'', MIT Press (Leonardo), 2010.
 
* George Gessert, ''[http://library.memoryoftheworld.org/#/book/dac1727b-e018-4e9c-8a3d-53113c7ff96f Green Light: Toward an Art of Evolution]'', MIT Press (Leonardo), 2010.
 +
 
* Robert Mitchell, ''[http://library.memoryoftheworld.org/#/book/cfd9baf5-05bd-4f2b-97e8-ab645b78f2a4 BioArt and the Vitality of Media]'', Seattle: University of Washington Press, 2010.
 
* Robert Mitchell, ''[http://library.memoryoftheworld.org/#/book/cfd9baf5-05bd-4f2b-97e8-ab645b78f2a4 BioArt and the Vitality of Media]'', Seattle: University of Washington Press, 2010.
−
* Ruth G. West, "Working With Wetware", in ''Context Providers: Conditions Of Meaning In Media Arts'', eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011. [https://books.google.com/books?id=Bmg_ZIseeUMC&pg=PA259]
+
 
 +
* Ruth G. West, "Working With Wetware", in ''[https://libgen.is/book/index.php?md5=DAA07AFB91D4C6781567B26B6F1B3EB7 Context Providers: Conditions of Meaning in Media Arts]'', eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011.  
 +
 
 
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation.
 
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation.
 +
 
* William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012.
 
* William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012.
 +
 +
* [https://issuu.com/kibla/docs/folio-2013-isuu ''Folio'' 4: "Soft Control: Art, Science and the Technological Unconscious"], Maribor, 2012. {{sl}},{{en}}
 +
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013.
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013.
 +
 +
* ''[[Media:Biopower and Bioactivism Art in the Age of Posthumanism 2013.pdf|Biowładza i bioaktywizm. Sztuka w dobie posthumanizmu / Biopower and Bioactivism: Art in the Age of Posthumanism]]'', ed. Grzegorz Klaman, Gdańsk: Academy of Fine Arts in Gdańsk, 2013, 195 pp. Exh. cat. [https://www.zbrojowniasztuki.pl/publikacje/monografie/biowladza-i-bioaktywizm-sztuka-w-dobie-posthumanizmu,797] {{pl}}/{{en}}
 +
 
* Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013.
 
* Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013.
 +
 
* Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), ''[http://library.memoryoftheworld.org/#/book/6071f314-ef08-447d-aa5a-467028cd38ad Synthetic Aesthetics: Investigating Synthetic Biology's Designs on Nature]'', MIT Press, 2014.
 
* Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), ''[http://library.memoryoftheworld.org/#/book/6071f314-ef08-447d-aa5a-467028cd38ad Synthetic Aesthetics: Investigating Synthetic Biology's Designs on Nature]'', MIT Press, 2014.
 +
 
* Regine Rapp, Christian de Lutz (eds.), ''Art and the Biological Sublime in the 21st Century'', Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.  
 
* Regine Rapp, Christian de Lutz (eds.), ''Art and the Biological Sublime in the 21st Century'', Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.  
 +
 
* Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), ''[http://library.memoryoftheworld.org/#/book/dcefb422-f6f1-48c9-bd91-c549d0837d76 Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts]'', MIT Press (Leonardo), 2014, 691 pp. [https://synthbioart.texashats.org/ Web companion]. Review: [https://muse.jhu.edu/article/577893/summary Etxeberria] (Leonardo).
 
* Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), ''[http://library.memoryoftheworld.org/#/book/dcefb422-f6f1-48c9-bd91-c549d0837d76 Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts]'', MIT Press (Leonardo), 2014, 691 pp. [https://synthbioart.texashats.org/ Web companion]. Review: [https://muse.jhu.edu/article/577893/summary Etxeberria] (Leonardo).
−
* William Myers, ''Bio Art: Altered Realities'', Thames & Hudson, 2015.
+
 
−
* Anne Byerley, Derrick Chong, [http://sci-hub.tw/10.1080/14759551.2013.836194 "Biotech Aesthetics: Exploring the Practice of Bio Art"], ''Culture and Organization'' 21:3, 2015, pp 197-216.
+
* William Myers, ''Bio Art: Altered Realities'', London: Thames & Hudson, 2015.
 +
 
 +
* Anne Byerley, Derrick Chong, [http://sci-hub.st/10.1080/14759551.2013.836194 "Biotech Aesthetics: Exploring the Practice of Bio Art"], ''Culture and Organization'' 21:3, 2015, pp 197-216.
 +
 
 
* Magdalena Sick-Leitner, [https://ars.electronica.art/aeblog/en/2015/06/02/es-gibt-keine-bio-art/ "There Is No Bio Art! Interview with Jens Hauser"], ''Ars Electronica Blog'', 2 Jun 2015.
 
* Magdalena Sick-Leitner, [https://ars.electronica.art/aeblog/en/2015/06/02/es-gibt-keine-bio-art/ "There Is No Bio Art! Interview with Jens Hauser"], ''Ars Electronica Blog'', 2 Jun 2015.
 +
 
* Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, [http://arep.med.harvard.edu/pdf/Yetisen_Bioart_2015.pdf "Bioart"], ''Trends in Biotechnology'' 33:12, Dec 2015, pp 724-734.
 
* Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, [http://arep.med.harvard.edu/pdf/Yetisen_Bioart_2015.pdf "Bioart"], ''Trends in Biotechnology'' 33:12, Dec 2015, pp 724-734.
 +
 
* Lindsay Kelley, ''[http://library.memoryoftheworld.org/#/book/7bf7b745-5e45-4863-a725-4cb07173ad12 Bioart Kitchen: Art, Feminism and Technoscience]'', London and New York: I.B. Tauris, 2016.
 
* Lindsay Kelley, ''[http://library.memoryoftheworld.org/#/book/7bf7b745-5e45-4863-a725-4cb07173ad12 Bioart Kitchen: Art, Feminism and Technoscience]'', London and New York: I.B. Tauris, 2016.
 +
 +
* Marc Jimenez, ''Art et technosciences. Bioart - neuroesthétique'', Paris: Klincksieck, 2016, 112 pp. {{fr}}
 +
 
* Jens Hauser, [https://www.academia.edu/33982703 "Biomediality and Art"], in ''Recomposing Art and Science: Artists-in-Labs'', eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
 
* Jens Hauser, [https://www.academia.edu/33982703 "Biomediality and Art"], in ''Recomposing Art and Science: Artists-in-Labs'', eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
 +
 
* Assimina Kaniari (ed.), ''Institutional Critique to Hospitality: Bio Art Practice Now'', Athens: Grigoris Books, 2017, 190 pp. Review: [https://www.leonardo.info/review/2017/09/review-of-institutional-critique-to-hospitality-and-open-science-singularity-and Terranova] (Leonardo).
 
* Assimina Kaniari (ed.), ''Institutional Critique to Hospitality: Bio Art Practice Now'', Athens: Grigoris Books, 2017, 190 pp. Review: [https://www.leonardo.info/review/2017/09/review-of-institutional-critique-to-hospitality-and-open-science-singularity-and Terranova] (Leonardo).
−
* Carsten Strathausen, ''[http://library.memoryoftheworld.org/#/book/773640a9-b131-401d-85fc-7800cf9f162a Bioaesthetics: Making Sense of Life in Science and the Arts]'', University of Minnesota Press, 2017, 320 pp. [https://www.upress.umn.edu/book-division/books/bioaesthetics]. Review: [https://sci-hub.tw/10.1162/leon_r_01711 Galati] (Leonardo).
+
 
−
* Eva Šlesingerová, [[Media:Slesingerova Eva 2017 Bioart a sciart propletani veci tel a technologii.pdf|"Bioart a sciart. Proplétání věcí, těl a technologií"]], ''Sešit pro umění, teorii a příbuzné zóny'' 23, Prague, 2017, pp 40-60. {{cz}}
+
* Carsten Strathausen, ''[http://library.memoryoftheworld.org/#/book/773640a9-b131-401d-85fc-7800cf9f162a Bioaesthetics: Making Sense of Life in Science and the Arts]'', University of Minnesota Press, 2017, 320 pp. [https://www.upress.umn.edu/book-division/books/bioaesthetics]. Review: [https://sci-hub.st/10.1162/leon_r_01711 Galati] (Leonardo).
 +
 
 +
* Eva Šlesingerová, [[Media:Slesingerova Eva 2017 Bioart a sciart propletani veci tel a technologii.pdf|"Bioart a sciart. Proplétání věcí, těl a technologií"]], ''Sešit pro umění, teorii a příbuzné zóny'' 23, Prague: VVP AVU, 2017, pp 40-60. {{cz}}
 +
 
 +
* Jennifer Johung, ''[http://library.memoryoftheworld.org/#/book/7cf23a73-7c0d-4d59-8a8c-d020b6cc4abe Vital Forms: Biological Art, Architecture, and the Dependencies of Life]'', University of Minnesota Press, 2019, 200 pp. [https://www.upress.umn.edu/book-division/books/vital-forms]
 +
 
 +
* ''Living Object / Živi objekt'', ed. Alenka Trebušak, Ljubljana: City Art Gallery Ljubljana, 2020, 146 pp. Exh. cat. Texts: Laura Benítez Valero, Ingeborg Reicle, Alenka Trebušak. [https://mgml.si/en/city-art-gallery/exhibitions/505/living-object/ Exhibition]. [https://mgml.si/en/city-art-gallery/publications/118/living-object/ Publisher]. {{en}}/{{sl}}
 +
 
 +
* Sylwia Szykowna, [https://www.sensushistoriae.epigram.eu/index.php/czasopismo/article/view/524 "Bio art w świecie sztuki"], ''Sensus Historiae'' 38:1, 2020, pp 39-52. {{pl}}
 +
 
 +
* [https://link.springer.com/journal/146/volumes-and-issues/36-4 ''AI & Society'' 36(4): "Bio-art"], Dec 2021, pp 1313-1394.
 +
 
 +
* ''[https://archive.aec.at/media/assets/03d39c56162d516b844f7d6f92f997a4.pdf Ars Electronica 2022: Welcome to Planet B. A different life is possible. But how?]'', eds. Gerfried Stocker and Markus Jandl, Linz: Ars Electronica, 2022, 415 pp. [https://ars.electronica.art/planetb/en/ Festival].
 +
 
 +
* Caroline A. Jones, Natalie Bell, Selby Nimrod (eds.), ''Symbionts: Contemporary Artists and the Biosphere'', MIT Press, 2022, 232 pp. [https://mitpress.mit.edu/9780262544481/symbionts/ Publisher]. [https://listart.mit.edu/exhibitions/symbionts-contemporary-artists-biosphere Exhibition]. [https://warholfoundation.org/grants/archive/symbionts-contemporary-artists-and-the-biosphere/ Exhibition].
 +
 
 +
* ''BioMedia: The Age of Media with Life-like Behavior'', ed. Peter Weibel, Leipzig: Spector Books, 2022, 320 pp. [https://biomedia.zkm.de/en Virtual exhibition]. [https://zkm.de/en/exhibition/2021/12/biomedia Exhibition]. [https://webshop.zkm.de/BioMedia]
 +
 
 +
* ''[[:File:Garage School of Medicine 2024.pdf|A Garage School of Medicine]]'', Rotterdam, 2024, 27 pp.
 +
 
 
* [http://monoskop.org/log/?tag=bio-art Publications on bio art at Monoskop Log]
 
* [http://monoskop.org/log/?tag=bio-art Publications on bio art at Monoskop Log]
 +
 +
; Resources
 +
 +
* [https://arc-hive.zone/ Arch-ive], an open source digital platform that aggregates, preserves, publishes, distributes and contextualizes a variety of information, knowledge and documentation on art with a focus on biomedia. Project by [[Hangar]]. [https://hangar.org/es/projectes-internacionals/archive/]
  
 
; Bibliography
 
; Bibliography
 +
 
* https://synthbioart.texashats.org/bibliography/
 
* https://synthbioart.texashats.org/bibliography/
  

Latest revision as of 08:15, 14 May 2025

Pages[edit]

Bioart Society, Mediamatic Biotoop, [1]

Publications[edit]

  • Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur, eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. (German)
  • Kunstforum International 157: "Klone und Mutanten. Transgene Kunst I", Nov-Dec 2001. [2] (German)
  • Kunstforum International 158: "Der erfundene Zwilling. Transgene Kunst II", Jan-Mar 2002. [3] (German)
  • Suzanne Anker, Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
  • Melentie Pandilovski, Art in the Biotech Era, Experimental Art Foundation, 2008.
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice), Kaliningrad: National Centre for Contemporary Arts, 2009.
  • William Myers, BioDesign: Nature + Science + Creativity, Thames & Hudson, 2012.
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), Kaliningrad: National Centre for Contemporary Arts, 2013.
  • Laura Beloff, Erich Berger, Terike Haapoja (eds.), Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon, Printon Printinghouse, 2013.
  • Regine Rapp, Christian de Lutz (eds.), Art and the Biological Sublime in the 21st Century, Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.
  • William Myers, Bio Art: Altered Realities, London: Thames & Hudson, 2015.
  • Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, "Bioart", Trends in Biotechnology 33:12, Dec 2015, pp 724-734.
  • Marc Jimenez, Art et technosciences. Bioart - neuroesthétique, Paris: Klincksieck, 2016, 112 pp. (French)
  • Jens Hauser, "Biomediality and Art", in Recomposing Art and Science: Artists-in-Labs, eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
  • Assimina Kaniari (ed.), Institutional Critique to Hospitality: Bio Art Practice Now, Athens: Grigoris Books, 2017, 190 pp. Review: Terranova (Leonardo).
  • Living Object / Živi objekt, ed. Alenka Trebušak, Ljubljana: City Art Gallery Ljubljana, 2020, 146 pp. Exh. cat. Texts: Laura Benítez Valero, Ingeborg Reicle, Alenka Trebušak. Exhibition. Publisher. (English)/(Slovenian)
  • Caroline A. Jones, Natalie Bell, Selby Nimrod (eds.), Symbionts: Contemporary Artists and the Biosphere, MIT Press, 2022, 232 pp. Publisher. Exhibition. Exhibition.
Resources
  • Arch-ive, an open source digital platform that aggregates, preserves, publishes, distributes and contextualizes a variety of information, knowledge and documentation on art with a focus on biomedia. Project by Hangar. [9]
Bibliography

See also[edit]

DIY biology


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