Difference between revisions of "Bio art"

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==Pages==
 
==Pages==
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category            = Bio art
 
category            = Bio art
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[https://bioartsociety.fi/ Bioart Society],  
 
[https://bioartsociety.fi/ Bioart Society],  
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[http://www.mediamatic.net/377193/en/biotoop-dijkspark Mediamatic Biotoop]
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[http://www.mediamatic.net/377193/en/biotoop-dijkspark Mediamatic Biotoop], [http://web.archive.org/web/20171026115707/https://www.biohacklabs.org/List]
  
 
==Publications==
 
==Publications==
  
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* Karl Gerbel, Peter Weibel (eds.), ''[http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745 Artificial Life / Genetic Art (Ars Electronica 1993)]'', PVS-Verleger, 1993.
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* ''[https://archive.aec.at/print/108304/ Ars Electronica 1993. Genetische Kunst. Künstliches Leben / Genetic Art. Artificial Life]'', eds. Karl Gerbel and [[Peter Weibel]], Linz: PVS-Verleger, 1993, 445 pp. {{de}}/{{en}}
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** ''[http://90.146.8.18/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745 Genetische Kunst / Künstliches Leben (Ars Electronica 1993)]'', 1993. {{de}}
 
  
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* Christine Schöpf, Gerfried Stocker (eds.), ''[http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8457 Flesh Factor (Ars Electronica 1997)]'', Springer, 1997. [https://ars.electronica.art/fleshfactor/]
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* ''[https://archive.aec.at/print/108313/ Ars Electronica 1997. Fleshfactor. Informationsmaschine Mensch / Flesh Factor]'', eds. Christine Schöpf and Gerfried Stocker, Vienna: Springer, 1997, 447 pp. {{de}}/{{en}}
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** ''[http://90.146.8.18/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8457 Fleshfactor. Informationsmaschine Mensch (Ars Electronica 1997)]'', 1997. {{de}}
 
  
 
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}
 
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}
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* Melentie Pandilovski, ''Art in the Biotech Era'', Experimental Art Foundation, 2008.
 
* Melentie Pandilovski, ''Art in the Biotech Era'', Experimental Art Foundation, 2008.
  
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* Ingeborg Reichle, ''Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art'', pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. [https://link.springer.com/content/pdf/bfm%3A978-3-211-78161-6%2F1.pdf TOC & Preface], [https://link.springer.com/content/pdf/bbm%3A978-3-211-78161-6%2F1.pdf Illustrations]. [https://link.springer.com/book/10.1007/978-3-211-78161-6]
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* Ingeborg Reichle, ''[https://libgen.is/book/index.php?md5=02AA766093A4133C019D0279BDD4D9F0 Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art]'', pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. [https://link.springer.com/content/pdf/bfm%3A978-3-211-78161-6%2F1.pdf TOC & Preface], [https://link.springer.com/content/pdf/bbm%3A978-3-211-78161-6%2F1.pdf Illustrations]. [https://link.springer.com/book/10.1007/978-3-211-78161-6]
  
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009.
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009.
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* Robert Mitchell, ''[http://library.memoryoftheworld.org/#/book/cfd9baf5-05bd-4f2b-97e8-ab645b78f2a4 BioArt and the Vitality of Media]'', Seattle: University of Washington Press, 2010.
 
* Robert Mitchell, ''[http://library.memoryoftheworld.org/#/book/cfd9baf5-05bd-4f2b-97e8-ab645b78f2a4 BioArt and the Vitality of Media]'', Seattle: University of Washington Press, 2010.
  
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* Ruth G. West, "Working With Wetware", in ''Context Providers: Conditions Of Meaning In Media Arts'', eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011. [https://books.google.com/books?id=Bmg_ZIseeUMC&pg=PA259]
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* Ruth G. West, "Working With Wetware", in ''[https://libgen.is/book/index.php?md5=DAA07AFB91D4C6781567B26B6F1B3EB7 Context Providers: Conditions of Meaning in Media Arts]'', eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011.  
  
 
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation.
 
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation.
  
 
* William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012.
 
* William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012.
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* [https://issuu.com/kibla/docs/folio-2013-isuu ''Folio'' 4: "Soft Control: Art, Science and the Technological Unconscious"], Maribor, 2012. {{sl}},{{en}}
  
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013.
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013.
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* ''[[Media:Biopower and Bioactivism Art in the Age of Posthumanism 2013.pdf|Biowładza i bioaktywizm. Sztuka w dobie posthumanizmu / Biopower and Bioactivism: Art in the Age of Posthumanism]]'', ed. Grzegorz Klaman, Gdańsk: Academy of Fine Arts in Gdańsk, 2013, 195 pp. Exh. cat. [https://www.zbrojowniasztuki.pl/publikacje/monografie/biowladza-i-bioaktywizm-sztuka-w-dobie-posthumanizmu,797] {{pl}}/{{en}}
  
 
* Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013.
 
* Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013.
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* Jennifer Johung, ''[http://library.memoryoftheworld.org/#/book/7cf23a73-7c0d-4d59-8a8c-d020b6cc4abe Vital Forms: Biological Art, Architecture, and the Dependencies of Life]'', University of Minnesota Press, 2019, 200 pp. [https://www.upress.umn.edu/book-division/books/vital-forms]
 
* Jennifer Johung, ''[http://library.memoryoftheworld.org/#/book/7cf23a73-7c0d-4d59-8a8c-d020b6cc4abe Vital Forms: Biological Art, Architecture, and the Dependencies of Life]'', University of Minnesota Press, 2019, 200 pp. [https://www.upress.umn.edu/book-division/books/vital-forms]
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* ''Living Object / Živi objekt'', ed. Alenka Trebušak, Ljubljana: City Art Gallery Ljubljana, 2020, 146 pp. Exh. cat. Texts: Laura Benítez Valero, Ingeborg Reicle, Alenka Trebušak. [https://mgml.si/en/city-art-gallery/exhibitions/505/living-object/ Exhibition]. [https://mgml.si/en/city-art-gallery/publications/118/living-object/ Publisher]. {{en}}/{{sl}}
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* Sylwia Szykowna, [https://www.sensushistoriae.epigram.eu/index.php/czasopismo/article/view/524 "Bio art w świecie sztuki"], ''Sensus Historiae'' 38:1, 2020, pp 39-52. {{pl}}
  
 
* [https://link.springer.com/journal/146/volumes-and-issues/36-4 ''AI & Society'' 36(4): "Bio-art"], Dec 2021, pp 1313-1394.
 
* [https://link.springer.com/journal/146/volumes-and-issues/36-4 ''AI & Society'' 36(4): "Bio-art"], Dec 2021, pp 1313-1394.
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* ''[https://archive.aec.at/media/assets/03d39c56162d516b844f7d6f92f997a4.pdf Ars Electronica 2022: Welcome to Planet B. A different life is possible. But how?]'', eds. Gerfried Stocker and Markus Jandl, Linz: Ars Electronica, 2022, 415 pp. [https://ars.electronica.art/planetb/en/ Festival].
  
 
* Caroline A. Jones, Natalie Bell, Selby Nimrod (eds.), ''Symbionts: Contemporary Artists and the Biosphere'', MIT Press, 2022, 232 pp. [https://mitpress.mit.edu/9780262544481/symbionts/ Publisher]. [https://listart.mit.edu/exhibitions/symbionts-contemporary-artists-biosphere Exhibition]. [https://warholfoundation.org/grants/archive/symbionts-contemporary-artists-and-the-biosphere/ Exhibition].
 
* Caroline A. Jones, Natalie Bell, Selby Nimrod (eds.), ''Symbionts: Contemporary Artists and the Biosphere'', MIT Press, 2022, 232 pp. [https://mitpress.mit.edu/9780262544481/symbionts/ Publisher]. [https://listart.mit.edu/exhibitions/symbionts-contemporary-artists-biosphere Exhibition]. [https://warholfoundation.org/grants/archive/symbionts-contemporary-artists-and-the-biosphere/ Exhibition].

Latest revision as of 08:15, 14 May 2025

Pages[edit]

Bioart Society, Mediamatic Biotoop, [1]

Publications[edit]

  • Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur, eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. (German)
  • Kunstforum International 157: "Klone und Mutanten. Transgene Kunst I", Nov-Dec 2001. [2] (German)
  • Kunstforum International 158: "Der erfundene Zwilling. Transgene Kunst II", Jan-Mar 2002. [3] (German)
  • Suzanne Anker, Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
  • Melentie Pandilovski, Art in the Biotech Era, Experimental Art Foundation, 2008.
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice), Kaliningrad: National Centre for Contemporary Arts, 2009.
  • William Myers, BioDesign: Nature + Science + Creativity, Thames & Hudson, 2012.
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), Kaliningrad: National Centre for Contemporary Arts, 2013.
  • Laura Beloff, Erich Berger, Terike Haapoja (eds.), Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon, Printon Printinghouse, 2013.
  • Regine Rapp, Christian de Lutz (eds.), Art and the Biological Sublime in the 21st Century, Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.
  • William Myers, Bio Art: Altered Realities, London: Thames & Hudson, 2015.
  • Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, "Bioart", Trends in Biotechnology 33:12, Dec 2015, pp 724-734.
  • Marc Jimenez, Art et technosciences. Bioart - neuroesthétique, Paris: Klincksieck, 2016, 112 pp. (French)
  • Jens Hauser, "Biomediality and Art", in Recomposing Art and Science: Artists-in-Labs, eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
  • Assimina Kaniari (ed.), Institutional Critique to Hospitality: Bio Art Practice Now, Athens: Grigoris Books, 2017, 190 pp. Review: Terranova (Leonardo).
  • Living Object / Živi objekt, ed. Alenka Trebušak, Ljubljana: City Art Gallery Ljubljana, 2020, 146 pp. Exh. cat. Texts: Laura Benítez Valero, Ingeborg Reicle, Alenka Trebušak. Exhibition. Publisher. (English)/(Slovenian)
  • Caroline A. Jones, Natalie Bell, Selby Nimrod (eds.), Symbionts: Contemporary Artists and the Biosphere, MIT Press, 2022, 232 pp. Publisher. Exhibition. Exhibition.
Resources
  • Arch-ive, an open source digital platform that aggregates, preserves, publishes, distributes and contextualizes a variety of information, knowledge and documentation on art with a focus on biomedia. Project by Hangar. [9]
Bibliography

See also[edit]

DIY biology


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