Difference between revisions of "Kaja Silverman"
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Latest revision as of 13:51, 20 December 2023
Kaja Silverman (1947) is an American film theorist and art historian.
Works[edit]
- The Subject of Semiotics, Oxford University Press, 1983, PDF.
- The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema, Indiana University Press, 1988, PDF.
- Male Subjectivity at the Margins, London and New York: Routledge, 1992, x+447 pp, IA, IA; repr., 2016.
- The Threshold of the Visible World, London and New York: Routledge, 1996.
- with Harun Farocki, Speaking about Godard, forew. Constance Penley, New York University Press, 1998, 260 pp. Eight dialogues.
- Von Godard sprechen, intro. Hanns Zischler, trans. Roger M. Buergel, Berlin: Vorwerk 8, 1998; 2002; new ed. as Von Godard sprechen. Schriften, Bd. 2, ed. Doreen Mende, forew. Hanns Zischler, Berlin: Verlag Der Buchhandlung König, 2018, 254 pp. [1] (German)
- World Spectators, Stanford University Press, 2000, ARG.
- Flesh of My Flesh, Stanford University Press, 2009, PDF.
- The Miracle of Analogy, or, The History of Photography, 1, Stanford University Press, 2015, 203 pp, PDF, EPUB, PDF, EPUB.
Literature[edit]
- Shohini Chaudhuri, Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed, Routledge, 2006.
