Difference between revisions of "Media archaeology"
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==Institutes== | ==Institutes== | ||
− | * [[Media Archaeological Fundus]] of Humboldt University, Berlin, founded in c2003. Collection supervisor: [[Wolfgang Ernst]], | + | * [[Media Archaeological Fundus]] of Humboldt University, Berlin, founded in c2003. Collection supervisor: [[Wolfgang Ernst]], curators: Stefan Höltgen, Thomas Fecker, David Friedrich. |
* [[IMA Institute of Media Archeology]], Hainburg, founded in 2005. Head: [[Elisabeth Schimana]]. | * [[IMA Institute of Media Archeology]], Hainburg, founded in 2005. Head: [[Elisabeth Schimana]]. | ||
− | * [ | + | * [[Media Archaeology Lab]], Boulder, Colorado, founded in 2009. Director: [[Lori Emerson]]. |
* [http://pamal.org/ Preservation & Art – Media Archaeology Lab] (PAMAL), Ecole Supérieure d’Art d’Avignon, founded 2014. Head: Emmanuel Guez. | * [http://pamal.org/ Preservation & Art – Media Archaeology Lab] (PAMAL), Ecole Supérieure d’Art d’Avignon, founded 2014. Head: Emmanuel Guez. | ||
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*[[Media_Culture_FM_Bauhaus_Weimar|Medienkultur, Fakultät Medien, Bauhaus-Universität Weimar]] | *[[Media_Culture_FM_Bauhaus_Weimar|Medienkultur, Fakultät Medien, Bauhaus-Universität Weimar]] | ||
; Courses | ; Courses | ||
− | |||
* [http://cultureandcommunication.org/deadmedia Media Archaeology course (with Dead Media Archive wiki)], Dept of Media, Culture, and Communication, NYU, led by [[Alexander R. Galloway]], Spring ([http://cultureandcommunication.org/galloway/2010spring-Media_Archaeology_syllabus_v6.pdf syllabus]) and Fall 2010. | * [http://cultureandcommunication.org/deadmedia Media Archaeology course (with Dead Media Archive wiki)], Dept of Media, Culture, and Communication, NYU, led by [[Alexander R. Galloway]], Spring ([http://cultureandcommunication.org/galloway/2010spring-Media_Archaeology_syllabus_v6.pdf syllabus]) and Fall 2010. | ||
* [http://mediaexploration.wordpress.com/ Media Technology and Exploration] course by [[Nicole Starosielski]], Winter 2011. | * [http://mediaexploration.wordpress.com/ Media Technology and Exploration] course by [[Nicole Starosielski]], Winter 2011. | ||
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* [http://www.medientheorie.com/veranstaltungen/12_ws_archaeologie.html Medienarchäologie] seminar by [[Claus Pias]], Leuphana, 2012/2013. | * [http://www.medientheorie.com/veranstaltungen/12_ws_archaeologie.html Medienarchäologie] seminar by [[Claus Pias]], Leuphana, 2012/2013. | ||
* [http://mediarchaeology.wordpress.com/ Media Archaeology and Media Poetics] course by [[Lori Emerson]], U Colorado, Boulder, Spring 2014. | * [http://mediarchaeology.wordpress.com/ Media Archaeology and Media Poetics] course by [[Lori Emerson]], U Colorado, Boulder, Spring 2014. | ||
+ | * [https://mla.hcommons.org/deposits/objects/hc:14798/datastreams/CONTENT/content Languages, Text, and Technology], course by [[Roger Whitson]], Washington State U, Fall 2017. | ||
==Events== | ==Events== | ||
* [[Excavating the Future|Excavating the Future - An Archeology and Future of Moving Pictures]] symposium, Prague, 2-5 December 2001. Initiated by [[Jaroslav Anděl]], collaboration: [[Miloš Vojtěchovský]], [[Michael de la Fontaine]], [[Michael Bielický]]. | * [[Excavating the Future|Excavating the Future - An Archeology and Future of Moving Pictures]] symposium, Prague, 2-5 December 2001. Initiated by [[Jaroslav Anděl]], collaboration: [[Miloš Vojtěchovský]], [[Michael de la Fontaine]], [[Michael Bielický]]. | ||
− | * [[An Archaeology of Imaginary Media]], mini-festival, De Balie, Amsterdam, 5-8 February 2004. Initiated by [[Eric Kluitenberg]]. [ | + | * [[An Archaeology of Imaginary Media]], mini-festival, De Balie, Amsterdam, 5-8 February 2004. Initiated by [[Eric Kluitenberg]]. [[#Kluitenberg2006|Publication]]. |
* [http://variantology.com/ Variantology: On Deep Time Relations of the Arts, Sciences and Technologies] workshops, Cologne/Berlin/Naples, 2005-2011. Initiated by [[Siegfried Zielinski]]. [http://en.wikipedia.org/wiki/Variantology#Workshops_and_Publications Publications]. | * [http://variantology.com/ Variantology: On Deep Time Relations of the Arts, Sciences and Technologies] workshops, Cologne/Berlin/Naples, 2005-2011. Initiated by [[Siegfried Zielinski]]. [http://en.wikipedia.org/wiki/Variantology#Workshops_and_Publications Publications]. | ||
* [http://on1.zkm.de/zkm/stories/storyReader$8146 Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler], ZKM Karlsruhe, 19-20 October 2012. | * [http://on1.zkm.de/zkm/stories/storyReader$8146 Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler], ZKM Karlsruhe, 19-20 October 2012. | ||
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* [http://mediaarchdebris.wix.com/matd Media Archaeology & Technological Debris], postgraduate workshop and conference, Goldsmiths, University of London, 20-21 June 2013. Organised by [[Stefania Charitou]], [[Gabriel Menotti]], and [[Corey Kai Nelson Schultz]]. | * [http://mediaarchdebris.wix.com/matd Media Archaeology & Technological Debris], postgraduate workshop and conference, Goldsmiths, University of London, 20-21 June 2013. Organised by [[Stefania Charitou]], [[Gabriel Menotti]], and [[Corey Kai Nelson Schultz]]. | ||
* [http://mediaarcheologiesinstitute.info Media Archeologies Institute] lecture series, Film, Video, New Media, Animation department, School of the Art Institute of Chicago, October-November 2013. [http://www.facebook.com/mediaarcheologiesinstitute] | * [http://mediaarcheologiesinstitute.info Media Archeologies Institute] lecture series, Film, Video, New Media, Animation department, School of the Art Institute of Chicago, October-November 2013. [http://www.facebook.com/mediaarcheologiesinstitute] | ||
+ | * [https://dema.uni.lu/conference-doing-experimental-media-archaeology-practice-theory/ Doing Experimental Media Archaeology: Practice & Theory], conference, Esch-sur-Alzette and Differdange, 7-9 Sep 2022. | ||
− | ==Artists, | + | ==Artists, theorists, initiatives== |
− | <div class="dpl" style="-moz-column-count: | + | <div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;"> |
<DynamicPageList> | <DynamicPageList> | ||
category = Media archaeology | category = Media archaeology | ||
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==Bibliography== | ==Bibliography== | ||
===Monographs=== | ===Monographs=== | ||
− | [[Image:Kittler_Friedrich_Discourse_Networks_1800_1900.jpg|thumb| | + | |
− | [[Image:Kittler_Friedrich_Gramophone_Film_Typewriter.jpg|thumb| | + | [[Image:Kittler_Friedrich_Discourse_Networks_1800_1900.jpg|thumb|350px|Friedrich Kittler, ''Discourse Networks 1800 / 1900'', [1985] 1990, [[Media:Kittler_Friedrich_Discourse_Networks_1800_1900.pdf|PDF]].]] |
− | [[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb| | + | |
− | [[Image:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.jpg|thumb| | + | [[Image:Kittler_Friedrich_Gramophone_Film_Typewriter.jpg|thumb|350px|Friedrich Kittler, ''Gramophone Film Typewriter'', [1986] 1999, [[Media:Kittler_Friedrich_Gramophone_Film_Typewriter.pdf|PDF]].]] |
− | [[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb| | + | |
− | [[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb| | + | [[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|350px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', [1989] 1999, [http://www.oapen.org/download?type=document&docid=340252 PDF].]] |
− | [[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb| | + | |
+ | [[Image:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.jpg|thumb|350px|Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', 1999, [http://libgen.rs/book/index.php?md5=9BF2B15FF88CF61860E834F59F0EAB43 PDF].]] | ||
+ | |||
+ | [[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|350px|Cornelia Vismann, ''Files: Law and Media Technology'', [2000] 2008, [http://monoskop.org/log/?p=7139 Log].]] | ||
+ | |||
+ | [[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb|350px|Lisa Gitelman, Geoffrey B. Pingree (eds.): ''New Media, 1740-1915'', 2003, [http://libgen.rs/book/index.php?md5=D9FB5E782EE01081C7B7531CBD91AD09 PDF].]] | ||
+ | |||
+ | [[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb|350px|Erkki Huhtamo, Jussi Parikka (eds.), ''Media Archaeology: Approaches, Applications, and Implications'', 2011, [http://monoskop.org/log/?p=6933 Log].]] | ||
* Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. {{fr}} | * Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. {{fr}} | ||
+ | |||
* Friedrich A. Kittler, [http://monoskop.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Fink, 1985; 2nd ed., 1987; 3rd ed., rev, 1995, 524 pp. {{de}} | * Friedrich A. Kittler, [http://monoskop.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Fink, 1985; 2nd ed., 1987; 3rd ed., rev, 1995, 524 pp. {{de}} | ||
** [[Kittler#1985|translations]] | ** [[Kittler#1985|translations]] | ||
+ | |||
* Friedrich A. Kittler, ''[https://monoskop.org/log/?p=503 Grammophon Film Typewriter]'', Berlin: Brinkmann & Bose, 1986, 427 pp. {{de}} | * Friedrich A. Kittler, ''[https://monoskop.org/log/?p=503 Grammophon Film Typewriter]'', Berlin: Brinkmann & Bose, 1986, 427 pp. {{de}} | ||
** [[Kittler#1985|translations]] | ** [[Kittler#1985|translations]] | ||
+ | |||
* Siegfried Zielinski, ''[[Media:Zielinski_Siegfried_Zur_Geschichte_des_Videorecorders_1986.pdf|Zur Geschichte des Videorecorders]]'', Berlin: Wissenschaftsverlag Spiess, 1986, 408 pp; new ed., Potsdam: Polzer Media Group, 2010. {{de}} | * Siegfried Zielinski, ''[[Media:Zielinski_Siegfried_Zur_Geschichte_des_Videorecorders_1986.pdf|Zur Geschichte des Videorecorders]]'', Berlin: Wissenschaftsverlag Spiess, 1986, 408 pp; new ed., Potsdam: Polzer Media Group, 2010. {{de}} | ||
+ | |||
* Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), ''Materialität der Kommunikation'', Frankfurt am Main: Suhrkamp, 1988. [https://d-nb.info/881245844/04 TOC]. {{de}} | * Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), ''Materialität der Kommunikation'', Frankfurt am Main: Suhrkamp, 1988. [https://d-nb.info/881245844/04 TOC]. {{de}} | ||
** ''[[Media:Gumbrecht Hans Ulrich Pfeiffer Karl Ludwig eds Materialities of Communication 1994.pdf|Materialities of Communication]]'', trans. William Whobrey, Stanford University Press, 1994, 447 pp. {{en}} | ** ''[[Media:Gumbrecht Hans Ulrich Pfeiffer Karl Ludwig eds Materialities of Communication 1994.pdf|Materialities of Communication]]'', trans. William Whobrey, Stanford University Press, 1994, 447 pp. {{en}} | ||
+ | |||
* Carolyn Marvin, ''[[Media:Marvin_Carolyn_When_Old_Technologies_Were_New_Thinking_About_Electric_Communication_in_the_Late_Nineteenth_Century_1988.pdf|When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century]]'', New York and Oxford: Oxford University Press, 1988. | * Carolyn Marvin, ''[[Media:Marvin_Carolyn_When_Old_Technologies_Were_New_Thinking_About_Electric_Communication_in_the_Late_Nineteenth_Century_1988.pdf|When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century]]'', New York and Oxford: Oxford University Press, 1988. | ||
+ | |||
* Siegfried Zielinski, ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. {{de}} | * Siegfried Zielinski, ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. {{de}} | ||
** [[Zielinski#1989|translations]] | ** [[Zielinski#1989|translations]] | ||
+ | |||
* Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Tiamat, 1989, 153 pp. {{de}} | * Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Tiamat, 1989, 153 pp. {{de}} | ||
+ | |||
* Lynn Spigel, ''Make Room for TV: Television and the Family Ideal in Postwar America'', Chicago and London: University of Chicago Press, 1992. | * Lynn Spigel, ''Make Room for TV: Television and the Family Ideal in Postwar America'', Chicago and London: University of Chicago Press, 1992. | ||
+ | |||
* Bernhard Siegert, [http://monoskop.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Berlin: Brinkmann & Bose, 1993. {{de}} | * Bernhard Siegert, [http://monoskop.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Berlin: Brinkmann & Bose, 1993. {{de}} | ||
** ''[http://monoskop.org/log/?p=4074 Relays: Literature as an Epoch of the Postal System]'', trans. Kevin Repp, Stanford University Press, 1999, 340 pp. | ** ''[http://monoskop.org/log/?p=4074 Relays: Literature as an Epoch of the Postal System]'', trans. Kevin Repp, Stanford University Press, 1999, 340 pp. | ||
+ | |||
* Ellen Lupton, [http://monoskop.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993. | * Ellen Lupton, [http://monoskop.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993. | ||
+ | |||
* Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995. | * Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995. | ||
+ | |||
* Terry Castle, ''[http://monoskop.org/log/?p=6116 The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny]'', Oxford University Press, 1995. | * Terry Castle, ''[http://monoskop.org/log/?p=6116 The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny]'', Oxford University Press, 1995. | ||
+ | |||
* Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version]. | * Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version]. | ||
+ | |||
* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999. | * Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999. | ||
− | * Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', Stanford University Press, 1999, 282 pp | + | |
+ | * Lisa Gitelman, ''[http://library.memoryoftheworld.org/#/book/a1a4a1e1-d7e6-45a6-8bfc-04f8db113941 Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era]'', Stanford University Press, 1999, 282 pp, [http://monoskop.org/log/?p=4662 Log]. | ||
+ | |||
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}} | * Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}} | ||
** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008. | ** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008. | ||
+ | |||
* Donald F McLean, ''[http://monoskop.org/log/?p=9286 Restoring Baird's Image]'', Institution of Electrical Engineers, 2000, 295 pp. [http://www.tvdawn.com/rbi.htm] | * Donald F McLean, ''[http://monoskop.org/log/?p=9286 Restoring Baird's Image]'', Institution of Electrical Engineers, 2000, 295 pp. [http://www.tvdawn.com/rbi.htm] | ||
− | * Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television'', Duke University Press, 2000, 272 pp. [[Media:Sconce_Jeffrey_Haunted_Media_ch_1.pdf|Chapter 1] | + | |
− | * Stephen Graham, Simon Marvin (eds.), ''[http:// | + | * Jeffrey Sconce, ''[[Media:Sconce Jeffrey Haunted Media Electronic Presence from Telegraphy to Television 2000.pdf|Haunted Media: Electronic Presence from Telegraphy to Television]]'', Duke University Press, 2000, 272 pp. [[Media:Sconce_Jeffrey_Haunted_Media_ch_1.pdf|Chapter 1]]. |
− | * Markus Krajewski, ''ZettelWirtschaft'', Berlin: | + | |
+ | * Stephen Graham, Simon Marvin (eds.), ''[http://libgen.rs/book/index.php?md5=7214C38F5A3BE26A6CC21775531178B4 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001. | ||
+ | |||
+ | * Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kadmos, 2002. [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review]. {{de}} | ||
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011. | ** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011. | ||
− | * Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2]. | + | |
− | + | * Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', London: Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2]. | |
− | + | ||
− | * Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002. | + | * Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002. {{de}} |
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009. | ** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009. | ||
− | * Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 | + | |
− | ** ''[http://monoskop.org/log/?p=13148 Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means]'', intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006. | + | * Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 TOC], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. {{de}} |
− | * Lisa Gitelman, Geoffrey B. Pingree (eds.), [http:// | + | ** ''[http://monoskop.org/log/?p=13148 Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means]'', intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006, [https://archive.org/details/deeptimeofmediat0000ziel IA]. |
+ | ** [[Zielinski#Zielinski2002|more translations]] | ||
+ | |||
+ | * P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre'', Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp. | ||
+ | ** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. [http://www.naipublishers.nl/art/techniekkunst_e.html] {{nl}} | ||
+ | |||
+ | * Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://library.memoryoftheworld.org/#/book/4f7ced75-d45b-494f-95a9-48a06388df87 ''New Media, 1740-1915''], MIT Press, 2003, 271 pp, [http://monoskop.org/log/?p=2027 Log]. | ||
+ | |||
* Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}} | * Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}} | ||
− | * Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004. | + | |
+ | * Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004, 347 pp. | ||
+ | |||
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html] | * Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html] | ||
+ | |||
* Lisa Parks, ''[http://monoskop.org/log/?p=11667 Cultures in Orbit: Satellites and the Televisual]'', Durham: Duke University Press, 2005. | * Lisa Parks, ''[http://monoskop.org/log/?p=11667 Cultures in Orbit: Satellites and the Televisual]'', Durham: Duke University Press, 2005. | ||
− | * Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''Variantology | + | |
− | * Charles R. Acland (ed.), ''Residual Media'', University of Minnesota Press, 2006. [ | + | * Erich Hörl, ''Die heiligen Kanäle. Über die archaische Illusion der Kommunikation'', Zürich and Berlin: diaphanes, 2005. {{de}} |
− | * Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm] | + | ** ''[https://1lib.sk/book/5286295/1c0604 Sacred Channels: The Archaic Illusion of Communication]'', pref. Jean-Luc Nancy, trans. Nils F. Schott, Amsterdam: Amsterdam University Press (Recursions), 2018, 342 pp, [https://aaaaarg.fail/thing/5c6da63b9ff37c36c1622bd0 ARG]. [https://www.aup.nl/en/book/9789089647702/sacred-channels Publisher]. [https://www.jstor.org/stable/j.ctvcj3048] |
− | * Pierre Levie, ''Montreurs et Vues d' Optique'', | + | |
− | * Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', University of Minnesota Press, 2006. | + | * Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''[https://aaaaarg.fail/thing/606ebd059ff37c4eec2e81e5 Variantology 1: On Deep Time Relations Of Arts, Sciences and Technologies]'', Cologne: Verlag der Buchhandlung König, 2005, [https://archive.org/details/variantologyonde0000unse IA]. [http://flusserstream.khm.de/variantology/publications/] [http://variantology.com/] |
− | * Lisa Gitelman, [http:// | + | |
+ | * Charles R. Acland (ed.), ''Residual Media'', Minneapolis, MN: University of Minnesota Press, 2006. [https://sterneworks.org/OutwiththeTrash.pdf Chapter 2]. | ||
+ | |||
+ | * Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm Publisher]. | ||
+ | |||
+ | * Pierre Levie, ''Montreurs et Vues d' Optique'', Sofidoc, 2006. {{fr}} | ||
+ | |||
+ | * Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', Minneapolis, MN: University of Minnesota Press, 2006. | ||
+ | |||
+ | * Lisa Gitelman, ''[http://library.memoryoftheworld.org/#/book/5edeffae-c343-4e07-8e08-271791feb9dc Always Already New: Media, History, and the Data of Culture]'', MIT Press, 2006, xiii+205 pp, [http://monoskop.org/log/?p=669 Log]. [https://mitpress.mit.edu/books/always-already-new Publisher]. | ||
+ | |||
* Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}} | * Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}} | ||
− | * Siegfried Zielinski, David Link (eds.), ''Variantology 2 | + | |
+ | * Siegfried Zielinski, David Link (eds.), ''[https://aaaaarg.fail/thing/606e17799ff37c7ad32e81d5 Variantology 2: On Deep Time Relations Of Arts, Sciences and Technologies]'', Cologne: Verlag der Buchhandlung König, 2006, [https://archive.org/details/variantologyonde0000unse_q8n9 IA]. [http://variantology.com/] [http://books.google.com/books?id=hFPENAAACAAJ] | ||
+ | |||
* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html] | * James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html] | ||
− | * Eric Kluitenberg (ed.), ''Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, | + | |
− | ** ''Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos'', trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. | + | *{{a|Kluitenberg2006}}Eric Kluitenberg (ed.), ''[https://monoskop.org/log/?p=22226 Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium]'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD. |
− | * Wolfgang Ernst, ''Das Gesetz des Gedächtnisses | + | ** ''Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [http://web.archive.org/web/20091221194654/http://www.naipublishers.nl/kunst/ima_media_nl.html] {{nl}} |
+ | ** ''Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos'', trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. [http://www.rixc.lv/projects/imaginarie_mediji/b/img_atverumi.pdf Preview]. [http://rixc.lv/projects/imaginarie_mediji/index.html] {{lv}} | ||
+ | |||
+ | * Wolfgang Ernst, ''[https://aaaaarg.fail/thing/5237422a307888133300002d Das Gesetz des Gedächtnisses. Medien und Archive am Ende (des 20. Jahrhunderts)]'', Berlin: Kadmos, 2007. [http://www.kulturverlag-kadmos.de/buch/das-gesetz-des-gedaechtnisses.html Publisher]. Review: [http://hsozkult.geschichte.hu-berlin.de/rezensionen/type=rezbuecher&id=10743&view=pdf Zierold] (H-Net). {{de}} | ||
+ | |||
* Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837] | * Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837] | ||
+ | |||
* José Roca, ''Phantasmagoria - Specters of Absence'', Independent Curators International, 2007. | * José Roca, ''Phantasmagoria - Specters of Absence'', Independent Curators International, 2007. | ||
+ | |||
* Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007. | * Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007. | ||
− | * Siegfried Zielinski, Eckhard Fürus (eds.), ''[http:// | + | |
− | * Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. | + | * Siegfried Zielinski, Eckhard Fürus (eds.), ''[http://libgen.rs/book/index.php?md5=DA188EE3926BB74E899490E9DE6C9177 Variantology 3: On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere]'', Cologne: Verlag der Buchhandlung König, 2008, [https://aaaaarg.fail/thing/606ebca09ff37c4eec2e81e2 ARG], [https://archive.org/details/variantologyonde0003unse IA]. [http://variantology.com/] |
+ | |||
+ | * Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. [http://www.blickmaschinen.de/katalog.php?id=31] {{de}} | ||
+ | |||
* Marina Warner, ''Phantasmagoria - Spirit Visions, Metaphors, and Media'', Oxford University Press, 2008. [http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/MythologyFolklore/?view=usa&ci=9780199239238] | * Marina Warner, ''Phantasmagoria - Spirit Visions, Metaphors, and Media'', Oxford University Press, 2008. [http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/MythologyFolklore/?view=usa&ci=9780199239238] | ||
+ | |||
* Lynda Nead, ''The Haunted Gallery: Painting, Photography and Film around 1900'', Yale University Press, 2008. [http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300112917] | * Lynda Nead, ''The Haunted Gallery: Painting, Photography and Film around 1900'', Yale University Press, 2008. [http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300112917] | ||
− | * Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. | + | |
+ | * Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. [http://www.fuesslin.de/Magic_Lantern.136.0.html?&L=2] {{de}}/{{en}} | ||
+ | |||
* Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp. | * Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp. | ||
+ | |||
* Ovidiu Tichindeleanu, ''The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900'', ProQuest, 2008, 555 pp. | * Ovidiu Tichindeleanu, ''The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900'', ProQuest, 2008, 555 pp. | ||
+ | |||
* Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. [http://tocs.ulb.tu-darmstadt.de/207367159.pdf Contents]. | * Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. [http://tocs.ulb.tu-darmstadt.de/207367159.pdf Contents]. | ||
− | * Dominique Willoughby, ''Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique'', Les editions textuel, 2009. | + | |
− | * Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Mediernas_kulturhistoria.pdf Mediernas kulturhistoria]'', Stockholm: Mediehistoriskt arkiv, 2009. | + | * Dominique Willoughby, ''Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique'', Les editions textuel, 2009. [http://www.editionstextuel.com/index.php?cat=020371&id=448] {{fr}} |
− | * Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1897/1897.pdf 1897 – Mediehistorier kring Stockholmsutställningen]'', Stockholm: Mediehistoriskt arkiv, 2009. | + | |
− | * Jonas Harvard, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1800-talets%20mediesystem/1800-talets_mediesystem.pdf.pdf 1800-talets mediesystem]'', Stockholm: Mediehistoriskt arkiv, 2010. | + | * Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Mediernas_kulturhistoria.pdf Mediernas kulturhistoria]'', Stockholm: Mediehistoriskt arkiv, 2009. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Mediernas-kulturhistoria/] {{sw}} |
− | * Lars Björk, Jānis Krēsliņš och Matts Lindström (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Storage/KB6205_Story%20of%20Storage_Kompendium_5.pdf The Story of Storage I. Kompendium]'', Stockholm: Mediehistoriskt arkiv, 2010. | + | |
− | * Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 4 | + | * Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1897/1897.pdf 1897 – Mediehistorier kring Stockholmsutställningen]'', Stockholm: Mediehistoriskt arkiv, 2009. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1897---Mediehistorier-kring-Stockholmsutstallningen/] {{sw}} |
+ | |||
+ | * Jonas Harvard, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1800-talets%20mediesystem/1800-talets_mediesystem.pdf.pdf 1800-talets mediesystem]'', Stockholm: Mediehistoriskt arkiv, 2010. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1800-talets-mediesystem/] {{sw}} | ||
+ | |||
+ | * Lars Björk, Jānis Krēsliņš och Matts Lindström (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Storage/KB6205_Story%20of%20Storage_Kompendium_5.pdf The Story of Storage I. Kompendium]'', Stockholm: Mediehistoriskt arkiv, 2010. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/The-Story-of-Storage/] {{sw}} | ||
+ | |||
+ | * Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://aaaaarg.fail/thing/606eb4db9ff37c280a2e81c8 Variantology 4: On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond]'', Cologne: Verlag der Buchhandlung Walther König, 2010. [http://variantology.com/] | ||
+ | |||
* Peter Morris, Klaus Staubermann (eds.), ''Illuminating Instruments'', Smithsonian Institution Scholarly Press, 2010. [http://www.artefactsconsortium.org/Publications/Contents7F.html] [http://www.artefactsconsortium.org/Publications/Intro7F.html] | * Peter Morris, Klaus Staubermann (eds.), ''Illuminating Instruments'', Smithsonian Institution Scholarly Press, 2010. [http://www.artefactsconsortium.org/Publications/Contents7F.html] [http://www.artefactsconsortium.org/Publications/Intro7F.html] | ||
− | * Jussi Parikka, [http:// | + | |
− | * Pasi Väliaho, ''[http://monoskop.org/log/?p=1665 Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900]'', Amsterdam University Press, 2010. | + | * Jussi Parikka, [http://libgen.rs/book/index.php?md5=FC63B9B2EF00638A1D1F1D919F456C54 ''Insect Media: An Archaeology of Animals and Technology''], Minneapolis, MN: University of Minnesota Press (Posthumanities), 2010, xxxv+281 pp. [https://www.upress.umn.edu/book-division/books/insect-media Publisher]. |
− | * Erkki Huhtamo, Jussi Parikka (eds.), [http://monoskop.org/log/?p=6933 | + | ** ''Owady i media'', trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Księgarnia Akademicka, 2017, 375 pp. {{pl}} |
− | * | + | |
− | * Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 5: Neapolitan Affairs'', Cologne: Verlag der Buchhandlung König, 2011. | + | * Pasi Väliaho, ''[http://monoskop.org/log/?p=1665 Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900]'', Amsterdam: Amsterdam University Press (Film Culture in Transition), 2010, 256 pp. |
+ | |||
+ | * Paul DeMarinis, ''[https://aaaaarg.fail/thing/606ddab09ff37c6a502e81c0 Buried in Noise]'', eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. [https://www.kehrerverlag.com/en/paul-demarinis-buried-in-noise-978-3-86828-141-5 Publisher]. {{en}}/{{de}} | ||
+ | |||
+ | * Erkki Huhtamo, Jussi Parikka (eds.), ''[http://monoskop.org/log/?p=6933 Media Archaeology: Approaches, Applications, and Implications]'', Berkeley, CA: University of California Press, 2011, x+356 pp. | ||
+ | ** ''Mei jie kao gu xue: fang fa.lu jing yu yi han'' [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. {{cn}} | ||
+ | |||
+ | * Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://aaaaarg.fail/thing/606eb4d69ff37c4eec2e81dc Variantology 5: Neapolitan Affairs]'', Cologne: Verlag der Buchhandlung König, 2011. [http://variantology.com/] | ||
+ | |||
* Florian Cramer, [http://monoskop.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Munich: Wilhelm Fink, 2011. {{de}} | * Florian Cramer, [http://monoskop.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Munich: Wilhelm Fink, 2011. {{de}} | ||
− | * Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. | + | |
− | * Alexandra Hui, ''[http:// | + | * Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] {{sw}} |
− | * Jussi Parikka, ''[http:// | + | |
− | ** ''Medya Arkeolojisi Nedir'', 2017. {{tr}} | + | * Alexandra Hui, ''[http://libgen.rs/book/index.php?md5=f2a214b0320f9f8efb650775a121d047 The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910]'', MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0 Publisher]. |
− | ** ''Qu'est-ce que l'archéologie des médias?'', trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, | + | |
− | * John Tresch, ''[http:// | + | * Jussi Parikka, ''[http://libgen.rs/book/index.php?md5=2f2a3190395185b7caa41459989dedf3 What is Media Archaeology?]'', Polity, 2012. |
− | * Jonathan Sterne, ''[http://monoskop.org/log/?p=6984 MP3: The Meaning of a Format]'', Duke University Press, | + | ** ''Medya Arkeolojisi Nedir?'', trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. [https://press.ku.edu.tr/kitap/medya-arkeolojisi-nedir/ Publisher]. {{tr}} |
− | + | ** ''Qu'est-ce que l'archéologie des médias?'', pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. [https://www.uga-editions.com/menu-principal/collections-et-revues/toutes-nos-collections/savoirs-litteraires-et-imaginaires-scientifiques/qu-est-ce-que-l-archeologie-des-media--282025.kjsp Publisher]. Review: [https://halshs.archives-ouvertes.fr/halshs-01954550/document Sevin] (Lectures). {{fr}} | |
+ | ** ''Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione'', pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. {{it}} | ||
+ | |||
+ | * John Tresch, ''[http://libgen.rs/book/index.php?md5=54c307c59d6b2d732f2c88d60399b601 The Romantic Machine: Utopian Science and Technology after Napoleon]'', Chicago: University of Chicago Press, 2012, 472 pp. [https://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html Publisher]. | ||
+ | |||
+ | * Jonathan Sterne, ''[http://monoskop.org/log/?p=6984 MP3: The Meaning of a Format]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2012, 341 pp. | ||
+ | |||
* Karla Jasso, Daniel Garza Usabiaga (eds.): ''[https://monoskop.org/log/?p=18406 (Ready) Media: Hacia una arqueología de los medios y la invención en México]'', Mexico City: Instituto Nacional de Bellas Artes y Literatura, 2012, 519 pp. {{es}} | * Karla Jasso, Daniel Garza Usabiaga (eds.): ''[https://monoskop.org/log/?p=18406 (Ready) Media: Hacia una arqueología de los medios y la invención en México]'', Mexico City: Instituto Nacional de Bellas Artes y Literatura, 2012, 519 pp. {{es}} | ||
− | * Wolfgang Ernst, ''[http://monoskop.org/log/?p=14030 Digital Memory and the Archive]'', University of Minnesota Press, 2012. | + | |
− | * Wolfgang Ernst, ''Chronopoetik. Zeitweisen und Zeitgaben technischer Medien'', Berlin: Kadmos, 2013, 428 pp | + | * Wolfgang Ernst, ''[http://monoskop.org/log/?p=14030 Digital Memory and the Archive]'', ed. & intro. Jussi Parikka, University of Minnesota Press, 2012, 265 pp. Reviews: [http://reviewsinculture.com/2013/09/15/under-the-hood-of-wolfgang-ernsts-media-archaeology/ Young] (RiC), [http://www.infoculturejournal.org/book_reviews/ernst_ward_2014 Ward] (I&C). |
− | * Shintaro Miyazaki, ''Algorhythmisiert: | + | |
− | * Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press, 2013, 312 pp. [ | + | * Wolfgang Ernst, ''Chronopoetik. Zeitweisen und Zeitgaben technischer Medien'', Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 428 pp. [http://d-nb.info/1021565679/04 TOC]. [http://www.kulturverlag-kadmos.de/buch/chronopoetik.html Publisher]. Review: [http://muse.jhu.edu/journals/german_studies_review/v037/37.2.powell.html Powell] (GSR, EN). {{de}} |
− | * Erkki Huhtamo, ''[ | + | ** ''[http://library.memoryoftheworld.org/#/book/e24f2f39-b923-43a4-8c79-64c898c93d82 Chronopoetics: The Temporal Being and Operativity of Technological Media]'', Rowman & Littlefield (Media Philosophy), 2016, 288 pp. Trans. of abridged version. [https://rowman.com/ISBN/9781783485710/ Publisher]. |
+ | |||
+ | * Shintaro Miyazaki, ''Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. [http://www.academia.edu/3641556/ Introduction]. [https://www.kulturverlag-kadmos.de/buch/algorhythmisiert.html Publisher]. [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414] {{de}} | ||
+ | |||
+ | * Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. [https://scholarlypress.si.edu/store/museum-studies-art/material-culture-electronic-sound/ Publisher]. | ||
+ | |||
+ | * Erkki Huhtamo, ''[https://1lib.sk/book/2635815/d04af7 Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles]'', MIT Press (Leonardo), 2013, 464 pp. [http://mitpress.mit.edu/books/illusions-motion Publisher]. | ||
+ | |||
* Karla Jasso, ''[http://monoskop.org/log/?p=12723 Arte-tecnología. Arqueología, dialéctica, mediación]'', México D.F.: self-published, 2013, 329 pp. {{es}} | * Karla Jasso, ''[http://monoskop.org/log/?p=12723 Arte-tecnología. Arqueología, dialéctica, mediación]'', México D.F.: self-published, 2013, 329 pp. {{es}} | ||
− | * Lisa Gitelman, ''[http://monoskop.org/log/?p=11855 Paper Knowledge: Toward a Media History of Documents]'', Durham: Duke University Press, 2014, 210 pp. | + | |
+ | * Lisa Gitelman, ''[http://monoskop.org/log/?p=11855 Paper Knowledge: Toward a Media History of Documents]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp. | ||
+ | ** ''Zhi zhi shi: Guan yu wen dang de mei jie li shi'' [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. {{cn}} | ||
+ | |||
* Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), ''[http://monoskop.org/log/?p=13674 Återkopplingar]'', Lund University, 2014, 416 pp. {{sw}} | * Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), ''[http://monoskop.org/log/?p=13674 Återkopplingar]'', Lund University, 2014, 416 pp. {{sw}} | ||
− | * Thomas Elsaesser, ''Film History as Media Archaeology: Tracking Digital Cinema'', Amsterdam University Press, 2016, 414 pp. Collected essays. [http://www.tandfonline.com/doi/full/10.1080/17400309.2016.1146858 Epilogue]. [ | + | |
− | * Liam Cole Young ''List Cultures: Knowledge and Poetics from Mesopotamia to BuzzFeed | + | * Siegfried Zielinski, Peter Weibel (eds.), ''Allah's Automata: Artifacts of the Arabic-Islamic Renaissance (800-1200)'', Hatje Cantz, 2016. Catalogue. [https://zkm.de/en/publication/allahs-automata Exhibition]. [https://www.hatjecantz.com/products/17849-allahs-automata Publisher]. |
+ | |||
+ | * Wolfgang Ernst, ''[http://library.memoryoftheworld.org/#/book/63e3203b-a063-4198-a07a-3ea719b68115 Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity]'', forew. Liam Cole Young, Amsterdam: Amsterdam University Press (Recursions), 2016, 160 pp. [https://www.aup.nl/en/book/9789089649492/sonic-time-machines Publisher]. Reviews: [http://www.theoryculturesociety.org/review-wolgang-ernsts-sonic-time-machines-stephen-cornford/ Cornford] (TCS), [https://www.leonardo.info/review/2016/11/review-of-sonic-time-machines-explicit-sound-sirenic-voices-and-implicit-sonicity Harle] (Leonardo). | ||
+ | |||
+ | * Thomas Elsaesser, ''[https://1lib.sk/book/5420084/e72529 Film History as Media Archaeology: Tracking Digital Cinema]'', Amsterdam: Amsterdam University Press (Film Culture in Transition), 2016, 414 pp. Collected essays. [http://www.tandfonline.com/doi/full/10.1080/17400309.2016.1146858 Epilogue]. [https://www.aup.nl/en/book/9789462980570/film-history-as-media-archaeology Publisher]. | ||
+ | |||
+ | * Roger Whitson, ''Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories'', Routledge, 2016, 244 pp. [https://www.routledge.com/Steampunk-and-Nineteenth-Century-Digital-Humanities-Literary-Retrofuturisms/Whitson/p/book/9781138859500 Publisher]. | ||
+ | |||
+ | * Liam Cole Young ''[https://1lib.sk/book/5931815/3d94f7 List Cultures: Knowledge and Poetics from Mesopotamia to BuzzFeed]'', Amsterdam: Amsterdam University Press (Recursions), 2017, 196 pp. [https://www.aup.nl/en/book/9789462981102/list-cultures Publisher]. | ||
+ | |||
* Thor Magnusson, ''[https://monoskop.org/log/?p=21494 Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions]'', New York: Bloomsbury Academic, 2019, xiv+290 pp. | * Thor Magnusson, ''[https://monoskop.org/log/?p=21494 Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions]'', New York: Bloomsbury Academic, 2019, xiv+290 pp. | ||
+ | |||
* Moritz Hiller, Stefan Höltgen (eds.), ''Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst'', Basel: Schwabe, 2019, 354 pp. [https://issuu.com/schwabeverlag/docs/lp_9783757400217 TOC & Foreword]. {{de}},{{en}} | * Moritz Hiller, Stefan Höltgen (eds.), ''Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst'', Basel: Schwabe, 2019, 354 pp. [https://issuu.com/schwabeverlag/docs/lp_9783757400217 TOC & Foreword]. {{de}},{{en}} | ||
− | * Siegfried Zielinski, ''[https://monoskop.org/log/?p=21823 Variations on Media Thinking]'', University of Minnesota Press, 2019, xxv+426 pp. {{en}} | + | |
+ | * Siegfried Zielinski, ''[https://monoskop.org/log/?p=21823 Variations on Media Thinking]'', University of Minnesota Press (Posthumanities), 2019, xxv+426 pp. Selected essays. | ||
+ | |||
+ | * Ben Roberts, Mark Goodall (eds.), ''[https://1lib.sk/book/11448816/97ef67 New Media Archaeologies]'', Amsterdam: Amsterdam University Press (Recursions), 2019, 238 pp. [https://www.aup.nl/en/book/9789462982161/new-media-archaeologies Publisher]. | ||
+ | |||
+ | * Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), ''Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin'', Berlin: Eeclectic, 2019. [https://eeclectic.de/produkt/never-mind-the-nineties/ Publisher]. {{de}} | ||
+ | |||
+ | * Doron Galili, ''[https://1lib.sk/book/6127767/dc957b Seeing by Electricity: The Emergence of Television, 1878-1939]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2020, 264 pp. [https://www.dukeupress.edu/seeing-by-electricity Publisher]. | ||
+ | |||
+ | * Bernhard Rieder, ''[[Media:Rieder_Bernhard_Engines_of_Order_A_Mechanology_of_Algorithmic_Techniques_2020.pdf|Engines of Order: A Mechanology of Algorithmic Techniques]]'', Amsterdam: Amsterdam University Press (Recursions), 2020, 353 pp. [https://library.oapen.org/handle/20.500.12657/39371 OAPEN]. [https://www.aup.nl/en/book/9789462986190/engines-of-order Publisher]. | ||
+ | |||
+ | * Jane Birkin, ''[https://1lib.sk/book/11341529/85a4e7 Archive, Photography and the Language of Administration]'', Amsterdam: Amsterdam University Press (Recursions), 2021, 218 pp. [https://www.aup.nl/en/book/9789463729642/archive-photography-and-the-language-of-administration Publisher]. | ||
+ | |||
+ | * Jacob Gaboury, ''Image Objects: An Archaeology of Computer Graphics'', MIT Press, 2021, 312 pp. [https://mitpress.mit.edu/books/image-objects Publisher]. | ||
+ | |||
+ | * Wolfgang Ernst, ''[https://aaaaarg.fail/thing/6125c5659ff37c62732e81c8 Techno''lógos'' in Being: Radical Media Archaeology and the Computational Machine]'', Bloomsbury Academic, 2021, 211 pp. [https://www.bloomsbury.com/us/technol%C3%B3gos-in-being-9781501362293 Publisher]. {{en}} | ||
* [http://monoskop.org/log/?tag=media-archeology Publications on media archaeology at Monoskop Log] | * [http://monoskop.org/log/?tag=media-archeology Publications on media archaeology at Monoskop Log] | ||
===Journal issues and Special sections=== | ===Journal issues and Special sections=== | ||
− | * ''Grey Room'' | + | * ''Grey Room'' 43: "Audio/Visual", Spring 2011. [http://www.mitpressjournals.org/toc/grey/-/43] |
− | * [http://amodern.net/issues/amodern-2-network-archaeology/ ''Amodern'', | + | * [http://amodern.net/issues/amodern-2-network-archaeology/ ''Amodern'' 2 "Network Archaeology"], 2013. |
+ | * [https://monoskop.org/images/e/e9/Tiszataj_69_4_2015.pdf#page=59 ''Tiszatáj'' 69(4): "Médiumok magánélete: A hardver mikro eseményeiről"], Szeged, Apr 2015, pp 57-103, [http://tiszatajonline.hu/?tag=a-medium-szot-ker-a-hardver-mikroesemenyeirol HTML]. {{hu}} | ||
* [http://journals.equinoxpub.com/JCA/issue/view/2120/showToc ''Journal of Contemporary Archaeology'' 2(1): "Media-Archaeologies"], ed. Angela A. Piccini, 2015. | * [http://journals.equinoxpub.com/JCA/issue/view/2120/showToc ''Journal of Contemporary Archaeology'' 2(1): "Media-Archaeologies"], ed. Angela A. Piccini, 2015. | ||
+ | * ''Twentieth-Century Music'' 14(1): "Tape", eds. Andrea F. Bohlman and Peter McMurray, Feb 2017. [https://www.cambridge.org/core/journals/twentieth-century-music/issue/B2DDE3A0EE830D5719148839FC6CCAEA] | ||
* [https://scholarworks.umass.edu/cpo/vol7/iss1/ ''communication +1'' 7(1): "Intersectionalities and Media Archaeologies"], eds. Zachary J. McDowell and Nathanael Bassett, 2018. | * [https://scholarworks.umass.edu/cpo/vol7/iss1/ ''communication +1'' 7(1): "Intersectionalities and Media Archaeologies"], eds. Zachary J. McDowell and Nathanael Bassett, 2018. | ||
* [https://scholarworks.umass.edu/cpo/vol7/iss2/ ''communication +1'' 7(2): "Intersectionalities and Media Archaeologies"], eds. Zachary J. McDowell and Nathanael Bassett, 2018. | * [https://scholarworks.umass.edu/cpo/vol7/iss2/ ''communication +1'' 7(2): "Intersectionalities and Media Archaeologies"], eds. Zachary J. McDowell and Nathanael Bassett, 2018. | ||
Line 170: | Line 292: | ||
* Morten Riis, "The Media Archaeological Repairman", ''Organised Sound'' 18:3 (December 2013), pp 255-265. [http://dx.doi.org/10.1017/S1355771813000228] | * Morten Riis, "The Media Archaeological Repairman", ''Organised Sound'' 18:3 (December 2013), pp 255-265. [http://dx.doi.org/10.1017/S1355771813000228] | ||
* Georgii Pocheptsov (Георгий Почепцов), [http://gefter.ru/archive/14491 "Lozh Odisseya, kotoruyu otkryla novaya nauka media-archeologiya. Vvedenie v novuyu nauku: vlast obrazov nad syuzhetami"] [Ложь Одиссея, которую открыла новая наука медиа-археология. Введение в новую науку: власть образов над сюжетами], ''Gefter'', 11 Mar 2015. {{ru}} | * Georgii Pocheptsov (Георгий Почепцов), [http://gefter.ru/archive/14491 "Lozh Odisseya, kotoruyu otkryla novaya nauka media-archeologiya. Vvedenie v novuyu nauku: vlast obrazov nad syuzhetami"] [Ложь Одиссея, которую открыла новая наука медиа-археология. Введение в новую науку: власть образов над сюжетами], ''Gefter'', 11 Mar 2015. {{ru}} | ||
− | * Jacob Gaboury, [http://sci-hub. | + | * Jacob Gaboury, [http://sci-hub.st/10.1162/GREY_a_00233 "The Random-Access Image: Memory and the History of the Computer Screen"], ''Grey Room'' 70, Winter 2018, pp 24-53. |
* [http://gebseng.com/media_archeology/reading_materials/ more], [http://www.medientheorie.com/doc/archaeologie/ more] | * [http://gebseng.com/media_archeology/reading_materials/ more], [http://www.medientheorie.com/doc/archaeologie/ more] | ||
Line 191: | Line 313: | ||
* [http://gebseng.com/media_archeology/media_archeology_links.html Gebhard Sengmüller's links collection] | * [http://gebseng.com/media_archeology/media_archeology_links.html Gebhard Sengmüller's links collection] | ||
* [http://www.renesys.com/tech/presentations/index.shtml Renesys presentations and reports] | * [http://www.renesys.com/tech/presentations/index.shtml Renesys presentations and reports] | ||
+ | * [https://dema.uni.lu/ Doing Experimental Media Archaeology], research project, Luxembourg Centre for Contemporary and Digital History (C²DH), University of Luxembourg, Sep 2019-Jan 2022. Led by Andreas Fickers. [https://www.c2dh.uni.lu/projects/doing-experimental-media-archaeology-dema-practice-theory] | ||
==See also== | ==See also== |
Latest revision as of 09:52, 17 September 2023
Contents
Institutes[edit]
- Media Archaeological Fundus of Humboldt University, Berlin, founded in c2003. Collection supervisor: Wolfgang Ernst, curators: Stefan Höltgen, Thomas Fecker, David Friedrich.
- IMA Institute of Media Archeology, Hainburg, founded in 2005. Head: Elisabeth Schimana.
- Media Archaeology Lab, Boulder, Colorado, founded in 2009. Director: Lori Emerson.
- Preservation & Art – Media Archaeology Lab (PAMAL), Ecole Supérieure d’Art d’Avignon, founded 2014. Head: Emmanuel Guez.
Educational programs[edit]
- Courses
- Media Archaeology course (with Dead Media Archive wiki), Dept of Media, Culture, and Communication, NYU, led by Alexander R. Galloway, Spring (syllabus) and Fall 2010.
- Media Technology and Exploration course by Nicole Starosielski, Winter 2011.
- Pojmy z teorie a dějin médií II & Mediální archeologie courses by Lucie Česálková, Masaryk University, Brno, Spring 2012 and Spring 2015.
- Urban Media Archaeology course by Shannon Mattern, Fall 2012.
- Gebhard Sengmüller's lectures on media archaeology, UFG Linz.
- Medienarchäologie seminar by Claus Pias, Leuphana, 2012/2013.
- Media Archaeology and Media Poetics course by Lori Emerson, U Colorado, Boulder, Spring 2014.
- Languages, Text, and Technology, course by Roger Whitson, Washington State U, Fall 2017.
Events[edit]
- Excavating the Future - An Archeology and Future of Moving Pictures symposium, Prague, 2-5 December 2001. Initiated by Jaroslav Anděl, collaboration: Miloš Vojtěchovský, Michael de la Fontaine, Michael Bielický.
- An Archaeology of Imaginary Media, mini-festival, De Balie, Amsterdam, 5-8 February 2004. Initiated by Eric Kluitenberg. Publication.
- Variantology: On Deep Time Relations of the Arts, Sciences and Technologies workshops, Cologne/Berlin/Naples, 2005-2011. Initiated by Siegfried Zielinski. Publications.
- Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler, ZKM Karlsruhe, 19-20 October 2012.
- Network Archaeology conference, Miami University, 19-21 April 2012. Convened by Cris Cheek and Nicole Starosielski. Publication.
- Forum on the Genealogy of MediaThinking, University of the Arts Berlin, October 2012-June 2013. Facilitated by Siegfried Zielinski.
- Lichtklangphonogramm exhibition, Ethnological Museum in Berlin, 13 March-26 May 2013.
- Only Connect Festival of Sound: Machine Dreams, Oslo, 5-8 June 2013.
- Media Archaeology & Technological Debris, postgraduate workshop and conference, Goldsmiths, University of London, 20-21 June 2013. Organised by Stefania Charitou, Gabriel Menotti, and Corey Kai Nelson Schultz.
- Media Archeologies Institute lecture series, Film, Video, New Media, Animation department, School of the Art Institute of Chicago, October-November 2013. [1]
- Doing Experimental Media Archaeology: Practice & Theory, conference, Esch-sur-Alzette and Differdange, 7-9 Sep 2022.
Artists, theorists, initiatives[edit]
- Zoe Beloff
- John M. Bowers
- Lucie Česálková
- Paul DeMarinis
- Bernhard Dotzler
- Timothy Druckrey
- Tomáš Dvořák
- Lori Emerson
- Wolfgang Ernst
- Lisa Gitelman
- Michael Goddard
- Erkki Huhtamo
- Alexandra Hui
- Francis Hunger
- IMA Institute of Media Archeology
- Gunnar Iversen
- Jonathan Kemp
- Friedrich Kittler
- Aleksander Kolkowski
- Markus Krajewski
- Julia Kursell
- Petra Löffler
- Patrik Lundell
- Irene Lusztig
- Thor Magnusson
- Bonnie Mak
- Shannon Mattern
- Media Archaeology Lab
- Shintaro Miyazaki
- Alberto Novello
- Jussi Parikka
- Lisa Parks
- Miklós Peternák
- Claus Pias
- Georgii Pocheptsov
- Joost Rekveld
- Axel Roch
- Wolfgang Schäffner
- Gebhard Sengmüller
- Bernhard Siegert
- Pelle Snickars
- Nicole Starosielski
- Jonathan Sterne
- Kateřina Svatoňová
- Tjebbe van Tijen
- John Tresch
- Pasi Väliaho
- Cornelia Vismann
- Thomas Weynants
- Siegfried Zielinski
Bibliography[edit]
Monographs[edit]
- Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (French)
- Friedrich A. Kittler, Aufschreibesysteme 1800/1900, Munich: Fink, 1985; 2nd ed., 1987; 3rd ed., rev, 1995, 524 pp. (German)
- Friedrich A. Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986, 427 pp. (German)
- Siegfried Zielinski, Zur Geschichte des Videorecorders, Berlin: Wissenschaftsverlag Spiess, 1986, 408 pp; new ed., Potsdam: Polzer Media Group, 2010. (German)
- Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), Materialität der Kommunikation, Frankfurt am Main: Suhrkamp, 1988. TOC. (German)
- Materialities of Communication, trans. William Whobrey, Stanford University Press, 1994, 447 pp. (English)
- Carolyn Marvin, When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century, New York and Oxford: Oxford University Press, 1988.
- Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (German)
- Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989, 153 pp. (German)
- Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
- Bernhard Siegert, Relais: Geschicke der Literatur als Epoche der Post, 1751-1913, Berlin: Brinkmann & Bose, 1993. (German)
- Relays: Literature as an Epoch of the Postal System, trans. Kevin Repp, Stanford University Press, 1999, 340 pp.
- Ellen Lupton, Mechanical Brides: Women and Machines from Home to Office, Princeton Architectural Press, 1993.
- Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
- Terry Castle, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny, Oxford University Press, 1995.
- Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
- Rachel P. Maines, The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction, Baltimore: Johns Hopkins University Press, 1999.
- Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, Stanford University Press, 1999, 282 pp, Log.
- Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (German)
- Files: Law and Media Technology, Stanford University Press, 2008.
- Donald F McLean, Restoring Baird's Image, Institution of Electrical Engineers, 2000, 295 pp. [2]
- Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television, Duke University Press, 2000, 272 pp. Chapter 1.
- Stephen Graham, Simon Marvin (eds.), Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition, New York: Routledge, 2001.
- Markus Krajewski, ZettelWirtschaft, Berlin: Kadmos, 2002. Review, Review. (German)
- Paper Machines: About Cards & Catalogs, 1548-1929, MIT Press, 2011.
- Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, London: Verso, 2002. Chapter 1, Chapter 2.
- Friedrich Kittler, Optische Medien / Berliner Vorlesung 1999, Berlin: Merve, 2002. (German)
- Optical Media. Berlin Lectures 1999, trans. Anthony Enns, Polity, 2009.
- Siegfried Zielinski, Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Reinbek: Rowohlt Taschenbuch, 2002. TOC, Introduction. (German)
- Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means, intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006, IA.
- more translations
- P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
- Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. [3] (Dutch)
- Lisa Gitelman, Geoffrey B. Pingree (eds.), New Media, 1740-1915, MIT Press, 2003, 271 pp, Log.
- Wolfgang Ernst, Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003, Berlin: Humboldt University, 2004, 31 pp. (German)
- Wolfgang Lefèvre (ed.), Picturing Machines 1400-1700, MIT Press, 2004, 347 pp.
- Lisa Parks, Cultures in Orbit: Satellites and the Televisual, Durham: Duke University Press, 2005.
- Erich Hörl, Die heiligen Kanäle. Über die archaische Illusion der Kommunikation, Zürich and Berlin: diaphanes, 2005. (German)
- Sacred Channels: The Archaic Illusion of Communication, pref. Jean-Luc Nancy, trans. Nils F. Schott, Amsterdam: Amsterdam University Press (Recursions), 2018, 342 pp, ARG. Publisher. [6]
- Siegfried Zielinski, Silvia M. Wagnermaier (eds.), Variantology 1: On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2005, IA. [7] [8]
- Charles R. Acland (ed.), Residual Media, Minneapolis, MN: University of Minnesota Press, 2006. Chapter 2.
- Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. Publisher.
- Pierre Levie, Montreurs et Vues d' Optique, Sofidoc, 2006. (French)
- Timothy C. Campbell, Wireless Writing in the Age of Marconi, Minneapolis, MN: University of Minnesota Press, 2006.
- Lisa Gitelman, Always Already New: Media, History, and the Data of Culture, MIT Press, 2006, xiii+205 pp, Log. Publisher.
- Bernhard J. Dotzler, Diskurs und Medium. Zur Archäologie der Computerkultur, Munich: Fink, 2006, 233 pp. (German)
- Siegfried Zielinski, David Link (eds.), Variantology 2: On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2006, IA. [9] [10]
- James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [11]
- Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.
- Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [12] (Dutch)
- Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos, trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. Preview. [13] (Latvian)
- Wolfgang Ernst, Das Gesetz des Gedächtnisses. Medien und Archive am Ende (des 20. Jahrhunderts), Berlin: Kadmos, 2007. Publisher. Review: Zierold (H-Net). (German)
- Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007. Conclusions. [14]
- José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
- Chris Funkhouser, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, University of Alabama Press, 2007.
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 3: On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere, Cologne: Verlag der Buchhandlung König, 2008, ARG, IA. [15]
- Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. [16] (German)
- Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [17]
- Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [18]
- Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. [19] (German)/(English)
- Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
- Ovidiu Tichindeleanu, The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900, ProQuest, 2008, 555 pp.
- Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
- Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. [20] (French)
- Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), Mediernas kulturhistoria, Stockholm: Mediehistoriskt arkiv, 2009. [21] (Swedish)
- Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), 1897 – Mediehistorier kring Stockholmsutställningen, Stockholm: Mediehistoriskt arkiv, 2009. [22] (Swedish)
- Jonas Harvard, Patrik Lundell (eds.), 1800-talets mediesystem, Stockholm: Mediehistoriskt arkiv, 2010. [23] (Swedish)
- Lars Björk, Jānis Krēsliņš och Matts Lindström (eds.), The Story of Storage I. Kompendium, Stockholm: Mediehistoriskt arkiv, 2010. [24] (Swedish)
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 4: On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond, Cologne: Verlag der Buchhandlung Walther König, 2010. [25]
- Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [26] [27]
- Jussi Parikka, Insect Media: An Archaeology of Animals and Technology, Minneapolis, MN: University of Minnesota Press (Posthumanities), 2010, xxxv+281 pp. Publisher.
- Owady i media, trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Księgarnia Akademicka, 2017, 375 pp. (Polish)
- Pasi Väliaho, Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900, Amsterdam: Amsterdam University Press (Film Culture in Transition), 2010, 256 pp.
- Paul DeMarinis, Buried in Noise, eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. Publisher. (English)/(German)
- Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, Berkeley, CA: University of California Press, 2011, x+356 pp.
- Mei jie kao gu xue: fang fa.lu jing yu yi han [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. (Chinese)
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 5: Neapolitan Affairs, Cologne: Verlag der Buchhandlung König, 2011. [28]
- Florian Cramer, Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts, Munich: Wilhelm Fink, 2011. (German)
- Johan Jarlbrink, Patrik Lundell (eds.), Från pressarkivet 1800-1899. En källsamling, Stockholm: Mediehistoriskt arkiv, 2012. [29] (Swedish)
- Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910, MIT Press, 2012. Publisher.
- Jussi Parikka, What is Media Archaeology?, Polity, 2012.
- Medya Arkeolojisi Nedir?, trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. Publisher. (Turkish)
- Qu'est-ce que l'archéologie des médias?, pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. Publisher. Review: Sevin (Lectures). (French)
- Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione, pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. (Italian)
- John Tresch, The Romantic Machine: Utopian Science and Technology after Napoleon, Chicago: University of Chicago Press, 2012, 472 pp. Publisher.
- Jonathan Sterne, MP3: The Meaning of a Format, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2012, 341 pp.
- Karla Jasso, Daniel Garza Usabiaga (eds.): (Ready) Media: Hacia una arqueología de los medios y la invención en México, Mexico City: Instituto Nacional de Bellas Artes y Literatura, 2012, 519 pp. (Spanish)
- Wolfgang Ernst, Digital Memory and the Archive, ed. & intro. Jussi Parikka, University of Minnesota Press, 2012, 265 pp. Reviews: Young (RiC), Ward (I&C).
- Wolfgang Ernst, Chronopoetik. Zeitweisen und Zeitgaben technischer Medien, Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 428 pp. TOC. Publisher. Review: Powell (GSR, EN). (German)
- Chronopoetics: The Temporal Being and Operativity of Technological Media, Rowman & Littlefield (Media Philosophy), 2016, 288 pp. Trans. of abridged version. Publisher.
- Shintaro Miyazaki, Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. Introduction. Publisher. [30] (German)
- Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. Publisher.
- Erkki Huhtamo, Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles, MIT Press (Leonardo), 2013, 464 pp. Publisher.
- Karla Jasso, Arte-tecnología. Arqueología, dialéctica, mediación, México D.F.: self-published, 2013, 329 pp. (Spanish)
- Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp.
- Zhi zhi shi: Guan yu wen dang de mei jie li shi [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. (Chinese)
- Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), Återkopplingar, Lund University, 2014, 416 pp. (Swedish)
- Siegfried Zielinski, Peter Weibel (eds.), Allah's Automata: Artifacts of the Arabic-Islamic Renaissance (800-1200), Hatje Cantz, 2016. Catalogue. Exhibition. Publisher.
- Wolfgang Ernst, Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity, forew. Liam Cole Young, Amsterdam: Amsterdam University Press (Recursions), 2016, 160 pp. Publisher. Reviews: Cornford (TCS), Harle (Leonardo).
- Thomas Elsaesser, Film History as Media Archaeology: Tracking Digital Cinema, Amsterdam: Amsterdam University Press (Film Culture in Transition), 2016, 414 pp. Collected essays. Epilogue. Publisher.
- Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories, Routledge, 2016, 244 pp. Publisher.
- Liam Cole Young List Cultures: Knowledge and Poetics from Mesopotamia to BuzzFeed, Amsterdam: Amsterdam University Press (Recursions), 2017, 196 pp. Publisher.
- Thor Magnusson, Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions, New York: Bloomsbury Academic, 2019, xiv+290 pp.
- Moritz Hiller, Stefan Höltgen (eds.), Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst, Basel: Schwabe, 2019, 354 pp. TOC & Foreword. (German),(English)
- Siegfried Zielinski, Variations on Media Thinking, University of Minnesota Press (Posthumanities), 2019, xxv+426 pp. Selected essays.
- Ben Roberts, Mark Goodall (eds.), New Media Archaeologies, Amsterdam: Amsterdam University Press (Recursions), 2019, 238 pp. Publisher.
- Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin, Berlin: Eeclectic, 2019. Publisher. (German)
- Doron Galili, Seeing by Electricity: The Emergence of Television, 1878-1939, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2020, 264 pp. Publisher.
- Bernhard Rieder, Engines of Order: A Mechanology of Algorithmic Techniques, Amsterdam: Amsterdam University Press (Recursions), 2020, 353 pp. OAPEN. Publisher.
- Jane Birkin, Archive, Photography and the Language of Administration, Amsterdam: Amsterdam University Press (Recursions), 2021, 218 pp. Publisher.
- Jacob Gaboury, Image Objects: An Archaeology of Computer Graphics, MIT Press, 2021, 312 pp. Publisher.
- Wolfgang Ernst, Technológos in Being: Radical Media Archaeology and the Computational Machine, Bloomsbury Academic, 2021, 211 pp. Publisher. (English)
Journal issues and Special sections[edit]
- Grey Room 43: "Audio/Visual", Spring 2011. [31]
- Amodern 2 "Network Archaeology", 2013.
- Tiszatáj 69(4): "Médiumok magánélete: A hardver mikro eseményeiről", Szeged, Apr 2015, pp 57-103, HTML. (Hungarian)
- Journal of Contemporary Archaeology 2(1): "Media-Archaeologies", ed. Angela A. Piccini, 2015.
- Twentieth-Century Music 14(1): "Tape", eds. Andrea F. Bohlman and Peter McMurray, Feb 2017. [32]
- communication +1 7(1): "Intersectionalities and Media Archaeologies", eds. Zachary J. McDowell and Nathanael Bassett, 2018.
- communication +1 7(2): "Intersectionalities and Media Archaeologies", eds. Zachary J. McDowell and Nathanael Bassett, 2018.
Book chapters, Papers, Articles[edit]
- Erkki Huhtamo, "From Kaleidoscomaniac to Cybernerd: Towards an Archeology of the Media", Leonardo, 3, 1997, pp 221-224.
- Wolfgang Ernst, "Medienarchäologie. Eine Provokation der Kommunikationsgeschichte", in Habbo Knoch, Daniel Morat (eds.), Kommunikation als Beobachtung. Medienwandel und Gesellschaftsbilder 1880–1960, Munich: Fink 2003, pp 37–56. (German)
- Thomas Elsaesser, "The New Film History as Media Archaeology", Cinémas, Vol. 14, No. 2-3, 2004, pp 75-117.
- Wolfgang Ernst, "Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines", Art History 28, November 2005, pp 582-603.
- Shannon Mattern, "From Post Offices to Radiograms: Local Primary Resources on Urban Media History", Words In Space blog, 20 July 2010.
- Garnet Hertz, Jussi Parikka, "Zombie Media: Circuit Bending Media Archaeology into an Art Method", Leonardo, 2012.
- Roger Whitson, "The Difference Engine: 1832, 1855, 1876, 1991, 2002, 2008″, "BRANCH: Britain, Representation, and Nineteenth-Century History", 2017.
- Shannon Mattern, "Infrastructural Tourism", Words in Space blog, 20 July 2012.
- Petra Löffler, "Towards a new media archaeology? A report on some books and tendencies", NECSUS / European Journal of Media Studies 1 (Spring 2012).
- Bonnie Mak, "Archaeology of a Digitization", Journal of the American Society for Information Science and Technology, 2013.
- Sanne Krogh Groth, "Provoking, disturbing, hacking: Media archaeology as a framework to the understanding of contemporary DIY composers’ instruments and ideas", Organised Sound 18:3 (December 2013), pp 266-273. [33] [34]
- Morten Riis, "The Media Archaeological Repairman", Organised Sound 18:3 (December 2013), pp 255-265. [35]
- Georgii Pocheptsov (Георгий Почепцов), "Lozh Odisseya, kotoruyu otkryla novaya nauka media-archeologiya. Vvedenie v novuyu nauku: vlast obrazov nad syuzhetami" [Ложь Одиссея, которую открыла новая наука медиа-археология. Введение в новую науку: власть образов над сюжетами], Gefter, 11 Mar 2015. (Russian)
- Jacob Gaboury, "The Random-Access Image: Memory and the History of the Computer Screen", Grey Room 70, Winter 2018, pp 24-53.
- more, more
Theses[edit]
- Jentery Sayers, How Text Lost Its Source: Magnetic Recording Cultures, University of Washington, 2011. [36]
- Kristoffer Gansing, Transversal Media Practices: Media Archaeology, Art and Technological Development, Malmö: Malmö University, 2013. PhD dissertation.
Primary references[edit]
- Michel Foucault, The Archaeology of Knowledge, 1969–.
Research, Resources[edit]
- Bundled, Buried & Behind Closed Doors, documentary film by Ben Mendelsohn and Alex Chohlas-Wood, 2011.
- Early Visual Media, A Historical Window to Early Vintage Visual Media Archaeology, maintained by Thomas Weynants.
- First Sounds, an initiative founded by Patrick Feaster, David Giovannoni, Richard Martin, and Meagan Hennessey.
- The Cylinder Archive, cylinder phonograph recordings. Maintained by Norman Bruderhofer.
- René Rondeau's Antique Phonograph, Fan, and Photography Site
- Media Archaeology of Place, a project initiated by a collaborative course at Harvard University, Fall 2010.
- Maryland Institute for Technology in the Humanities' Vintage Computers, dir. Matthew Kirschenbaum.
- Institute for Algorhythmics, an ongoing research project investigating the algorhythmic structures in contemporary culture. Started in 2008 by Shintaro Miyazaki.
- Gebhard Sengmüller's links collection
- Renesys presentations and reports
- Doing Experimental Media Archaeology, research project, Luxembourg Centre for Contemporary and Digital History (C²DH), University of Luxembourg, Sep 2019-Jan 2022. Led by Andreas Fickers. [37]
See also[edit]