Difference between revisions of "Tristan Tzara"
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[[Image:Hans_Arp_Hans_Richter_and_Tristan_Tzara_in_Zurich_1917.jpg|thumb|258px|[[Hans Arp]], [[Hans Richter]] and Tristan Tzara in Zurich, 1917.]] | [[Image:Hans_Arp_Hans_Richter_and_Tristan_Tzara_in_Zurich_1917.jpg|thumb|258px|[[Hans Arp]], [[Hans Richter]] and Tristan Tzara in Zurich, 1917.]] | ||
| − | '''Tristan Tzara''' ( | + | '''Tristan Tzara''' (born Samuel Rosenstock, 1896–1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he is known as one of the founders and central figures of the [[Dada]] movement. |
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In 1912, still in high school, he co-founded ''Simbol'' [Symbol] magazine with [[Marcel Janco|Marcel Iancu]] and [[Ion Vinea]] with help from Iosif Iser. During this period he was signing as ''S. Samyro'', that later changed to ''Tristan Ruia'' and finally Tristan Tzara. The name "Tristan" is not chosen for the particular resonance that it has in Romanian, but to express the mood of a "sad young poet" (writes Heinrich Stiehler in ''Tristan Tzara. Peripheral zwischen und Zentrum''). | In 1912, still in high school, he co-founded ''Simbol'' [Symbol] magazine with [[Marcel Janco|Marcel Iancu]] and [[Ion Vinea]] with help from Iosif Iser. During this period he was signing as ''S. Samyro'', that later changed to ''Tristan Ruia'' and finally Tristan Tzara. The name "Tristan" is not chosen for the particular resonance that it has in Romanian, but to express the mood of a "sad young poet" (writes Heinrich Stiehler in ''Tristan Tzara. Peripheral zwischen und Zentrum''). | ||
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* ''40 chansons et déchansons'', Montpellier: Fata Morgana, 1972. (in French) | * ''40 chansons et déchansons'', Montpellier: Fata Morgana, 1972. (in French) | ||
* ''[http://imwerden.de/pdf/tzara_gazovoe_serdtse_2012.pdf Gazovoe serdtse]'', 2012. (in Russian) | * ''[http://imwerden.de/pdf/tzara_gazovoe_serdtse_2012.pdf Gazovoe serdtse]'', 2012. (in Russian) | ||
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| + | ==Literature== | ||
| + | * Irene E. Hofman, [http://www.artic.edu/reynolds/essays/hofmann.PDF ''Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection''], Art Institute of Chicago, Ryerson and Burnham Libraries, 2001. | ||
==See also== | ==See also== | ||
* [[Romania#Avant-garde]] | * [[Romania#Avant-garde]] | ||
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==External links== | ==External links== | ||
* [http://www.ubu.com/sound/tzara.html Tzara on UbuWeb] | * [http://www.ubu.com/sound/tzara.html Tzara on UbuWeb] | ||
* [http://en.wikipedia.org/wiki/Tristan_Tzara Tzara at Wikipedia] | * [http://en.wikipedia.org/wiki/Tristan_Tzara Tzara at Wikipedia] | ||
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Revision as of 12:24, 19 January 2014
Tristan Tzara (born Samuel Rosenstock, 1896–1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he is known as one of the founders and central figures of the Dada movement.
Contents
In 1912, still in high school, he co-founded Simbol [Symbol] magazine with Marcel Iancu and Ion Vinea with help from Iosif Iser. During this period he was signing as S. Samyro, that later changed to Tristan Ruia and finally Tristan Tzara. The name "Tristan" is not chosen for the particular resonance that it has in Romanian, but to express the mood of a "sad young poet" (writes Heinrich Stiehler in Tristan Tzara. Peripheral zwischen und Zentrum).
Works
- La Première aventure céleste de Monsieur Antipyrine, Zürich: Collection Dada, 1916. With drawings by Marcel Iancu.
- Vingt-cinq poèmes, Zürich: Collection Dada, 1918. With illustrations by Hans Arp.
- Vingt cinq poemes/ Douăzeci și cinci de poeme, Bucharest: Vinea, 1998. (in Romanian)
- Cinéma calendrier du coeur abstrait. maisons, Zürich: Collection Dada, 1920. With illustrations by Hans Arp.
- Sept manifestes Dada, Paris: Éditions du Diorama, 1924. (in French)
- Mouchoir de nuages, tragédie en 15 actes, Éditions de la galerie Simon, 1925. (in French)
- Indicateur des chemins de coeur, Paris: Jeanne Bucher, 1928. (in French)
- L'arbre des voyageurs, Paris: Éditions de la Montagne, 1930. (in French)
- L'Homme approximatif, Paris: Imprimerie Union par les Éditions Fourcade, 1931. (in French)
- À haute flamme, Paris: Imprimerie Jacquet, 1955. With five drawings by Pablo Picasso. (in French)
- 40 chansons et déchansons, Montpellier: Fata Morgana, 1972. (in French)
- Gazovoe serdtse, 2012. (in Russian)
Literature
- Irene E. Hofman, Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection, Art Institute of Chicago, Ryerson and Burnham Libraries, 2001.
