Difference between revisions of "Rudolf Arnheim"

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==Works==
 
==Works==
−
; Books
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===Books===
 
* ''Film als Kunst'', Berlin: Rowohlt, 1932, 344 pp; new ed., afterw. Helmut H. Diederichs, Frankfurt am Main: Fischer, 1979, 348 pp. {{de}}
 
* ''Film als Kunst'', Berlin: Rowohlt, 1932, 344 pp; new ed., afterw. Helmut H. Diederichs, Frankfurt am Main: Fischer, 1979, 348 pp. {{de}}
 
** ''[http://monoskop.org/log/?p=5228 Film as Art]'', University of California Press, 1957, 230 pp. {{en}}
 
** ''[http://monoskop.org/log/?p=5228 Film as Art]'', University of California Press, 1957, 230 pp. {{en}}
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** ''Film kao umetnost'', trans. Dušan Stojanović, intro. Vladimir Petrić, Belgrade: Narodna knjiga, 1962, xlvii+259 pp. {{sc}}
 
** ''Film kao umetnost'', trans. Dušan Stojanović, intro. Vladimir Petrić, Belgrade: Narodna knjiga, 1962, xlvii+259 pp. {{sc}}
 
** ''A film mint művészet'', trans. Zsuzsa Szekeres, Budapest: Magyar filmtudományi Intézet és Filmarchívum, 1962, 265 pp; repr., Budapest: Gondolat, 1985. {{hu}}
 
** ''A film mint művészet'', trans. Zsuzsa Szekeres, Budapest: Magyar filmtudományi Intézet és Filmarchívum, 1962, 265 pp; repr., Budapest: Gondolat, 1985. {{hu}}
−
** ''[http://aaaaarg.fail/thing/51c5856f6c3a0e090c210f00 Le cinema est un art]'', trans. Francoise Pinel, Paris: L'Arche, 1989. {{fr}}
+
** ''[http://aaaaarg.fail/thing/51c5856f6c3a0e090c210f00 Le cinéma est un art]'', trans. Françoise Pinel, Paris: L'Arche, 1989, 237 pp. {{fr}}
 
** ''Kinoto kato izkustvo: studii i statii'' [Киното като изкуство: Студии и статии], ed. Aleksandŭr Grozev, trans. Gergana Fŭrkova, Sofia: Nauka i Izkustvo, 1989, 443 pp. {{bg}}
 
** ''Kinoto kato izkustvo: studii i statii'' [Киното като изкуство: Студии и статии], ed. Aleksandŭr Grozev, trans. Gergana Fŭrkova, Sofia: Nauka i Izkustvo, 1989, 443 pp. {{bg}}
 
** ''Film kot umetnost'', trans. Petra Kaloh, afterw. Vid Pečjak, Ljubljana: Krtina, 2000, 167 pp. {{sl}}  
 
** ''Film kot umetnost'', trans. Petra Kaloh, afterw. Vid Pečjak, Ljubljana: Krtina, 2000, 167 pp. {{sl}}  
  
 
* ''[http://monoskop.org/log/?p=5475 Radio: An Art of Sound]'', trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936, xvi+296 pp; New York: Arno Press, 1971, 287 pp. {{en}}
 
* ''[http://monoskop.org/log/?p=5475 Radio: An Art of Sound]'', trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936, xvi+296 pp; New York: Arno Press, 1971, 287 pp. {{en}}
 +
** ''Rundfunk als Hörkunst'', Munich: Hanser, 1979, 168 pp. {{de}}
 +
** ''La radio cerca la sua forma, trentadue tavole fuori testo'', Milan: Ulrico Hoepli, 1937, xvi+288 pp. {{it}}
 +
** ''La radio: l'arte dell'ascolto'', trans. Kurt Röllin, pref. Emilio Garroni, Rome: Riuniti, 1987, xiv+168 pp; 2nd ed. as ''La radio l'arte dell'ascolto: e altri saggi'', Rome: Editori riuniti, 1993. {{it}}
 +
** ''Radio'', trans. Lambert Barthélémy with Gilles Moutot, pref. Martin Kaltenecker, Paris: Van Dieren, 2005, 269 pp. {{fr}}
  
 
* ''Toward a Psychology of Art'', University of California Press, 1949; 1966. {{en}}
 
* ''Toward a Psychology of Art'', University of California Press, 1949; 1966. {{en}}
 +
** ''Vers une psychjologie de l'art: suite d'essais'', trans. Nina Godneff, Paris: Seghers, 1973, 397 pp. {{fr}}
  
 
* {{a|Arnheim1954}} ''[http://monoskop.org/log/?p=11473 Art and Visual Perception: A Psychology of the Creative Eye]'', University of California Press, 1954; exp. & rev. ed., 1974, 508 pp. {{en}}
 
* {{a|Arnheim1954}} ''[http://monoskop.org/log/?p=11473 Art and Visual Perception: A Psychology of the Creative Eye]'', University of California Press, 1954; exp. & rev. ed., 1974, 508 pp. {{en}}
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* ''Visual Thinking'', University of California Press, 1969. {{en}}
 
* ''Visual Thinking'', University of California Press, 1969. {{en}}
 +
** ''Anschauliches Denken : zur Einheit von Bild und Begriff'', Cologne: DuMont, 1972, 322 pp. {{de}}
 +
** ''Shikakuteki shikō: sōzō shinrigaku no sekai'' [視覚的思考 : 創造心理学の世界], trans. Kazuo Seki, Tokyo: Bijutsu Shuppansha, 1974. {{jp}}
 +
** ''La pensée visuelle'', trans. Claude Noël and Marc Le Cannu, Paris: Flammarion, 1976, 354 pp. {{fr}}
 
** ''[[Media:Arnhajm_Rudolf_Vizuelno_misljenje_Jedinstvo_slike_i_pojma.pdf|Vizuelno mišljenje: jedinstvo slike i pojma]]'', trans. Vojin Stojić, Belgrade: Unverzitet umetnosti u Beogradu, 1985, 285 pp. {{sc}}
 
** ''[[Media:Arnhajm_Rudolf_Vizuelno_misljenje_Jedinstvo_slike_i_pojma.pdf|Vizuelno mišljenje: jedinstvo slike i pojma]]'', trans. Vojin Stojić, Belgrade: Unverzitet umetnosti u Beogradu, 1985, 285 pp. {{sc}}
 
** ''[http://gen.lib.rus.ec/book/index.php?md5=963472735349eb28cc383472c217ed08 El pensamiento visual]'', Barcelona: Paidós, 1986. {{es}}
 
** ''[http://gen.lib.rus.ec/book/index.php?md5=963472735349eb28cc383472c217ed08 El pensamiento visual]'', Barcelona: Paidós, 1986. {{es}}
 +
** ''Shi jue si wei: shen mei zhi jue xin li xue'' [视觉思维: 审美直觉心理学], trans. Shouyao Teng, Beijing: Guang ming ri bao chu ban she, 1986. {{cn}}
 +
** ''Görsel düşünme'', trans. Rahmi Öğdül, Istanbul: Metis Yayınları, 2007. {{tr}}
 
** ''Myślenie wzrokowe'', trans. Marek Chojnacki, Gdańsk: Wydawnictwo Słowo/Obraz Terytoria, 2011, 397 pp. {{pl}}
 
** ''Myślenie wzrokowe'', trans. Marek Chojnacki, Gdańsk: Wydawnictwo Słowo/Obraz Terytoria, 2011, 397 pp. {{pl}}
 +
 +
* editor, ''Art et perception: compte rendu du 2e Congrès extraordinaire / Art and Perception: Minutes of the 2nd Congress Extraordinary'', Ottawa: International Association of Art Critics, 1970, 211 pp. {{fr}}/{{en}}
  
 
* ''[http://monoskop.org/log/?p=6097 Entropy and Art: Essay on Disorder and Order]'', University of California Press, 1971, 64 pp; 2010. {{en}}
 
* ''[http://monoskop.org/log/?p=6097 Entropy and Art: Essay on Disorder and Order]'', University of California Press, 1971, 64 pp; 2010. {{en}}
 +
** ''Entropia e arte: saggio sul disordine e l'ordine'', trans. Renato Pedio, Torino: Einaudi, 1981, 92 pp. {{it}}
  
 
* ''The Dynamics of Architectural Form'', University of California Press, 1977. {{en}}
 
* ''The Dynamics of Architectural Form'', University of California Press, 1977. {{en}}
 +
** ''La forma visual de la arquitectura'', trans. Esther Labarta, Barcelona: Gustavo Gili, 1978, 229 pp. {{es}}
 
** ''Dinamika architekturnych form'', Moscow: Strojizdat, 1984, 191 pp. {{ru}}
 
** ''Dinamika architekturnych form'', Moscow: Strojizdat, 1984, 191 pp. {{ru}}
 +
** ''Dynamique de la forme architecturale'', trans. Michèle Schoffeniels-Jeunehomme and Geneviève Van Cauwenberge, Brussels: Pierre Mardaga, 1986, 284 pp. {{fr}}
 
** ''Dynamika formy architektonicznej'', trans. Adam Grzeliński and Dariusz Juruś, Łódź: Officyna, 2016, 302 pp. {{pl}}
 
** ''Dynamika formy architektonicznej'', trans. Adam Grzeliński and Dariusz Juruś, Łódź: Officyna, 2016, 302 pp. {{pl}}
  

Revision as of 18:15, 3 September 2017

Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist, and perceptual psychologist. His major books are Visual Thinking (1969), The Power of the Center: A Study of Composition in the Visual Arts (1982), and Art and Visual Perception: A Psychology of the Creative Eye (1954). He lived in Germany, Italy, England, and the United States.

Works

Books

  • Film als Kunst, Berlin: Rowohlt, 1932, 344 pp; new ed., afterw. Helmut H. Diederichs, Frankfurt am Main: Fischer, 1979, 348 pp. (German)
    • Film as Art, University of California Press, 1957, 230 pp. (English)
    • Kino kak iskusstvo, Moscow, 1960. (Russian)
    • Film jako sztuka, trans. Wanda Wertenstein, Warsaw: Wydawnictwa artystyczne i filmowe, 1961, 187+16 pp. (Polish)
    • Film kao umetnost, trans. Dušan Stojanović, intro. Vladimir Petrić, Belgrade: Narodna knjiga, 1962, xlvii+259 pp. (Serbo-Croatian)
    • A film mint művészet, trans. Zsuzsa Szekeres, Budapest: Magyar filmtudományi Intézet és Filmarchívum, 1962, 265 pp; repr., Budapest: Gondolat, 1985. (Hungarian)
    • Le cinéma est un art, trans. Françoise Pinel, Paris: L'Arche, 1989, 237 pp. (French)
    • Kinoto kato izkustvo: studii i statii [Киното като изкуство: Студии и статии], ed. Aleksandŭr Grozev, trans. Gergana Fŭrkova, Sofia: Nauka i Izkustvo, 1989, 443 pp. (Bulgarian)
    • Film kot umetnost, trans. Petra Kaloh, afterw. Vid Pečjak, Ljubljana: Krtina, 2000, 167 pp. (Slovenian)
  • Radio: An Art of Sound, trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936, xvi+296 pp; New York: Arno Press, 1971, 287 pp. (English)
    • Rundfunk als Hörkunst, Munich: Hanser, 1979, 168 pp. (German)
    • La radio cerca la sua forma, trentadue tavole fuori testo, Milan: Ulrico Hoepli, 1937, xvi+288 pp. (Italian)
    • La radio: l'arte dell'ascolto, trans. Kurt Röllin, pref. Emilio Garroni, Rome: Riuniti, 1987, xiv+168 pp; 2nd ed. as La radio l'arte dell'ascolto: e altri saggi, Rome: Editori riuniti, 1993. (Italian)
    • Radio, trans. Lambert Barthélémy with Gilles Moutot, pref. Martin Kaltenecker, Paris: Van Dieren, 2005, 269 pp. (French)
  • Toward a Psychology of Art, University of California Press, 1949; 1966. (English)
    • Vers une psychjologie de l'art: suite d'essais, trans. Nina Godneff, Paris: Seghers, 1973, 397 pp. (French)
  • Art and Visual Perception: A Psychology of the Creative Eye, University of California Press, 1954; exp. & rev. ed., 1974, 508 pp. (English)
    • Kunst und Sehen: Psychologie des Schöpferischen Auges, Berlin: W. de Gruyter, 1965, 19+436 pp. (German)
    • Umetnost i vizuelno opažanje: psihologija stvaralačkog gledanja, trans. Vojin Stojić, Belgrade: Umetnička akademija, 1971, 461 pp; 2nd ed., Belgrade: Univerzitet umetnosti, 1987, 435 pp. (Serbo-Croatian)
    • Iskusstvo i vizualnoe vospriyatie, trans. V.N. Samokhin, Moscow: Progress, 1974, 392 pp; 2000. (Russian)
    • Sztuka i percepcja wzrokowa: psychologia twórczego oka, trans. Jolanta Mach, Warsaw: Wydawnictwa Artystyczne i Filmowe, 1978, 505 pp; repr., Gdańsk: Wydaw. słowo/obraz terytoria, 2004; repr., Łódź: Officyna, 2013. (Polish)
    • Arta şi percepţia vizuală: o psihologie a văzului creator, trans. Florin Ionescu, intro. Victor Ernest Masek, Bucharest: Meridiane, 1979, 491 pp; 2nd ed., Iaşi: Polirom, 2011, 500 pp, ARG. (Romanian)
    • A vizuális élmény: az alkotó látás pszichológiája, trans. József Szili and Gyula Tellér, Budapest: Gondolat, 1979, 559 pp; repr., Budapest: Aldus, 2004. (Hungarian)
    • Arte y percepción visual, trans. María Luisa Balseiro, 1979; 2002. (Spanish)
    • Arte e percepção visual, trans. Ivonne Terezinha de Faria, 1980; 2005. (Brazilian Portuguese)
    • Yi shu yu shi zhi jiao: shi jiao yi shu xin li xue, trans. Shouyao Teng and Jiangyuan Zhu, Beijing: Zhong guo she hui ke xue chu ban she, 1984, 640 pp; repr., Cheng dou: Si chuan ren min chu ban she, 1998. (Chinese)
  • Picasso's Guernica, University of California Press, 1962; 1974. (English)
    • "Pikasoova Gernika: geneza jedne slike", trans. Vojin Stojić, Časopis za književnost, umetnost i kulturu, Vrnjačka banja, 1974, pp 646-788. (Serbo-Croatian)
  • Visual Thinking, University of California Press, 1969. (English)
    • Anschauliches Denken : zur Einheit von Bild und Begriff, Cologne: DuMont, 1972, 322 pp. (German)
    • Shikakuteki shikō: sōzō shinrigaku no sekai [視覚的思考 : 創造心理学の世界], trans. Kazuo Seki, Tokyo: Bijutsu Shuppansha, 1974. (Japanese)
    • La pensée visuelle, trans. Claude Noël and Marc Le Cannu, Paris: Flammarion, 1976, 354 pp. (French)
    • Vizuelno mišljenje: jedinstvo slike i pojma, trans. Vojin Stojić, Belgrade: Unverzitet umetnosti u Beogradu, 1985, 285 pp. (Serbo-Croatian)
    • El pensamiento visual, Barcelona: Paidós, 1986. (Spanish)
    • Shi jue si wei: shen mei zhi jue xin li xue [视觉思维: 审美直觉心理学], trans. Shouyao Teng, Beijing: Guang ming ri bao chu ban she, 1986. (Chinese)
    • Görsel düşünme, trans. Rahmi Öğdül, Istanbul: Metis Yayınları, 2007. (Turkish)
    • Myślenie wzrokowe, trans. Marek Chojnacki, Gdańsk: Wydawnictwo Słowo/Obraz Terytoria, 2011, 397 pp. (Polish)
  • editor, Art et perception: compte rendu du 2e Congrès extraordinaire / Art and Perception: Minutes of the 2nd Congress Extraordinary, Ottawa: International Association of Art Critics, 1970, 211 pp. (French)/(English)
  • The Dynamics of Architectural Form, University of California Press, 1977. (English)
    • La forma visual de la arquitectura, trans. Esther Labarta, Barcelona: Gustavo Gili, 1978, 229 pp. (Spanish)
    • Dinamika architekturnych form, Moscow: Strojizdat, 1984, 191 pp. (Russian)
    • Dynamique de la forme architecturale, trans. Michèle Schoffeniels-Jeunehomme and Geneviève Van Cauwenberge, Brussels: Pierre Mardaga, 1986, 284 pp. (French)
    • Dynamika formy architektonicznej, trans. Adam Grzeliński and Dariusz Juruś, Łódź: Officyna, 2016, 302 pp. (Polish)
  • The Power of the Center: A Study of Composition in the Visual Arts, University of California Press, 1982, 249 pp; rev.ed., 1988, x+239 pp. (English)
    • Die Macht der Mitte. Eine Kompositionslehre für die bildenten Künste, Cologne, 1983. (German)
    • El poder del centro: estudio sobre la composición en las artes visuales, Madrid: Alianza, 1984, 250 pp. (Spanish)
    • Forţa centrului vizual: un studiu al compoziţiei în artele vizuale, trans. Luminiţa Ciocan, pref. Lucian Dragomirescu, Bucharest: Meridiane, 1991, 239 pp; repr., Iaşi: Polirom, 2012, 216 pp, ARG. Excerpts. (Romanian)
    • Kompozice podle Rudolfa Arnheima, trans. Josef Hlaváček, intro. Jiří David, Prague: Univerzita Karlova, Pedagogická fakulta, 1997, 78 pp. (Czech)
  • New Essays on the Psychology of Art, University of California Press, 1986, xi+331 pp. (English)
    • Novye ocherki po psikhologii iskusstva [Новые очерки по психологии искусства], Moscow: Prometei, 1994, 352 pp. (Russian)
    • Novi eseji o psihologiji umjetnosti, trans. Vesna Domany-Hardy, Zagreb: Matica hrvatska, 2008, 342 pp. (Croatian)
  • Parables of Sun Light: Observations on Psychology, the Arts, and the Rest, University of California Press, 1989, ix+369 pp. (English)
  • The Split and the Structure: Twenty-Eight Essays, University of California Press, 1996, ix+184 pp. (English)

Selected articles

Literature

  • Ian Verstegen, Arnheim, Gestalt and Art: A Psychological Theory, Vienna: Springer, 2005. (English)

Links


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