Difference between revisions of "Rudolf Arnheim"

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* {{a|Arnheim1954}} ''[http://monoskop.org/log/?p=11473 Art and Visual Perception: A Psychology of the Creative Eye]'', University of California Press, 1954; exp. & rev. ed., 1974, 508 pp. {{en}}
 
* {{a|Arnheim1954}} ''[http://monoskop.org/log/?p=11473 Art and Visual Perception: A Psychology of the Creative Eye]'', University of California Press, 1954; exp. & rev. ed., 1974, 508 pp. {{en}}
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** ''Kunst und Sehen: Psychologie des Schöpferischen Auges'', Berlin: W. de Gruyter, 1965, 19+436 pp. {{de}}
 
** ''Umetnost i vizuelno opažanje: psihologija stvaralačkog gledanja'', trans. Vojin Stojić, Belgrade: Umetnička akademija, 1971, 461 pp; 2nd ed., Belgrade: Univerzitet umetnosti, 1987, 435 pp. {{sc}}
 
** ''Umetnost i vizuelno opažanje: psihologija stvaralačkog gledanja'', trans. Vojin Stojić, Belgrade: Umetnička akademija, 1971, 461 pp; 2nd ed., Belgrade: Univerzitet umetnosti, 1987, 435 pp. {{sc}}
 
** ''[http://monoskop.org/log/?p=11473 Iskusstvo i vizualnoe vospriyatie]'', trans. V.N. Samokhin, Moscow: Progress, 1974, 392 pp; 2000. {{ru}}
 
** ''[http://monoskop.org/log/?p=11473 Iskusstvo i vizualnoe vospriyatie]'', trans. V.N. Samokhin, Moscow: Progress, 1974, 392 pp; 2000. {{ru}}
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* ''Picasso's Guernica'', University of California Press, 1962; 1974. {{en}}
 
* ''Picasso's Guernica'', University of California Press, 1962; 1974. {{en}}
 
** "Pikasoova Gernika: geneza jedne slike", trans. Vojin Stojić, ''Časopis za književnost, umetnost i kulturu'', Vrnjačka banja, 1974, pp 646-788. {{sc}}
 
** "Pikasoova Gernika: geneza jedne slike", trans. Vojin Stojić, ''Časopis za književnost, umetnost i kulturu'', Vrnjačka banja, 1974, pp 646-788. {{sc}}
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* ''Kunst und Sehen: Psychologie des Schöpferischen Auges'', Berlin: W. de Gruyter, 1965, 19+436 pp. {{de}}
 
  
 
* ''Visual Thinking'', University of California Press, 1969. {{en}}
 
* ''Visual Thinking'', University of California Press, 1969. {{en}}

Revision as of 12:08, 3 September 2017

Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist, and perceptual psychologist. His major books are Visual Thinking (1969), The Power of the Center: A Study of Composition in the Visual Arts (1982), and Art and Visual Perception: A Psychology of the Creative Eye (1954). He lived in Germany, Italy, England, and the United States.

Works

Books
  • Film als Kunst, Berlin: Rowohlt, 1932, 344 pp; new ed., afterw. Helmut H. Diederichs, Frankfurt am Main: Fischer, 1979, 348 pp. (German)
    • Film as Art, University of California Press, 1957, 230 pp. (English)
    • Kino kak iskusstvo, Moscow, 1960. (Russian)
    • Film jako sztuka, trans. Wanda Wertenstein, Warsaw: Wydawnictwa artystyczne i filmowe, 1961, 187+16 pp. (Polish)
    • Film kao umetnost, trans. Dušan Stojanović, intro. Vladimir Petrić, Belgrade: Narodna knjiga, 1962, xlvii+259 pp. (Serbo-Croatian)
    • A film mint művészet, trans. Zsuzsa Szekeres, Budapest: Magyar filmtudományi Intézet és Filmarchívum, 1962, 265 pp; repr., Budapest: Gondolat, 1985. (Hungarian)
    • Le cinema est un art, trans. Francoise Pinel, Paris: L'Arche, 1989. (French)
    • Kinoto kato izkustvo: studii i statii [Киното като изкуство: Студии и статии], ed. Aleksandŭr Grozev, trans. Gergana Fŭrkova, Sofia: Nauka i Izkustvo, 1989, 443 pp. (Bulgarian)
    • Film kot umetnost, trans. Petra Kaloh, afterw. Vid Pečjak, Ljubljana: Krtina, 2000, 167 pp. (Slovenian)
  • Radio: An Art of Sound, trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936, xvi+296 pp; New York: Arno Press, 1971, 287 pp. (English)
  • Toward a Psychology of Art, University of California Press, 1949; 1966. (English)
  • Art and Visual Perception: A Psychology of the Creative Eye, University of California Press, 1954; exp. & rev. ed., 1974, 508 pp. (English)
    • Kunst und Sehen: Psychologie des Schöpferischen Auges, Berlin: W. de Gruyter, 1965, 19+436 pp. (German)
    • Umetnost i vizuelno opažanje: psihologija stvaralačkog gledanja, trans. Vojin Stojić, Belgrade: Umetnička akademija, 1971, 461 pp; 2nd ed., Belgrade: Univerzitet umetnosti, 1987, 435 pp. (Serbo-Croatian)
    • Iskusstvo i vizualnoe vospriyatie, trans. V.N. Samokhin, Moscow: Progress, 1974, 392 pp; 2000. (Russian)
    • Sztuka i percepcja wzrokowa: psychologia twórczego oka, trans. Jolanta Mach, Warsaw: Wydawnictwa Artystyczne i Filmowe, 1978, 505 pp; repr., Gdańsk: Wydaw. słowo/obraz terytoria, 2004; repr., Łódź: Officyna, 2013. (Polish)
    • Arta şi percepţia vizuală: o psihologie a văzului creator, trans. Florin Ionescu, intro. Victor Ernest Masek, Bucharest: Meridiane, 1979, 491 pp; 2nd ed., Iaşi: Polirom, 2011, 500 pp, ARG. (Romanian)
    • A vizuális élmény: az alkotó látás pszichológiája, trans. József Szili and Gyula Tellér, Budapest: Gondolat, 1979, 559 pp; repr., Budapest: Aldus, 2004. (Hungarian)
    • Arte y percepción visual, trans. María Luisa Balseiro, 1979; 2002. (Spanish)
    • Arte e percepção visual, trans. Ivonne Terezinha de Faria, 1980; 2005. (Brazilian Portuguese)
    • Yi shu yu shi zhi jiao: shi jiao yi shu xin li xue, trans. Shouyao Teng and Jiangyuan Zhu, Beijing: Zhong guo she hui ke xue chu ban she, 1984, 640 pp; repr., Cheng dou: Si chuan ren min chu ban she, 1998. (Chinese)
  • Picasso's Guernica, University of California Press, 1962; 1974. (English)
    • "Pikasoova Gernika: geneza jedne slike", trans. Vojin Stojić, Časopis za književnost, umetnost i kulturu, Vrnjačka banja, 1974, pp 646-788. (Serbo-Croatian)
  • Visual Thinking, University of California Press, 1969. (English)
  • The Dynamics of Architectural Form, University of California Press, 1977. (English)
    • Dinamika architekturnych form, Moscow: Strojizdat, 1984, 191 pp. (Russian)
    • Dynamika formy architektonicznej, trans. Adam Grzeliński and Dariusz Juruś, Łódź: Officyna, 2016, 302 pp. (Polish)
  • The Power of the Center: A Study of Composition in the Visual Arts, University of California Press, 1982, 249 pp; rev.ed., 1988, x+239 pp. (English)
    • El poder del centro: estudio sobre la composición en las artes visuales, Madrid: Alianza, 1984, 250 pp. (Spanish)
    • Forţa centrului vizual: un studiu al compoziţiei în artele vizuale, trans. Luminiţa Ciocan, pref. Lucian Dragomirescu, Bucharest: Meridiane, 1991, 239 pp; repr., Iaşi: Polirom, 2012, 216 pp, ARG. Excerpts. (Romanian)
  • New Essays on the Psychology of Art, University of California Press, 1986, xi+331 pp. (English)
    • Novye ocherki po psikhologii iskusstva [Новые очерки по психологии искусства], Moscow: Prometei, 1994, 352 pp. (Russian)
    • Novi eseji o psihologiji umjetnosti, trans. Vesna Domany-Hardy, Zagreb: Matica hrvatska, 2008, 342 pp. (Croatian)
  • Parables of Sun Light: Observations on Psychology, the Arts, and the Rest, University of California Press, 1989, ix+369 pp. (English)
  • The Split and the Structure: Twenty-Eight Essays, University of California Press, 1996, ix+184 pp. (English)

Selected articles

Literature

  • Ian Verstegen, Arnheim, Gestalt and Art: A Psychological Theory, Vienna: Springer, 2005. (English)

Links


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