Difference between revisions of "Nancy Mauro-Flude"
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Alumni of [[Piet Zwart Institute]]. | Alumni of [[Piet Zwart Institute]]. | ||
| − | + | Leads [[post-digital]] aesthetics studio [https://www.rmit.edu.au/contact/staff-contacts/academic-staff/m/mauro-flude-dr-marcia-nancy School of Design at RMIT Melbourne]. | |
| − | Founder of [http://miss-hack.org | + | Founder of [http://miss-hack.org Desponias Critical Media Coven] and long term member of the [[Genderchangers]] home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: [http://systerserver.net systerserver], [[ Eclectic Tech Carnival]]. |
; Selected projects | ; Selected projects | ||
| − | *[http://divination.cc/ Divination] Divination | + | * [http://sister0.org/?paraphernalia/ Paraphernalia] Live performance and Custom HID sound tools. |
| − | *[http://www.lindadement.com/cyberfeminist-bedsheet.htm CyberFeminst | + | *[http://sister0.org/?error-in-time/ Error_in_Time()] Live Code Poetry performance [http://digicult.it/news/the-art-of-hacking/ NmIk] [https://transmediale.de/content/errorintime Transmediale] (2014-5) |
| + | *[http://divination.cc/ Divination] Divination (2016) DarkMofo Museum New and Old Art Tasmania | ||
| + | *[http://www.lindadement.com/cyberfeminist-bedsheet.htm CyberFeminst Bedsheet Transfigured] 2018 - 2019 in collaboration with Linda Dement. | ||
| − | ; Selected | + | ; Selected Curatorium |
| + | * [http://www.scotcotterell.com/index.php?/ono/curatecoencodingexperience/ encoding_experience/10_October_2008_18:00_EST.*] Plimsoll Gallery, Tasmania 2008. | ||
* [http://www.TacticalMagick.net TacticalMagick.net] Networked Art Forms: Tactical Magick Faerie Circuits, 2013. | * [http://www.TacticalMagick.net TacticalMagick.net] Networked Art Forms: Tactical Magick Faerie Circuits, 2013. | ||
* [http://Microbites.me Microbites.me] Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017. | * [http://Microbites.me Microbites.me] Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017. | ||
| − | * [http://internetloreasia.hotglue.me | + | * [http://internetloreasia.hotglue.me Internet Lore Asia] Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018. |
| + | * [http://vvitchvvavve.me Vvitchvvave] Post Digital Aesthetics Symposium and Exhibition, Siteworks, 2019. | ||
; Selected publications | ; Selected publications | ||
| − | * Mauro-Flude, Nancy (2019), Performing The Internet | + | *Mauro-Flude, Nancy (2019), [https://www.igi-global.com/gateway/chapter/220630 "Performing The Internet"], Post Digital Folklore, "Digital Humanities and Scholarly Research Trends in the Asia-Pacific Hongkong:IGI-global. |
| − | * [https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/101 "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8 | + | |
| − | * [http://unlikely.net.au/issue-2/divine-trash-strata "Divine Trash Strata"], ''Unlikely: Journal for Creative Arts'' 2, University of Melbourne, 2016. | + | * Mauro-Flude, Nancy (2015) [https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/101 "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8. |
| + | |||
| + | *Mauro-Flude, Nancy (2016) [http://unlikely.net.au/issue-2/divine-trash-strata "Divine Trash Strata"], ''Unlikely: Journal for Creative Arts'' 2, University of Melbourne. | ||
| + | |||
| + | *Mauro-Flude, Nancy (2016) [https://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_01015?journalCode=leon | ||
| + | "Paraphernalia: A Design Approach for Electronic-Performance Tools" MIT Leonardo Volume 48 | Issue 3 | June 2015. | ||
| + | |||
; Selected interviews | ; Selected interviews | ||
| + | * Alana Hunt, Activating the textures of Post-Digital Aesthetics A conversation with Nancy Mauro-Flude, Tom Penney [http://unprojects.org.au/un-extended/dear-un/post-digital/], 28 February 2019. | ||
| + | |||
| + | * Leandro Palacio, [https://open.abc.net.au/explore/50701 "Coding technology for a eulogy to Tasmanian elder. Valetudo"], 2013. Video. | ||
| + | |||
| + | * Ragna Rök Jóns, Is the 4th wave of feminism digital? [https://bluestockingsmag.com/2013/08/19/is-the-4th-wave-of-feminism-digital/], August 19, 2013. | ||
| + | |||
* Kendall Grady, [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-interview-with-nancy-mauro-flude/ you will _KNOW how_ : an interview with Nancy Mauro-Flude], 31 Oct 2011. | * Kendall Grady, [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-interview-with-nancy-mauro-flude/ you will _KNOW how_ : an interview with Nancy Mauro-Flude], 31 Oct 2011. | ||
| − | + | ||
; Links | ; Links | ||
* [http://sister0.tv/ Home page] | * [http://sister0.tv/ Home page] | ||
Revision as of 08:54, 30 April 2019
Nancy Mauro-Flude is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage. Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg 2013)
Alumni of Piet Zwart Institute.
Leads post-digital aesthetics studio School of Design at RMIT Melbourne.
Founder of Desponias Critical Media Coven and long term member of the Genderchangers home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: systerserver, Eclectic Tech Carnival.
- Selected projects
- Paraphernalia Live performance and Custom HID sound tools.
- Error_in_Time() Live Code Poetry performance NmIk Transmediale (2014-5)
- Divination Divination (2016) DarkMofo Museum New and Old Art Tasmania
- CyberFeminst Bedsheet Transfigured 2018 - 2019 in collaboration with Linda Dement.
- Selected Curatorium
- encoding_experience/10_October_2008_18:00_EST.* Plimsoll Gallery, Tasmania 2008.
- TacticalMagick.net Networked Art Forms: Tactical Magick Faerie Circuits, 2013.
- Microbites.me Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017.
- Internet Lore Asia Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018.
- Vvitchvvave Post Digital Aesthetics Symposium and Exhibition, Siteworks, 2019.
- Selected publications
- Mauro-Flude, Nancy (2019), "Performing The Internet", Post Digital Folklore, "Digital Humanities and Scholarly Research Trends in the Asia-Pacific Hongkong:IGI-global.
- Mauro-Flude, Nancy (2015) "Don’t mess with my settings", AM Journal of Art and Media Studies 8.
- Mauro-Flude, Nancy (2016) "Divine Trash Strata", Unlikely: Journal for Creative Arts 2, University of Melbourne.
- Mauro-Flude, Nancy (2016) [https://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_01015?journalCode=leon
"Paraphernalia: A Design Approach for Electronic-Performance Tools" MIT Leonardo Volume 48 | Issue 3 | June 2015.
- Selected interviews
- Alana Hunt, Activating the textures of Post-Digital Aesthetics A conversation with Nancy Mauro-Flude, Tom Penney [1], 28 February 2019.
- Leandro Palacio, "Coding technology for a eulogy to Tasmanian elder. Valetudo", 2013. Video.
- Ragna Rök Jóns, Is the 4th wave of feminism digital? [2], August 19, 2013.
- Kendall Grady, you will _KNOW how_ : an interview with Nancy Mauro-Flude, 31 Oct 2011.
- Links
