Difference between revisions of "Formism"
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| − | '''Formiści''' was | + | '''Formiści''' was an avant-garde magazine edited by [[Tytus Czyżewski]], [[Konrad Winkler]] and [[Leon Chwistek]] and published in Krakow in 6 issues between October 1919 and 1921. |
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| + | ==Issues== | ||
| + | {| class="imgtable" | ||
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| + | [[Image:Formisci_II-5_May_1921.jpg|thumb|185px|''Formiści'' 2:5 (May 1921). [[Media:Formisci_II-5_May_1921.pdf|Download]] (15 MB).]] | ||
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| + | [[Image:Formisci_II-6_Jun_1921.jpg|thumb|185px|''Formiści'' 2:6 (Jun 1921). [[Media:Formisci_II-6_Jun_1921.pdf|Download]] (15 MB).]] | ||
| + | |} | ||
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| + | The above PDFs are sourced from [http://bibliothequekandinsky.centrepompidou.fr/clientBookline/service/reference.asp?INSTANCE=incipio&OUTPUT=PORTAL&DOCID=0473823&DOCBASE=CGPP Bibliothèque Kandinsky]. | ||
==Literature== | ==Literature== | ||
| − | * http://books.google.com/books?id=-UrRTzxe2SAC&pg=PA77 | + | * Marek Bartelik, "The Formists", in Bartelik, ''Early Polish Modern Art: Unity in Multiplicity'', Manchester University Press, 2005, pp 57-91. [http://books.google.com/books?id=-UrRTzxe2SAC&pg=PA77] |
* Małgorzata Geron, [http://repozytorium.umk.pl/handle/item/1796 "Formiści. Pomiędzy tradycją a awangardą"], 2012. (in Polish) | * Małgorzata Geron, [http://repozytorium.umk.pl/handle/item/1796 "Formiści. Pomiędzy tradycją a awangardą"], 2012. (in Polish) | ||
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==Links== | ==Links== | ||
* [http://www.dada-companion.com/journals/per_formisci.php Formiści in Dada Companion] | * [http://www.dada-companion.com/journals/per_formisci.php Formiści in Dada Companion] | ||
| − | |||
* [http://pl.wikipedia.org/wiki/Formi%C5%9Bci_(pismo) Formiści at Polish Wikipedia] | * [http://pl.wikipedia.org/wiki/Formi%C5%9Bci_(pismo) Formiści at Polish Wikipedia] | ||
{{Avant-garde and modernist magazines}} | {{Avant-garde and modernist magazines}} | ||
Revision as of 21:51, 20 August 2014
Formiści was an avant-garde magazine edited by Tytus Czyżewski, Konrad Winkler and Leon Chwistek and published in Krakow in 6 issues between October 1919 and 1921.
Contents
Issues
 Formiści 2:5 (May 1921). Download (15 MB). |
 Formiści 2:6 (Jun 1921). Download (15 MB). |
The above PDFs are sourced from Bibliothèque Kandinsky.
Literature
- Marek Bartelik, "The Formists", in Bartelik, Early Polish Modern Art: Unity in Multiplicity, Manchester University Press, 2005, pp 57-91. [1]
- Małgorzata Geron, "Formiści. Pomiędzy tradycją a awangardą", 2012. (in Polish)
See also
Links
| Avant-garde and modernist magazines | ||
|---|---|---|
|
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). | ||
| Full list | ||
|---|---|---|
|
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). | ||
