Difference between revisions of "Dance"
Jump to navigation
Jump to search
m (Text replacement - "sci-hub.se" to "sci-hub.st") |
|||
| Line 1: | Line 1: | ||
| − | ==Dancers, choreographers== | + | ==Dancers, choreographers, initiatives== |
<div class="dpl" style="-moz-column-count:4; -webkit-column-count:4; column-count:4;"> | <div class="dpl" style="-moz-column-count:4; -webkit-column-count:4; column-count:4;"> | ||
<DynamicPageList> | <DynamicPageList> | ||
| Line 8: | Line 8: | ||
</div> | </div> | ||
| − | == | + | ==Publications== |
* John Percival, ''[[Media:Percival_John_Experimental_Dance_1971.pdf|Experimental Dance]]'', London: Studio Vista, 1971; New York: Universe Books, 1971, 160 pp. | * John Percival, ''[[Media:Percival_John_Experimental_Dance_1971.pdf|Experimental Dance]]'', London: Studio Vista, 1971; New York: Universe Books, 1971, 160 pp. | ||
* Jill Johnston, ''Marmalade Me'', New York: Dutton, 1971; [http://libgen.rs/book/index.php?md5=5A3C04BA5775256594916C2351122560 new ed., exp.], University Press of New England, 1998. [http://jilljohnston.com/?q=node/8] | * Jill Johnston, ''Marmalade Me'', New York: Dutton, 1971; [http://libgen.rs/book/index.php?md5=5A3C04BA5775256594916C2351122560 new ed., exp.], University Press of New England, 1998. [http://jilljohnston.com/?q=node/8] | ||
Revision as of 22:47, 14 February 2023
Dancers, choreographers, initiatives
Publications
- John Percival, Experimental Dance, London: Studio Vista, 1971; New York: Universe Books, 1971, 160 pp.
- Jill Johnston, Marmalade Me, New York: Dutton, 1971; new ed., exp., University Press of New England, 1998. [1]
- Ellen Graff, Stepping Left: Dance and Politics in New York City, 1928-1942, Durham: Duke University Press, 1997.
- Carolyn Brown, Chance and Circumstance: Twenty Years with Cage and Cunningham, New York: Alfred A. Knopf, 2007. Memoir.
- Robert Gottlieb, Reading Dance: A Gathering of Memoirs, Reportage, Criticism, Profiles, Interviews, and Some Uncategorizable Extras, New York, 2008.
- André Lepecki (ed.), Dance, London: Whitechapel Gallery, 2012, 240 pp.
- Cosmin Costinaş, Ana Janevski (eds.), Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions, Hong Kong: Para Site, and Berlin: Sternberg Press, 2017, 224 pp. [2] [3]
- Claire Bishop, "Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention", TDR/The Drama Review 62:2, Summer 2018, pp 22-42.
- Jill Johnston, The Disintegration of a Critic, eds. Fiona McGovern, Megan Francis Sullivan, and Axel Wieder, Bergen: Sternberg, and Bergen: Bergen Kunsthall, 2019, 224 pp. Collection of thirty texts published in Johnston's weekly column for The Village Voice between 1960 and 1974. [4] [5]
Links
- Another Modern Art: Dance and Theater, online companion to 2009 exhibition at MoMA
- Moving Margins, an alter-archive and educational platform for diverse dance practitioners and researchers to exchange and elaborate upon the possible encounters of a variety of dance histories, 2019ff
