Difference between revisions of "Michael Nardone"

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'''Michael Nardone''' is a writer and editor based in [[Montréal]].
 
'''Michael Nardone''' is a writer and editor based in [[Montréal]].
  
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He is the author of two books of poetry: ''The Ritualites'' (BookThug, 2018) and ''Transaction Record'' (Gauss PDF, 2014).
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His recent and forthcoming works include: ''Convivialities'' (a book of dialogues), ''Border Tuner | Sintonizador Fronterizo'' (a monograph on [[Rafael Lozano-Hemmer]], co-edited with Edgar Picazo Merino), ''Aural Poetics'' (an edited work on sound and composition across the arts), ''Yellow Towel: A Score'' (a collaboration with Dana Michel), the Documents on Expanded Poetics book series (which he co-edits with [[Nathan Brown]]), ''The Transatlantic Conversation'' (a translation of Abigail Lang’s monograph on contemporary French and US poetry), and ''The Ritualites'' (a book of poems), as well as a range of essays and editorial works concerning the literary arts and other inscriptive practices.
  
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A postdoctoral research fellow at the Université de Montréal, Nardone completed a PhD at Concordia University’s Centre for Interdisciplinary Studies, an MFA in Writing at the University of Victoria, and a BA in Philosophy at Boston University.
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Formerly a postdoctoral research fellow at the Université de Montréal and a PennSound visiting fellow at the University of Pennsylvania, Nardone completed a PhD at Concordia University’s Centre for Interdisciplinary Studies, an MFA in Writing at the University of Victoria, and a BA in Philosophy at Boston University. He is an affiliated faculty member at the Centre for Expanded Poetics.
  
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He is co-editor of the Documents book series published at the Centre for Expanded Poetics, and co-editor of ''Amodern'', an open access scholarly journal dedicated to media, culture, and poetics.
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Beginning in 2024, he is a writer-in-residence at the SETI Institute. [https://soundobject.net/home/info/ (2025)]
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His writings on poetics, media, and sound have appeared in the books ''Critical Creative Writing'' (Bloomsbury, 2018) and ''Public Poetics'' (Wilfrid Laurier University Press, 2015), and have been published in the following scholarly journals: ''Leonardo Music Journal, English Studies in Canada, Jacket2, College Literature, OEI, Theatre Research International, Canadian Literature'', and ''Amodern''. Other writings, dialogues, and editorial projects have appeared in journals such as ''The Chicago Review, e-flux, Tripwire, 032c magazine, The Capilano Review, textsound, n+1, Cordite, Oxford Poetry, Event, Maisonneuve, The Coming Envelope, Lemon Hound, The Conversant'', and ''Le Merle''.
 
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Nardone has contributed to a number of contemporary art institutions whose exhibitions have explored the aesthetics of language and the materiality of writing, including ''La machine qui enseignait des airs aux oiseaux'' (Musée d’art contemporain de Montréal, 2020), ''So So Silky Silky Silk'' (SBC Gallery, Montréal, 2018), ''Reading Matters'' (Printed Matter, New York, 2016), ''Future Concrete'' (Unit/Pitt, Vancouver, 2016), ''Concrete Scores'' (Open Space, Victoria, 2014), and ''The Dark Would'' (Whitechapel Gallery, London, 2013). His reviews of contemporary art have appeared in ''frieze, Camera Austria, BlackFlash, Canadian Art'', and Mousse Magazine’s ''Vdrome''.
 
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Current projects include a book on aurality, a monograph on contemporary poetics, and a collaborative work with the choreographer and live artist Dana Michel. [https://soundobject.net/home/info/ (2022)]
 
  
 
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* [http://soundobject.net Website]
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* [https://soundobject.net Website]
  
 
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Latest revision as of 19:22, 14 November 2025

Michael Nardone is a writer and editor based in Montréal.

His recent and forthcoming works include: Convivialities (a book of dialogues), Border Tuner | Sintonizador Fronterizo (a monograph on Rafael Lozano-Hemmer, co-edited with Edgar Picazo Merino), Aural Poetics (an edited work on sound and composition across the arts), Yellow Towel: A Score (a collaboration with Dana Michel), the Documents on Expanded Poetics book series (which he co-edits with Nathan Brown), The Transatlantic Conversation (a translation of Abigail Lang’s monograph on contemporary French and US poetry), and The Ritualites (a book of poems), as well as a range of essays and editorial works concerning the literary arts and other inscriptive practices.

Formerly a postdoctoral research fellow at the Université de Montréal and a PennSound visiting fellow at the University of Pennsylvania, Nardone completed a PhD at Concordia University’s Centre for Interdisciplinary Studies, an MFA in Writing at the University of Victoria, and a BA in Philosophy at Boston University. He is an affiliated faculty member at the Centre for Expanded Poetics.

Beginning in 2024, he is a writer-in-residence at the SETI Institute. (2025)

Links


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