Difference between revisions of "Julie Ault"

From Monoskop
Jump to navigation Jump to search
 
Line 8: Line 8:
  
 
* Julie Ault, et al., ''[[Media:Ault_Julie_et_al_Art_Matters_How_the_Culture_Wars_Changed_America_1999.pdf|Art Matters: How the Culture Wars Changed America]]'', eds. Brian Wallis, Marianne Weems, and Philip Yenawine, New York: New York University Press, 1999, 316 pp, [https://archive.org/details/artmattershowcul0000unse IA].
 
* Julie Ault, et al., ''[[Media:Ault_Julie_et_al_Art_Matters_How_the_Culture_Wars_Changed_America_1999.pdf|Art Matters: How the Culture Wars Changed America]]'', eds. Brian Wallis, Marianne Weems, and Philip Yenawine, New York: New York University Press, 1999, 316 pp, [https://archive.org/details/artmattershowcul0000unse IA].
 +
 +
* "Ausstellung: Unterhaltung, Praxis, Plattform", in ''Agenda. Perspektiven kritischer Kunst'', ed. Christian Kravagna, Vienna: Secession, and folio, 2000, pp 160-185. {{de}}
  
 
* editor, ''[[Media:Ault Julie ed Alternative Art New York 1965-1985 2002.pdf|Alternative Art New York, 1965-1985: a Cultural Politics Book for the Social Text Collective]]'', University of Minnesota Press, with New York: Drawing Center, 2002, ix+396 pp, [https://archive.org/details/alternativeartne0000unse IA]. [https://www.upress.umn.edu/book-division/books/alternative-art-new-york Publisher]. [https://www.si.edu/object/siris_sil_1089553 TOC].
 
* editor, ''[[Media:Ault Julie ed Alternative Art New York 1965-1985 2002.pdf|Alternative Art New York, 1965-1985: a Cultural Politics Book for the Social Text Collective]]'', University of Minnesota Press, with New York: Drawing Center, 2002, ix+396 pp, [https://archive.org/details/alternativeartne0000unse IA]. [https://www.upress.umn.edu/book-division/books/alternative-art-new-york Publisher]. [https://www.si.edu/object/siris_sil_1089553 TOC].

Latest revision as of 17:46, 19 July 2023

Julie Ault (1957) is an artist, writer and curator based in New York.

Publications
  • editor, Cultural Economies: Histories from the Alternative Arts Movement, NYC, New York: Drawing Center, 1996, 72 pp. [1]
  • "Ausstellung: Unterhaltung, Praxis, Plattform", in Agenda. Perspektiven kritischer Kunst, ed. Christian Kravagna, Vienna: Secession, and folio, 2000, pp 160-185. (German)
  • with Martin Beck, Critical Condition: Ausgewählte Texte im Dialog / Selected Texts in Dialogue, Essen: Kokerei Zollverein, 2003. (German)/(English)
Interviews
See also
Links