Difference between revisions of "Biyi Wen"
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(Created page with "'''Biyi Wen''' (Foshan, 1992) holds incessant interests for media archaeology and archival practices. That said, her work orients with the two axis noted in the bracket: F...") |
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'''Biyi Wen''' (Foshan, 1992) holds incessant interests for [[media archaeology]] and archival practices. That said, her work orients with the two axis noted in the bracket: Foshan, a southern city in China known for household electronics manufacturing; and 1992, the time to define looking back and projecting forward. The interests for archaeology and archiving radiate from these orientations, and evolve into more intricate and complex forms of creative reproduction. [https://www.colorado.edu/cmci/people/graduate-students/intermedia-art-writing-and-performance/biyi-wen (2022)] | '''Biyi Wen''' (Foshan, 1992) holds incessant interests for [[media archaeology]] and archival practices. That said, her work orients with the two axis noted in the bracket: Foshan, a southern city in China known for household electronics manufacturing; and 1992, the time to define looking back and projecting forward. The interests for archaeology and archiving radiate from these orientations, and evolve into more intricate and complex forms of creative reproduction. [https://www.colorado.edu/cmci/people/graduate-students/intermedia-art-writing-and-performance/biyi-wen (2022)] | ||
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| + | * http://www.foshan-1992.pw/ | ||
Latest revision as of 09:43, 14 December 2022
Biyi Wen (Foshan, 1992) holds incessant interests for media archaeology and archival practices. That said, her work orients with the two axis noted in the bracket: Foshan, a southern city in China known for household electronics manufacturing; and 1992, the time to define looking back and projecting forward. The interests for archaeology and archiving radiate from these orientations, and evolve into more intricate and complex forms of creative reproduction. (2022)
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