Difference between revisions of "Florian Weigl"

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(Curator at V2_)
 
 
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Florian Weigl (1985) is curator at [[V2|V2_, Lab for the Unstable Media]]. As curator and researcher he is interested in art and contemporary technology reflecting on society and in collaboration with artists in the development of critical dialogue, artistic reflection and practice-oriented research. He joined the curatorial team in 2015 working on both presenting and co-producing works and research.  
 
Florian Weigl (1985) is curator at [[V2|V2_, Lab for the Unstable Media]]. As curator and researcher he is interested in art and contemporary technology reflecting on society and in collaboration with artists in the development of critical dialogue, artistic reflection and practice-oriented research. He joined the curatorial team in 2015 working on both presenting and co-producing works and research.  
  
Curatorial projects at V2_ he did include the live experiment series 3x3 he initiated, and amongst others the group exhibitions The Gig is Up (2016, co-curated with [[Sarah Cook]]), Latent Spectators (UNArt Center, Shanghai 2019, co-curated with Iris Long) and Intimate Observations (Ermida Of São Roque, Tavira 2020, with Museu0, ); solo projects and exhibitions Jonas Lund's Operation Earnest Voice (2018), Philip Vermeulen’s The Physical Rythm Machine (2017 at Ars Electronica, 2018 at V2_) Marnix de Nijs' Ghosted Views (2019) Driessens & Verstappen’s Pareidolia (2020) and Johannes Langkamp's solo exhibition Sun Tracing (2019). He offers curatorial support in the development of new productions during the short-term international residency program Summer Sessions and is among other things responsible for V2_’s public events series Test_Lab.
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Curatorial projects at V2_ he did include the live experiment series 3x3 he initiated, and amongst others the group exhibitions The Gig is Up (2016, co-curated with Sarah Cook), Latent Spectators (UNArt Center, Shanghai 2019, co-curated with Iris Long) and Intimate Observations (with Museu0 at Ermida Of São Roque, Tavira 2020,) To Mind Is To Care (2020); solo projects and exhibitions Jonas Lund's Operation Earnest Voice (2018), Philip Vermeulen’s The Physical Rythm Machine (2017 at Ars Electronica, 2018 at V2_) Marnix de Nijs' Ghosted Views (2019) Driessens & Verstappen’s Pareidolia (2020) and Johannes Langkamp's solo exhibition Sun Tracing (2019) and is among other things curating V2_’s public events series Test_Lab. He also offers curatorial support in the development of new productions during residencies like the short-term international residency program Summer Sessions and is editor of the in Dutch publication [https://v2.nl/publishing/3x3-live-experimenteren 3x3 Live experimenteren] (2020, V2_Publishing with Jochem Kootstra)
  
 
Alongside his work at V2_, Florian works as independent curator, is an advisor for Mondriaan fonds, part of the Culture Advisory Committee Province Overijssel and Gelderland and advisor for Kunstfort bij Vijfhuizen.
 
Alongside his work at V2_, Florian works as independent curator, is an advisor for Mondriaan fonds, part of the Culture Advisory Committee Province Overijssel and Gelderland and advisor for Kunstfort bij Vijfhuizen.

Latest revision as of 15:02, 7 December 2020

Florian Weigl (1985) is curator at V2_, Lab for the Unstable Media. As curator and researcher he is interested in art and contemporary technology reflecting on society and in collaboration with artists in the development of critical dialogue, artistic reflection and practice-oriented research. He joined the curatorial team in 2015 working on both presenting and co-producing works and research.

Curatorial projects at V2_ he did include the live experiment series 3x3 he initiated, and amongst others the group exhibitions The Gig is Up (2016, co-curated with Sarah Cook), Latent Spectators (UNArt Center, Shanghai 2019, co-curated with Iris Long) and Intimate Observations (with Museu0 at Ermida Of São Roque, Tavira 2020,) To Mind Is To Care (2020); solo projects and exhibitions Jonas Lund's Operation Earnest Voice (2018), Philip Vermeulen’s The Physical Rythm Machine (2017 at Ars Electronica, 2018 at V2_) Marnix de Nijs' Ghosted Views (2019) Driessens & Verstappen’s Pareidolia (2020) and Johannes Langkamp's solo exhibition Sun Tracing (2019) and is among other things curating V2_’s public events series Test_Lab. He also offers curatorial support in the development of new productions during residencies like the short-term international residency program Summer Sessions and is editor of the in Dutch publication 3x3 Live experimenteren (2020, V2_Publishing with Jochem Kootstra)

Alongside his work at V2_, Florian works as independent curator, is an advisor for Mondriaan fonds, part of the Culture Advisory Committee Province Overijssel and Gelderland and advisor for Kunstfort bij Vijfhuizen.