Difference between revisions of "Tomislav Medak"
(New page: Born 1973. Studied Philosophy, German and Literature at the Philosophical Faculty in Zagreb. The focus of his work is social, biopolitical and media theory, in particular socio-theoret...) |
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Joint project leader for Creative Commons Croatia. The licenses were ported through the [[Multimedia Institute]] in Zagreb, where Medak co-ordinates theory and research programs and publishing activities. | Joint project leader for Creative Commons Croatia. The licenses were ported through the [[Multimedia Institute]] in Zagreb, where Medak co-ordinates theory and research programs and publishing activities. | ||
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| + | Co-founder of [[Mama]] net club. | ||
Tomislav is active as performer and choreographer with the Zagreb based theatre company BADco. | Tomislav is active as performer and choreographer with the Zagreb based theatre company BADco. | ||
Recently he directed his research work at social and cultural policies - investigating wider implications of and alternatives to existing IPR frameworks, protection of the public domain and regimes of management and representation of creative production. | Recently he directed his research work at social and cultural policies - investigating wider implications of and alternatives to existing IPR frameworks, protection of the public domain and regimes of management and representation of creative production. | ||
Revision as of 01:23, 26 September 2010
Born 1973. Studied Philosophy, German and Literature at the Philosophical Faculty in Zagreb. The focus of his work is social, biopolitical and media theory, in particular socio-theoretical implications of new technologies and new media.
Joint project leader for Creative Commons Croatia. The licenses were ported through the Multimedia Institute in Zagreb, where Medak co-ordinates theory and research programs and publishing activities.
Co-founder of Mama net club.
Tomislav is active as performer and choreographer with the Zagreb based theatre company BADco.
Recently he directed his research work at social and cultural policies - investigating wider implications of and alternatives to existing IPR frameworks, protection of the public domain and regimes of management and representation of creative production.
