Difference between revisions of "Media art in Hungary"

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== Bibliography ==
 
== Bibliography ==
 
* [[C3]]: History and archive of video art in Hungary 1972-2000 [http://www.c3.hu/collection/videomuveszet/indexen.html]
 
* [[C3]]: History and archive of video art in Hungary 1972-2000 [http://www.c3.hu/collection/videomuveszet/indexen.html]
 +
* Miklós Peternák: Data Toward the Study of the History of Hungarian Video Art. SVB VOCE, Budapest, Soros Foundation/Soros Center for Contemporary Arts (SCCA) - Mûcsarnok/Kunsthalle, 1991 [http://www.c3.hu/collection/videomuveszet/chronology.html]
 
*[[Nina Czegledy]] "Media Art: The Hungarian Model" ''CIAC's Electronic Art Magazine'' 12 (2001) [http://www.ciac.ca/magazine/archives/no_12/en/site.html]
 
*[[Nina Czegledy]] "Media Art: The Hungarian Model" ''CIAC's Electronic Art Magazine'' 12 (2001) [http://www.ciac.ca/magazine/archives/no_12/en/site.html]
 
* Andrew J Horton, "Avant-garde Film and Video in Hungary" ''Central European Review'' (October 1998) [http://www.ce-review.org/kinoeye/kinoeye4old.html] (English)
 
* Andrew J Horton, "Avant-garde Film and Video in Hungary" ''Central European Review'' (October 1998) [http://www.ce-review.org/kinoeye/kinoeye4old.html] (English)

Revision as of 10:31, 9 June 2008

Predecessors

Experimental film, avantgarde film

Interactive environments and installations

Computer and computer-aided art

Video art

  • scene since mid-1980s
  • video archive at C3, including History of Hungarian Video Art, project dir Seres and Peternák [1]

Electroacoustic and experimental music, sound art

Media theory

1990s - 2000s


Bibliography

  • C3: History and archive of video art in Hungary 1972-2000 [2]
  • Miklós Peternák: Data Toward the Study of the History of Hungarian Video Art. SVB VOCE, Budapest, Soros Foundation/Soros Center for Contemporary Arts (SCCA) - Mûcsarnok/Kunsthalle, 1991 [3]
  • Nina Czegledy "Media Art: The Hungarian Model" CIAC's Electronic Art Magazine 12 (2001) [4]
  • Andrew J Horton, "Avant-garde Film and Video in Hungary" Central European Review (October 1998) [5] (English)