Difference between revisions of "Media art in Hungary"
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== Bibliography == | == Bibliography == | ||
* [[C3]]: History and archive of video art in Hungary 1972-2000 [http://www.c3.hu/collection/videomuveszet/indexen.html] | * [[C3]]: History and archive of video art in Hungary 1972-2000 [http://www.c3.hu/collection/videomuveszet/indexen.html] | ||
+ | * Miklós Peternák: Data Toward the Study of the History of Hungarian Video Art. SVB VOCE, Budapest, Soros Foundation/Soros Center for Contemporary Arts (SCCA) - Mûcsarnok/Kunsthalle, 1991 [http://www.c3.hu/collection/videomuveszet/chronology.html] | ||
*[[Nina Czegledy]] "Media Art: The Hungarian Model" ''CIAC's Electronic Art Magazine'' 12 (2001) [http://www.ciac.ca/magazine/archives/no_12/en/site.html] | *[[Nina Czegledy]] "Media Art: The Hungarian Model" ''CIAC's Electronic Art Magazine'' 12 (2001) [http://www.ciac.ca/magazine/archives/no_12/en/site.html] | ||
* Andrew J Horton, "Avant-garde Film and Video in Hungary" ''Central European Review'' (October 1998) [http://www.ce-review.org/kinoeye/kinoeye4old.html] (English) | * Andrew J Horton, "Avant-garde Film and Video in Hungary" ''Central European Review'' (October 1998) [http://www.ce-review.org/kinoeye/kinoeye4old.html] (English) |
Revision as of 10:31, 9 June 2008
Contents
Predecessors
Experimental film, avantgarde film
Interactive environments and installations
Computer and computer-aided art
Video art
- scene since mid-1980s
- video archive at C3, including History of Hungarian Video Art, project dir Seres and Peternák [1]
Electroacoustic and experimental music, sound art
Media theory
1990s - 2000s
Bibliography
- C3: History and archive of video art in Hungary 1972-2000 [2]
- Miklós Peternák: Data Toward the Study of the History of Hungarian Video Art. SVB VOCE, Budapest, Soros Foundation/Soros Center for Contemporary Arts (SCCA) - Mûcsarnok/Kunsthalle, 1991 [3]
- Nina Czegledy "Media Art: The Hungarian Model" CIAC's Electronic Art Magazine 12 (2001) [4]
- Andrew J Horton, "Avant-garde Film and Video in Hungary" Central European Review (October 1998) [5] (English)