Difference between revisions of "Jean Dubuffet"
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** "Notes pour les fins lettrés", pp 47-99; repr. in Dubuffet, ''Prospectus et tous écrits suivants'', 1967. Written Spring-Summer 1945. | ** "Notes pour les fins lettrés", pp 47-99; repr. in Dubuffet, ''Prospectus et tous écrits suivants'', 1967. Written Spring-Summer 1945. | ||
*** [http://archive.org/stream/ArtInTheory/AIT#page/n307/mode/1up "Notes for the Well-Lettered"], in ''Art in Theory, 1900-1990: An Anthology of Changing Ideas'', eds. Charles Harrison and Paul Wood, Blackwell, 1992, pp 590-593. Trans. of excerpt. {{en}} | *** [http://archive.org/stream/ArtInTheory/AIT#page/n307/mode/1up "Notes for the Well-Lettered"], in ''Art in Theory, 1900-1990: An Anthology of Changing Ideas'', eds. Charles Harrison and Paul Wood, Blackwell, 1992, pp 590-593. Trans. of excerpt. {{en}} | ||
− | * | + | |
− | + | * {{a|Dubuffet1949}} Compagnie de l'Art Brut, ''[http://monoskop.org/log/?p=16116 L'art brut préféré aux arts culturels]'', Paris: René Drouin, Oct 1949, 52 pp, [http://brbl-dl.library.yale.edu/vufind/Record/3558501 JPGs]; repr. in Dubuffet, ''Prospectus et tous écrits suivants, 1'', 1967. Preface to the catalogue; came to be regarded as the manifesto of the group Compagnie de l'Art Brut (formed in June 1948). [http://www.dubuffetfondation.com/bibliographie-tour.php?quelle_publication=10001&lang=en] {{fr}} | |
− | *** [http://archive.org/stream/ArtInTheory/AIT#page/n308/mode/1up "Crude Art Preferred to Cultural Art"], in ''Art in Theory, 1900-1990: An Anthology of Changing Ideas'', eds. Charles Harrison and Paul Wood, Blackwell, 1992, pp 593-595, [http://aaaaarg.fail/ref/cd7c0fb902e35b08fd9029cda22c90ce#0.01 ARG]. {{en}} | + | *** [http://archive.org/stream/ArtInTheory/AIT#page/n308/mode/1up "Crude Art Preferred to Cultural Art"], in ''Art in Theory, 1900-1990: An Anthology of Changing Ideas'', eds. Charles Harrison and Paul Wood, Blackwell, 1992, pp 593-595, [http://aaaaarg.fail/ref/cd7c0fb902e35b08fd9029cda22c90ce#0.01 ARG]. Trans. of the preface. {{en}} |
+ | |||
* ''Nunc Stans Épokhe: Cycle de l'Hourloupe'', Paris: Galerie Jeanne Bucher, 1966. {{fr}} | * ''Nunc Stans Épokhe: Cycle de l'Hourloupe'', Paris: Galerie Jeanne Bucher, 1966. {{fr}} | ||
* ''Prospectus et tous écrits suivants'', 2 vols., Paris: Gallimard, 1967. {{fr}} | * ''Prospectus et tous écrits suivants'', 2 vols., Paris: Gallimard, 1967. {{fr}} |
Revision as of 17:12, 10 January 2016
Music recordings
Catalogues
- Dubuffet, 1962-1966, New York: Guggenheim Museum, 1966, Flash.
- Dubuffet and the Anticulture, New York: Richard L. Feigen and Co., 1969. Catalogue from the exhibition, November 25, 1969-January 3, 1970.
- Jean Dubuffet: Retrospective, New York: Guggenheim Museum, 1973, Flash.
- Jean Dubuffet: A Retrospective Glance at Eighty, New York: Guggenheim Museum, 1981, Flash.
Publications
- Prospectus aux amateurs de tout genre, Paris: Gallimard, 1946. (French)
- "Notes pour les fins lettrés", pp 47-99; repr. in Dubuffet, Prospectus et tous écrits suivants, 1967. Written Spring-Summer 1945.
- "Notes for the Well-Lettered", in Art in Theory, 1900-1990: An Anthology of Changing Ideas, eds. Charles Harrison and Paul Wood, Blackwell, 1992, pp 590-593. Trans. of excerpt. (English)
- "Notes pour les fins lettrés", pp 47-99; repr. in Dubuffet, Prospectus et tous écrits suivants, 1967. Written Spring-Summer 1945.
- Compagnie de l'Art Brut, L'art brut préféré aux arts culturels, Paris: René Drouin, Oct 1949, 52 pp, JPGs; repr. in Dubuffet, Prospectus et tous écrits suivants, 1, 1967. Preface to the catalogue; came to be regarded as the manifesto of the group Compagnie de l'Art Brut (formed in June 1948). [1] (French)
- "Crude Art Preferred to Cultural Art", in Art in Theory, 1900-1990: An Anthology of Changing Ideas, eds. Charles Harrison and Paul Wood, Blackwell, 1992, pp 593-595, ARG. Trans. of the preface. (English)
- Nunc Stans Épokhe: Cycle de l'Hourloupe, Paris: Galerie Jeanne Bucher, 1966. (French)
- Prospectus et tous écrits suivants, 2 vols., Paris: Gallimard, 1967. (French)
- "Anticultural Positions", Arts 53 (Apr 1979), pp 156-157. (English)
- Bâtons Rompus, Paris: Minuit, 1986. (French)
- Asphyxiante culture, Paris: Jean-Jacques Pauvert, 1968; exp.ed., Paris: Minuit, 1986, 124 pp. (French)
- Cultura asfixiante, trans. Serafim Ferreira, 1971. (Portuguese)
- Asphyxiating Culture, trans. Carol Volk, New York: Four Walls Eight Windows, 1986. (English)
- Dusivá kultura, trans. Ladislav Šerý, 1998. (Czech)
- "Make Way for Incivism", Art & Text 27 (Dec 1987-Feb 1988), pp 34-36. (English)
- scans in Beinecke Rare Book & Manuscript Library
Literature
- http://www.nyu.edu/gsas/dept/fineart/people/faculty/minturnPDFs/Damisch_1962.pdf
- Samantha Krukowski, Jean Dubuffet and the Deculturation of Art, St. Louis: Washington University, 1992. Master's thesis.
- http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf
- http://www.nyu.edu/gsas/dept/fineart/people/faculty/minturnPDFs/Minturn_Dubuffet_and_Ossorio.pdf
- http://www.nyu.edu/gsas/dept/fineart/people/faculty/minturnPDFs/Minturn_Greenberg.pdf
- http://www.nyu.edu/gsas/dept/fineart/people/faculty/minturnPDFs/Minturn-Chaissac.pdf
- http://www.ecoledulouvre.fr/revue/numero4avril2014/Brun.pdf
- http://www.ecoledulouvre.fr/revue/numero4avril2014/Couette.pdf